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Theme (From "Star Trek: Voyager")

Nic raine , jerry goldsmith , prague philharmonic orchestra.

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Jerry Goldsmith

Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor most known for his work in film and television scoring. more »

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The Meaning Behind The Song: Theme (From “Star Trek: Voyager”) by Jerry Goldsmith

When it comes to iconic television themes, few can compare to the timeless melodies of the various Star Trek series. One such theme that has captivated audiences for decades is the powerful and evocative “Theme” from Star Trek: Voyager, composed by the renowned Jerry Goldsmith. With its soaring orchestration and poignant harmonies, this piece of music not only sets the stage for each episode but also carries a deeper meaning that resonates with fans around the world.

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The theme begins with a sense of adventure and exploration, reflecting the core essence of the Star Trek franchise. As Voyager embarks on its treacherous journey through uncharted space, this music becomes a beacon of hope and determination. The uplifting melody symbolizes the resilience of the crew as they face countless challenges and strive to return home.

1. What inspired Jerry Goldsmith to compose the theme for Star Trek: Voyager?

Throughout his illustrious career, Jerry Goldsmith demonstrated a remarkable ability to capture the essence of a story through his music. For Star Trek: Voyager, Goldsmith’s inspiration came from the show’s narrative itself. The idea of a lone starship, lost in an unknown part of the galaxy, searching for a way back to familiar territory, sparked the composer’s imagination and set the creative process in motion.

2. How did Jerry Goldsmith approach the composition of the theme?

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Goldsmith approached the composition of the theme by carefully considering the emotional journey of the characters. He wanted to convey their sense of determination, hope, and resilience against all odds. By combining sweeping orchestral arrangements with memorable melodies, he created a musical tapestry that captured the essence of the Voyager crew’s mission.

3. Is there any symbolism hidden within the theme?

While the theme does not contain any explicit symbolism, it can be interpreted as a representation of the human spirit’s indomitable will to explore and overcome obstacles. The music serves as a reminder of the power of hope, the desire for adventure, and the importance of unity in the face of adversity.

4. How does the theme contribute to the overall viewing experience of Star Trek: Voyager?

The theme for Star Trek: Voyager sets the stage for each episode, creating a sense of anticipation and excitement. It serves as a musical anchor, reminding viewers of the show’s core themes of exploration, discovery, and the enduring bond between the crew. The emotional impact of the theme is further enhanced by its integration into pivotal moments throughout the series, enhancing the viewer’s connection with the characters and their struggles.

5. Did the theme undergo any changes throughout the series?

While the core melody remained the same, slight variations and adaptations of the theme were made throughout the series. These subtle changes allowed the music to reflect the evolving dynamics of the characters and their journey. It enabled the theme to maintain its relevance while showcasing the growth and development of the Voyager crew over the course of their odyssey.

6. How did the theme resonate with fans of Star Trek: Voyager?

The theme resonated deeply with fans of Star Trek: Voyager, becoming an integral part of their viewing experience. Its powerful and uplifting nature instilled a sense of hope and wonder, reflecting the themes that defined the show. The music served as a unifying element, connecting fans with the characters and the shared journey they embarked upon each week.

7. What impact did Jerry Goldsmith’s theme have on the Star Trek franchise as a whole?

Jerry Goldsmith’s theme for Star Trek: Voyager became an iconic addition to the vast musical landscape of the Star Trek franchise. Its emotional depth and timeless quality resonated with both longtime fans and newcomers to the series. Goldsmith’s composition set a high standard for subsequent Star Trek themes, inspiring future composers to strive for the same level of excellence and capturing the spirit of exploration inherent in the franchise.

8. What emotions does the theme evoke?

The theme evokes a wide range of emotions, including a sense of awe, determination, and longing. It inspires feelings of adventure and discovery, while also conveying a yearning for a sense of home and belonging. Through its sweeping melodies and orchestral grandeur, the theme elicits a strong emotional response from listeners, making it a cherished piece of music for Star Trek fans.

9. Has the theme been performed in live concerts or events?

Yes, the theme from Star Trek: Voyager has been performed in numerous live concerts and events dedicated to the music of Star Trek. These performances showcase the enduring appeal of the theme and its ability to captivate audiences beyond the television screen. Hearing the music performed live allows fans to fully immerse themselves in the emotional journey of the Voyager crew.

