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Cast & Creative

Beyond a dream to be in the Pridelands. Credits Off-Broadway and regionally including Cleveland Play House, Actors Theatre of Louisville, Cincinnati Playhouse in the Park, and Disney Cruise Line. TV: “Law & Order: SVU,” “FBI,” “Godfather of Harlem,” “Dynasty” and “Madam Secretary.” Training: CWRU/CPH MFA. Thanks isn’t enough for Harris, JJ, Halley, Matt, and  The Lion King  family. For Mom, Dad, and my everything, Kat.

Gerald is grateful to continue this journey across the continent with The Lion King . Born in Tacoma, Washington – Raised in Aunu’u, American Samoa and Jeddah, Saudi Arabia. Proud graduate of the University of Hawaii at Hilo. Credits: My Name Is Gary Cooper at Kumu Kahua Theatre. Hā: The Breath of Life, Rainbows of Paradise, The Ali’i Luau at The Polynesian Cultural Center. Tupulaga O Samoa Mo A Taeao at The Merrie Monarch Festival. Ever thankful for the support of friends and especially the love of my aiga. Honored to represent the pride that has come before us. Fa’atuatua -Fa’amoemoe – Alofa IG: @ramsey.gt

Mukelisiwe was born in Durban, South Africa. Training: Mbongeni Ngema’s Academy. Credits: K-Cap , Umoja , and The Lion King (Madrid, Gazelle Tour and Broadway). Television: “Code Black,” “Telethon” (France) and “40 Principals” (Madrid). She was a back-up vocalist for South African Gospel star Rebecca Malope. Mukelisiwe thanks her family for their constant support.

OFF-BROADWAY:  Widowing of Mrs. Holroyd (Mint Theater), Hamlet (Theatre by the Blind). REGIONAL: The Alchemist (Shakespeare Theatre Company); Lobby Hero (The Old Globe); Crime and Punishment (Cincinnati Playhouse and Actors Theatre); Henry VI , Richard III (Alabama Shakespeare Festival); Comedy of Errors , Taming of the Shrew (Shakespeare Theatre of New Jersey). FILM/TV: Step Up 2 , “Warrior” Season 3 (HBO Max/Netflix). LOVE: Amy, Hero, & Guthrie. Instagram: @Milquetoastpoints  

Broadway: Disney’s The Lion King . Broadway Tour & Tokyo:  WAR HORSE . Off Broadway: The Mint . Regional: Denver Center, The Rep St. Louis, Cincinnati Playhouse in the Park, Cleveland Playhouse, Syracuse Stage, TheaterWorks Hartford, City Theatre Company, Barrington Stage Company, Two River Theater. NY: American Globe Theatre. Television: “Chicago Fire.” BFA: Marymount Manhattan College. All my love to Kate and my parents. www.NickLaMedica.com

Brady is excited to be back in the Pridelands having performed Timon, Pumbaa, and Zazu on Broadway. He also appeared in the original cast and film of NEWSIES the Musical. He has performed in every venue you can imagine and done over a hundred radio commercials and just as many TV commercials. His favorite role? Dad.

Trained as a musician with trumpet, he’s toured internationally as an instrumentalist, conductor, and performer. As an ordained worship pastor, Darian regularly leads worship while on tour. Honor first to Jesus Christ. Endless love to Jessica & Titus, family/friends, & Peggy at The Square Peg Group Inc. Regional Credits: Jesus Christ Superstar (Jesus), Songs for a New World (Man One), Hairspray (Seaweed). Film/TV: Someone Worthy , New York Homicide . IG/Twitter: @_DarianSanders_. www.dariansanders.com

“To whom much is given much is required.” Broadway: Caroline or Change , Off-Broadway: Little Shop of Horrors (Ronnette), School of Rock 1st Nat; Aida (Aida), Ain’t Misbehavin , The Bodyguard , Smokey Joe’s Cafe , Dreamgirls , Beehive , Hairspray , HKDL|WDW(Nala/Tiana/Kibibi)/NCL, #TheSearchForRoxie, UCF Alumknight. Thank you God, family, friends & Dave.  Check out “You Ok? (Black Girl)” on all streaming platforms. IG|Tiktok:@Lifaland, www.khalifawhite.com. -For Mommy, my Expressionist.

Thrilled to be making his Lion King debut! Off – Broadway: Dog Man: The Musical (George/Chief, Lucille Lortel Theatre), Cadaver Synod (Pope Formosus, Playwrights Horizon). Regional: Mystic Pizza: A New Musical (Lionel Hampton, Ogunquit Playhouse), Choir Boy (David, Marin Theatre Company), Goddess (Mosi, Eugene O’Neill Theater). “I want to thank my parents who are my biggest cheerleaders!!”

Martina is elated to be joining the Pridelands! Native of St. Petersburg, Fla. and graduate of the University of Florida. Favorite credits: Motown The Musical (Broadway and First National Tour), Raindogs, Rent and Hairspray . I would like to thank God, my family and friends for their unconditional love and support. Ephesians 3:20. Instagram: Ladysykes1 www.theheARTmission.org

Robbie is honored and excited to return to THE LION KING family. Stage credits include Snoopy!, Rumbles, The Red Flower, Water Children, Our Town, Godspell, etc. Film/Television: On The Run (Hyperboy), “Fastlane” (Fox), “Urban Graffiti” (Fox), “Scrubs” (NBC), etc. Many thanks to God, Mom, Dad, The Starting Five, Family and Friends. Special thanks to Barry, Karen and Lois Yvonne. Robbie is a proud member of AEA, SAG and ASCAP. I dedicate this show to my beautiful wife, Lisa. You are my heart, my life, and my inspiration. Thanks for marrying me.

she/her. Ritisha is joining the Pridelands from Basking Ridge, NJ. Her Broadway credits include  The Skin of our Teeth  and 29-hour readings for the  Radio Galaxy  and  The Lunchbox . Off-Broadway:  Fifty Key Stage Musicals  at 54 Below, NYC. Other theater credits include playing Annie in  Annie Jr. (W. Orange, NJ). Film credits include Concessions  and  Bubblegum Rox  (Short) and TV: “Sesame St – Together We Can.” Instagram: @ritisha.chak

From NYC and thrilled to join the Pridelands! Professional credits include Anastasia National Tour and Sesame Street . Many thanks to my coaches – Raquel & MVS, Janine & DMO, and Rance, my incredible team at Nouveaux and Zuri, and friends and teachers at PS59 for your love and support! @leelachopraofficial

Is excited to join The Lion King  National Tour! Recent stage credits:   X: Life and Times of Malcolm X  (Young Malcolm, NY Metropolitan Opera).  Other credits:  The Devil Will Run (Shah – Lead), NBC’s “Bluff City Law.”  Bryce would like to thank his family, friends, and manager, Peggy Stamps of The SquarePeg Group, Inc., for their love and support. IG: _bryce_christian  

Thrilled to make his National Tour debut! Last seen at Dr. Phillips Center for the Performing Arts and Orlando Family Stage. Enjoys singing and martial arts with his sister Alejandra. Thanks to mom, dad, family, friends, Arc Casting, Disney, BAA, Yael Chanukov (voice) and The First Academy. Representation: Barry Kolker. IG: @julianvillela26

Glory! Theater: The Wiz, Arkansas Repertory, The Color Purple, West Coast Black Theater Troupe, Hairspray , Royal Caribbean. She would like to Thank God, family, and mentors for all of their love and support. Psalm 23.