10. How does the theme compare to other Star Trek themes?

Every Star Trek theme possesses its own unique qualities and characteristics, reflecting the distinctiveness of each series. The theme for Star Trek: Voyager stands alongside other iconic themes within the franchise, such as the original series and The Next Generation. It holds its own by capturing the essence of the show’s narrative and resonating with fans on a deep emotional level.

11. Can the theme be enjoyed separately from the show?

Absolutely! The theme from Star Trek: Voyager is an incredibly powerful piece of music that can be enjoyed independently of the show. Its universal appeal transcends the confines of the television series, allowing listeners to immerse themselves in its emotional journey even without prior knowledge of the show’s context. The music stands as a testament to Jerry Goldsmith’s talent as a composer.

12. Are there any notable accolades or awards bestowed upon the theme?

While the theme itself did not receive specific accolades or awards, Jerry Goldsmith’s work on the Star Trek franchise as a whole garnered immense recognition. He became synonymous with the musical identity of Star Trek and received numerous accolades, including an Academy Award for Best Original Score for the Star Trek: The Motion Picture. The enduring impact of his compositions, including the theme for Star Trek: Voyager, continues to be celebrated by fans and critics alike.

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Star Trek: Voyager opening title sequence

Title screen for Star Trek: Voyager

The opening title sequence for Star Trek: Voyager highlighted the series' hero starship, the USS Voyager , traversing spatial phenomena made possible with the latest in contemporary CGI modeling. The sequence was designed by Dan Curry , with the title theme composed by Jerry Goldsmith .

The sequence was nominated for an Emmy for Outstanding Individual Achievement in Graphic Design and Title Sequences. ( Star Trek Voyager: A Celebration , p. 19)

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Every 'Star Trek' Theme Song Ranked

It's hard not to take the Star Trek: Enterprise theme as an affront upon first hearing it. There's nothing science fiction feeling about it, and none of the orchestral swell found in previous Star Trek series themes, which foreshadowed the more perfect human future ahead. Instead, it's a twangy soft rock ballad version of a song from Patch Adams , which had come out less than three years before Enterprise . But this time "Where My Heart Will Take Me" was sung by British opera tenor Russell Watson instead of Rod Stewart.

• 'Picard' Is the First 'Star Trek' Launched By a Woman Director

The discordance was clearly no accident. Enterprise was meant to stand apart from other Star Trek s in any number of ways—the words " Star Trek " didn't even appear in the title until the third season. But there was an instant backlash to the saccharine theme when Enterprise premiered in 2001, with fan protests and petitions calling for a return of "score that is without vocals, as traditionally used by Star Trek television series."

"What's a Star Trek series without something for people to hate?" Star Trek series producer and Enterprise executive producer Rick Berman said at time, responding to the backlash for SciFi Wire.

But for all the sputtering, it's hard not to find a Star Trek theme with singalong lyrics at least a little charming, even if its syrupy sentiment would make actually singing along embarrassing. The Enterprise theme may have sucked all the mockery in the galaxy into its orbit, but it's a little hard not to admire them for sticking by it, even doubling down with a baffling third season pivot to a new version—this one smooth jazz-pop, which sounded a little as if the record player had been sped up slightly to get it over with.

While few would dispute that "Where My Heart Will Take Me" is the worst Star Trek theme , it has still, for the most part, been tolerated, sometimes even embraced. NASA archivist Colin Fries confirms Space Shuttle crews were subjected to it four times, with "Where My Heart Will Take Me" serving as a wake up call twice as often as the themes for the original Star Trek or The Next Generation . (Other selections used for morning esprit de corps on space missions included the theme from the 1965 Western For a Few Dollars More , "Eye in the Sky" by Alan Parsons Project and "Gettin' Jiggy Wit It" by Will Smith.)

Watson, the song's singer, probably described the journey towards acceptance best: "Something new happens, and people aren't quite sure of it. But they'll get used to it," he said in 2001 . "By the time they've watched the 20th episode, they'll be thinking, 'Well, it's not that bad after all.'"

He's probably right. Those sticky lyrics ensure you'll never forget it.

Cause I've got faith, of the heart.

I'm going where my heart will take me.

I've got faith to believe.

I can do anythinggggggg.

But while it's easy to step on the Enterprise song, ranking the rest of the Star Trek themes—which stick closer to the style of the soaring orchestral introduction that first appeared before the very first episode, "The Man Trap," on September 6, 1966—is a lot trickier. A 2013 poll by the official Star Trek site found a split fanbase, though the most substantial support went to the same two themes as top this ranked list.