New York Theatre: Measure for Measure, On the Verge. Regional: Trinity Rep, Hartford Stage. MFA: Brown/Trinity Rep. Voice over artist: Nigel the Xyzal owl. WilliamJohnAustin.com

A dream to be joining the Pridelands! Training: The Ailey School, BFA: Florida State. Favorite credits: The Met Gala, After Midnight (NCL), Oklahoma! (DCPA), The Music Man (Goodspeed). Commercial: Fujifilm, Shea Moisture, Toyota, Con Edison.  Love to my family & friends. @iman.ayana

Originally from Bermuda, Eric attended the University of the Arts (Phila. PA) where he received his BFA in Dance Education & Choreography. A finalist in the Philadelphia A.W.A.R.D.S. competition, Mr. Bean has taught and choreographed nationally & internationally; offering master classes /workshops whenever available. Credits: Koresh Dance Co, Don Arden’s Jubilee!, Viking Ocean. Regional: The Little Mermaid, Beauty & the Beast, Once on this Island . IG: EBJDANCE

Since graduating from Booker T. Washington High School for the Performing and Visual Arts, Layla has performed with Beckles Dancing Company, the Oklahoma City Ballet, and SUMMER: The Donna Summer Musical as Ensemble/Adult Dara.

Born and raised in New Orleans, Vernon is a graduate of Pace University and has performed with Martha Graham Dance Company, Alvin Ailey American Dance Theatre, Complexions Contemporary Ballet Company and Parsons Dance Co. Vernon is honored to now be part of The Lion King .

Sasha was born and raised in Miami, Florida. She trained at New World School of the Arts for both the HS and BFA program. Sasha has performed on stages such as the San Francisco Opera House, Adrienne Arsht Center, The Fillmore, Perez Art Museum, Lincoln Theater. She is forever grateful to have the opportunity of traveling and being on stage with such a company. IG: @Delayla

Is thrilled to be joining the Pridelands! Bway: New York, New York . BFA Elmhurst College. Thankful for my wonderful agents, my incredible family, and especially God. Romans 8:28. Insta: thisislaurencarr

Born in Durban, South Africa. Credits Include: The Nat & Natalie Show with Colin Penn , Mary Zimmerman’s Metamorphoses , Shakespeare’s Comedy of Errors , Disney’s The Lion King (Broadway, U.K., Ireland Tour and US Nat’l Tour), #D23EXPO 2017. TV Appearance: “ETV Popstars 2010.” She gives thanks to God and family. Instagram: lihlecele91 Twitter: cele_lihle

Daniela is a graduate of Alabama State University. She has shared her artistry and love for theatre in many places. Other Theatres: Melantho and Ensemble in The Odyssey ; Swing in Disney’s Beauty and T he Beast ; Alto Pit Singer in The Wiz . Understudy: Dorothy/Lion in The Wiz ; Dorcas in The Winter’s Tale ; Uma and Ensemble in Roe (Oregon Shakespeare Festival); Kassidy in These Three Words (Montgomery Performing Arts Center); Gabriel in Black Nativity , Lady in Orange in For Colored Girls …, Deena in Dreamgirls , Whitney Houston in One Moment in Time (also Cloverdale Playhouse), Shug Avery/Church Ladies in The Color Purple (Alabama State University).

Has performed in the 1st National Tour and Broadway productions of The Lion King  and is thrilled to be joining the Rafiki Tour. Recent: Live in Concert’s Hollywood Bowl productions of  The Little Mermaid  (2019) and  Beauty and the Beast  (2018). Other credits: Hollywood Fringe Festival’s  A Soldier’s Play ,  Sirens of Titan  (Sacred Fools Company),  Carmen  (La Jolla Playhouse),  West Side Story  (Trinity Repertory Company) and George C. Wolfe’s Harlem Song (Apollo Theatre).