Star Trek: Discovery

Jeff Russo's Star Trek: Discovery theme is cluttered with instrumentation. This sometimes works beautifully, including its early, mournful horn build-up and the confident strings vibrating after, but the cumulative effect is a little too mathematically fussy, made worse by an emphasis on propulsive energy over mood. But the Discovery theme might have been able to stand on its own if it weren't for the decision to sink it between two nostalgic stings from Alexander Courage's original Star Trek fanfare.

Star Trek: The Animated Series

With story editor D.C. Fontana's focus on tight science fiction plots and most of the original cast returning to voice their characters, The Animated Series felt like another year in the Enterprise's five-year mission—rather than just Star Trek for kids—when it debuted in 1973, four years after the original series' cancellation. But while Star Trek: TAS did everything right, there was no disguising the limited animation or the derivative theme, composed in-house by the animation studio's cofounder and their prolific cartoon composer, both bearing pseudonyms.

But while it's missing the orchestral grandeur of other Star Trek themes, The Animated Series music is undeniably jaunty. It's chintzy for sure, but there's a colorful bounciness to it that gives it an enduring camp appeal.

Star Trek: Deep Space Nine

Created by longtime Star Trek series composer Dennis McCarthy, who scored hundreds of hours—from the first episode of The Next Generation to the last episode of Enterprise —the Deep Space Nine theme has an unimpeachable pedigree. Opening with a lonely trumpet solo, it's a moody introduction to the remote space station setting for the series.

But from there, the DS9 theme expands into a repetitive martial fanfare. Loaded with trumpets and French horns, it's a song that feels like it's perpetually revealing, instead of going anywhere. While its theme is in line with the diplomacy and war of the series (and a fourth season re-orchestration adds a little more energy), it's a little too stately for a series that deconstructed the high-minded planet-hopping of The Next Generation , pioneered Star Trek serial storytelling and pushed the United Federation of Planet's utopian principles to their breaking point.

Star Trek: Picard

Where Deep Space Nine is a one-dimensional theme that doesn't suit its fascinating show, Star Trek: Picard is everything its series is not. Composed by Russo, but far less slavish than the nostalgic Discovery theme, the main title for Picard feels mysterious and hopeful, combining strings to evoke the cultured, urbane Jean-Luc Picard with a pining flute—a reminder of the starship captain's soulful playing of his Ressikan flute (an instrument he learned to play in the beloved TNG episode "Inner Light"). While the series devolves into a busywork action adventure, the theme song has an earthy sentiment, perfect for a Star Trek series about a planetbound captain returning to the stars.

Star Trek: The Original Series

"I don't want any of this goddamn funny-sounding space science fiction music, I want adventure music," composer Alexander Courage recalls Star Trek creator Gene Roddenberry telling him, in interviews excerpted in the 2013 collection Music In Science Fiction Television: Tuned to the Future . "He wanted something that had some balls and drive to it."

Courage combined woodwinds, a harp, a vibraphone, French horns and Loulie Jean Norman: a soprano singer from The Dean Martin Show , who was the first to sing the wordless Star Trek melody. The result is a theme that is both adventure-driven (you can almost hear trotting horse hooves underneath the singing) and iconically sci-fi, as the first four notes ring out like satellite pings over the depths of space.

Courage even created the "woosh" sound effect as the Enterprise zips across the screen during the opening credits, by making the sound with his mouth. (Gene Rodenberry would later write useless, never-sung lyrics so he could lay claim to half of Courage's royalties).

A beautiful version of the theme also popped up in Star Trek: Discovery , right after the reveal of a rendezvous with the U.S.S. Enterprise at the end of the first season finale. Discovery and Picard composer Jeff Russo assembled a 74-piece orchestra, more than doubling the original recording.

Star Trek: The Next Generation

Jerry Goldsmith was nominated for Best Original Score at the 1979 Academy Awards for the 12th time for his soundtrack to Star Trek: The Motion Picture . Unlike his second nominated score—the experimental, influential and deeply strange music for Planet of the Apes— Goldsmith's Star Trek movie score was bold and unabashedly accessible. Goldsmith cited the direct influence of John Williams' theme for Star Wars , which came out in theaters two years earlier—not the last time the series would aim for the more mainstream appeal of the space opera pulp adventure.

The opening fanfare became so central to the Star Trek identity that McCarthy, the composer who would go on to create the DS9 main theme, rearranged The Motion Picture theme for the opening of Star Trek: The Next Generation nearly a decade later.

The result is likely the most iconic Star Trek title track. Booming and heroic, it evokes the more elevated and diplomatic dilemmas confronted by the starship Enterprise of the 24th century, redefining the series from James T. Kirk's swashbuckling adventures a century earlier.

Star Trek: Voyager

The Next Generation theme may be the defining musical motif for all of modern Star Trek , but Goldsmith topped its sonic pleasures when he composed the Voyager theme in the middle of a decade-long run scoring Star Trek movies (including beloved entries like First Contact , and loathed ones like Nemesis ). Completely different from the marching rhythm of the TNG and DS9 themes, Voyager recaptures some of the spacey ethereality of Courage's original vocal melody, while adding a deep space resonance that evoked the series' lost explorers, far from home among uncharted stars.

Unlike most other Star Trek themes, there's not a hint or sample of what came before in Voyager 's main title, emphasizing how apart the series was from the supportive unity of the United Federation of Planets. Rather than the drumbeat of purpose, Voyager captures a more open-ended sense of searching. Of the Star Trek series released since The Next Generation , it's the Voyager theme that sounds the least martial and most exploratory. This is music to calibrate your nacelles to.

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Star Trek - Voyager - Theme Song

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Sisko Perfectly Explains Why It's Time For Tom Paris To Become Star Trek's Next Captain

Which star trek captains met each other, section 31 is totally different in ds9 than in michelle yeoh’s star trek movie.

Star Trek has featured some of the most iconic theme songs of all time, generally scoring the final frontier with thrilling orchestral marches. From the very beginning, with Star Trek: The Original Series , the music was an important part of the show. And while the types of music used to score the actual episodes has evolved over the years, the theme song remains consistent - in all but one case, an orchestral composition laid atop a title sequence listing the main cast members.

While the importance of an opening tune may not always be obvious, Star Trek creator Gene Roddenberry certainly understood the value of the theme song. Roddenberry wrote lyrics to the TOS theme song so he could collect half the royalties, damaging his relationship with composer Alexander Courage. Many of Star Trek 's theme songs have become so iconic they're part of the cultural lexicon, while a select few are widely reviled.

Related: Star Trek's 6 Most Controversial Captains (& Why)

12 Star Trek: Enterprise

A prequel set a century before the adventures of Captain James T. Kirk (William Shatner), Star Trek: Enterprise features the most infamous theme song in the entire franchise. Rather than a traditional orchestral theme song, Enterprise was headlined by "Where My Heart Will Take Me," a saccharine pop ballad by Russell Watson. Using a pop song for a Star Trek theme is not an inherently bad idea, but "Where My Heart Will Take Me" is a substandard power ballad that doesn't fit with the spirit of Star Trek . Enterprise 's theme was almost U2's Beautiful Day , which would have been a huge improvement.

11 Star Trek: The Animated Series

Star Trek: The Animated Series was something of a half measure. While Star Trek: The Original Series began to explode in popularity in syndication in the 1970s, it still wasn't yet financially feasible to fully revive the series. A cheaper, safer option was Star Trek: The Animated Series . The entire TOS cast, except for Walter Koenig, returned to voice their characters, largely thanks to Leonard Nimoy. The opening theme is a weak retread of the TOS theme song, created by Funimation's in-house composers. Like everything else about The Animated Series , the song is largely forgettable, a Star Trek footnote at best.

10 Star Trek: Discovery

Star Trek: Discovery , the adventures of mutineer-turned-Captain Michael Burnham (Sonequa Martin-Green), borrows a bit of Alexander Courage's iconic fanfare before twisting the melody slightly and storming off into new territory. Jeff Russo's theme is propulsive and pretty, but apart from the Courage flourishes, it feels like it could be the theme song to any CBS legal drama. It's a song that could soundtrack multiple relatively mundane scenarios, but maybe not a space epic. It's an understated piece that never quite takes flight in a satisfying, stirring way, ironically mirroring Star Trek: Discovery 's occasional narrative issues in executing its lofty ambitions.

9 Star Trek: The Original Series

Alexander Courage's fanfare that introduces Captain Kirk's "Space, the final frontier..." narration is one of the single most iconic musical cues in modern pop culture. The theme song that actually follows that fanfare is just sort of passable. The theme for Captain Kirk and Spock (Leonard Nimoy) is very dated sounding, clearly a product of the 1960s, and the theme itself is not strong enough to overcome the old-fashioned production. There are a few different mixes of the song, but the most infamous is the one that cranks the female soprano singer's voice to the forefront, which is somewhat cringe-inducing.