Lyric is elated to be making her debut in the Pridelands! She is a graduate of the Ailey/Fordham BFA program and her favorite credits include: The Bodyguard, Oscar At The Crown, and the NBA Boston Celtics. @lyricdanae

Broadway tours:  Cats ,  The Prom . Regional:  West Side Story  (Lyric Opera of Chicago),  A Chorus Line  (Cincinnati Playhouse),  Cats  (RCCL), Newsies . Alum of Sarah Lawrence College and LaGuardia Arts HS. Thanks ATB! Love you, Mom, Laura, and my cats, Mr. Business and Luna! Instagram: @dawkinsmaurice.

Versatile Artist/Choreographer. Trained in St. Petersburg, FL. A graduate of the Boston Conservatory. Gene Kelly Artist Award Winner. Featured credits: Dance Theater Of Harlem, Bad Boys of Ballet, Super Bowl LV Halftime Show, 2021 VMA Awards, Apple+ Dickinson , and Fire Shut Up In My Bones at the Metropolitan Opera House. Marquis is ecstatic to be making his debut in the Pridelands!

Played Zazu on Broadway and across the country for over 3,000 performances. Now he loves also getting to play Scar, Timon, and Pumbaa. He did Tony Kushner’s musical Caroline, or Change in Los Angeles and San Francisco with the original Broadway cast. Tony has performed guest roles on both “Law and Order” (twice) and “Law and Order, SVU.”

Broadway/NYC: The Phantom of the Opera , The Light in the Piazza (NYCC), A Chorus Line (NYCC), The Radio City Christmas Spectacular , Nixon in China (The Met). Favorite Regional: Little Dancer (The Kennedy Center). @jojolinajavier

A Parisian with roots from Martinique. Ailey School graduate. Credits: The Lion King (Paris), Sony Music Entertainment, Classical Theater of Harlem, Shirley Black Brown, Christopher L. Huggins, Ronald K. Brown, Ruddur Dance, Creative Outlet. Featured in Omah Lay’s “SOSO” music video, Asake’s Barclays Center concert. @valerianellj

Happy to be returning to The Lion King after performing in the Broadway and German companies. Other credits include Aida (Germany) , Ain’t Misbehavin’ (UK) , With A Song In My Heart (UK) , Dancing in the Streets (West End) , Saucy Jack and the Space Vixens (West End), and proud uncle to Kennedi (Tampa). After telling this story in 4 languages, in 3 foreign countries, Joel is thrilled to be performing on America’s national tour.  

Began training at Dance Institute of Washington, in addition to Dance Theatre of Harlem, Kansas City Ballet and The Alvin Ailey School. Samaree has worked with Kevin Malone, Hope Boykin and Anthony Burrell. This is Samaree’s Broadway debut.

Born in Soweto, Johannesburg, South Africa, Gabisile has previously performed with The Lion King in Australia, Holland and Spain, and throughout the world with other international performing groups, including Africa Umoja, Stamping and Mother Africa.

A Native New Yorker who at an early age fell in love with the stage. To further develop his craft, he studied at Harlem School of the Arts and the Institute for American Musical Theatre.

Overjoyed to join the Pridelands! Broadway: Harry Potter & the Cursed Child . Off-Bway: Gospel According to Heather. Endless gratitude to her loved ones for their support, her agents, ARC, & The Lion King family for the opportunity to be part of this incredible legacy. @saritaamani

A South African native, Nhlanhla has been singing since before he could talk and loves live music and performances. He is grateful to be back onstage and is excited to be traveling across the country with this show. He’s been with The Lion King for over half a decade now and has worked with the Broadway cast, North American tour and the Madrid cast in Spain. God is good all the time. Ayikho Inkomo Yobuthongo

Proud Chicagoan. BA in Arts Management from Columbia College Chicago. Regional theater credits include columbinus 2.0 (ATC), RENT (ATC) and Dreamgirls (Theater 47). Television credits include “Chicago Fire” (NBC), “Unforgettable” (CBS) “The Breaks” (Vh1). Love to his wife, son, daughter, parents and family. Dedicates this performance to his uncle Dr. Larry E. Ross.