8 Star Trek: Strange New Worlds

For the pre-Kirk adventures of Captain Christopher Pike (Anson Mount) aboard the USS Enterprise, composer Jeff Russo reimagined the theme song from Star Trek: The Original Series . The fanfare is still great, and the theme song itself is much improved in this new form, featuring a more sophisticated arrangement and big, foreboding strings. The use of the theremin at the end of the theme is a nice nod to TOS. Like many aspects of Star Trek: Strange New Worlds , the TOS theme song has been freshened up and made appealing for modern audiences.

7 Star Trek: Picard (Seasons 1 & 2)

The surprise return of Jean-Luc Picard (Patrick Stewart) in Star Trek: Picard was again given its theme song by composer Jeff Russo. It's a lovely, twinkling, slightly sad theme, as violins swirl around the signature flute piece, an homage to Picard's experience in the Star Trek: The Next Generation episode "The Inner Light." It's not exactly thrilling, but it's emotionally resonant, and it sets the stage perfectly for Picard's late life adventure to save Commander Data's (Brent Spiner) synthetic offspring Soji (Isa Briones).

6 Star Trek: Lower Decks

The adult animated comedy Star Trek: Lower Decks is often thought of as a lovingly irreverent spoof, but in many ways it understands Star Trek as well as any series in the franchise. Ensign Brad Boimler (Jack Quaid) may be an anxious neurotic, but he also understands what Starfleet stands for about as well as anyone. Composer Chris Westlake's theme song is clearly channeling the Star Trek series of the 1990s, structured and composed in ways that would make old school Star Trek producer Rick Berman proud.

5 Star Trek: Prodigy

One of the most impressive aspects of the alternate reality Kelvin timeline films was the score, composed by current Hollywood powerhouse Michael Giacchino. He returned to the franchise to lend his talents to the theme song for Star Trek: Prodigy , Paramount+'s first series aimed squarely at children and families. Giacchino doesn't disappoint, providing a confident, galloping theme song that feels like a thrilling companion piece to his Kelvin timeline Star Trek work . It immediately became one of Star Trek 's finest themes.

4 Star Trek: Picard (Season 3)

Star Trek: Picard season 3 made some sweeping changes to the series, most notably putting Admiral Picard back on a Federation starship and reuniting him with his command crew from the USS Enterprise-D. The show's music also made a change; the opening credits were moved to the end of each episode, and Jeff Russo's theme was replaced by a new arrangement of the late Jerry Goldsmith's main theme from Star Trek: First Contact . Goldsmith's First Contact piece is one of the most beautiful in all of Star Trek , and hearing it while viewing the dazzling LCARS screens all over the bridge of the USS TItan-A is a nerdy delight.

3 Star Trek: Deep Space Nine

Star Trek: Deep Space Nine has a reputation for being one of the darkest entries in Star Trek , and the theme song somewhat backs that up. The somber, reflective theme song begins with a single echoing horn, a fitting metaphor for the space station's position in a relatively remote part of space. The simple, mournful theme song got a musical overhaul at the beginning of season 4, beefing up the melodrama and intensity at the dawn of the brutal Dominion War.

2 Star Trek: Voyager

An argument can be made that the best thing about Star Trek: Voyager is its theme song. Written by legendary Star Trek composer Jerry Goldsmith, Voyager's theme song is all bombastic strings and horns, a dramatic melody that underscores how dire the situation is for Captain Kathryn Janeway (Kate Mulgrew) and her surviving crew. It also manages to shoot that tension through with the sort of hopefulness that defines the best of Star Trek . it's one of Goldsmith's most affecting pieces of Star Trek music, which is saying something.

1 Star Trek: The Next Generation

The original plan was for Star Trek: The Next Generation to have a fully original theme song, but late in pre-production it was decided to use a combination of Alexander Courage's fanfare from Star Trek: The Original Series and Jerry Goldsmith's main theme from Star Trek: The Motion Picture . The result is the single most iconic theme song in all of Star Trek , a confident march that hits every note with intense purpose. For many Star Trek fans, it's the defining sound of adventure and space exploration.

• Star Trek: The Next Generation
• Star Trek: Voyager