Thrilled to be making his Broadway debut! He’s grateful to be back on the stage. Originally from Bucks County, PA. Past credits include: SKELETON CREW (Dez), SISTER ACT (TJ). Ithaca College, BFA MT ‘21. Insta: @Jeremynoel13

Originally from Mpumalanga Delmas in South Africa, Sicelo formed a band with close family friends in 2012, performing at weddings and events. In 2016 he took part in DStv’s choir singing show “Clash of the Choirs” and in 2017 he joined The Lion King ’s Madrid Production.

Is grateful to be joining the PRIDELANDS!! Theatre credits include: Jesus Christ Superstar  (National Tour) , Motown the Musical  (National Tour),  Songs For A New World  (The Cape Playhouse) and  Rent  (Oregon Shakespeare Festival). TV: “Law & Order Organized Crime” and “FBI: Most Wanted.” Training: New York Conservatory For Dramatic Arts. IG: @erickdpatrick

Raised in Stevensville, MI of Liberian descent. T.V.: Fosse/Verdon Series on FX. Tour: An American In Paris (1st National). Regional: Cats , Sister Act , and Evita (Marriott Lincolnshire). Thanks to Binder Casting. Here to Persevere!

Disney’s The Lion King : Broadway, North American Tour, Singapore, London, Melbourne and Sydney (since 2003); A Christmas Carol (2013-14), Festival of The Lion King , HK (2007-08). Part of various Philippine Musical Theater Companies (2000-14) and Bayanihan Philippine Dance Company (1985-94). Grateful to be back on stage!

Is a South African singer and actress. International theater credits: Disney’s The Lion King (West End), The Magic Flute , The Mysteries , Aesop’s Fables , A Christmas Carol . Television: “M-Net’s Idols” (Runner-Up), “Forced Love” (SABC1 mini-series). Poseletso has performed with international artists Michael Bolton, Josh Groban, Beyonce and Westlife.  

Overjoyed to join this production. Attended: American Musical and Dramatic Academy NY. Regional credits: Tarzan ;  Dreamgirls; Hairspray; Little Shop; International: Beauty and the Beast Tour and Disney cruise lines. “I thank my family and friends for their constant and overflowing prayers and support!!”

Incredibly humbled to be rejoining The Lion King National Tour. Born in Atlanta, Ga he began dancing at North Atlanta High School at 16 under the direction of Tracy Vogt and immediately fell in love with arts. He studied dance at AREA (Atlanta’s Resource for Entertainment and Arts) under the direction of Jai Jones and is humbled that The Lion King is his first professional work as a dancer. Insta:@cthomdance94

Broadway: Girl from the North Country . TV: “Law & Order.” National Tour/Regional credits: Swept Away (Berkeley Rep—World Premiere), Beautiful: The Carole King Musical (National Tour), Jubilee (Arena Stage). Thanks to his family, CGF and the creatives. BFA in Musical Theatre from Texas State University. @B_toomer

Ecstatically joining the Pridelands! Select credits: Moulin Rouge! The Musical (1st National Tour), The Scottsboro Boys (MTI Pilot), Boys in the Band (Windy City Playhouse), “Utopia” (Amazon Prime). Thanks to Gray Talent and my amazing friends and family! @edensbee1

Is so honored to join the legacy of the legendary  The Lion King! BrinieWallace.com, PSU’12. Special thanks to: Roger Graziani, YoungArts Foundation, Avalon Artists Group, her family, the Volkman’s, the Tombros’, Jen Waldman, Dr. Beverly Patton and Kate Emerich.  

20 years with The Lion King on Broadway, tour and Shanghai. B’way: Once Upon a Mattress . Regional faves: La Cage… (Albin), Ragtime (Tateh), Pippin (Charles/Berthe), Next to Normal (Dan), Bruce Sussman and Barry Manilow’s Harmony ; World Premiere (Harry), Peter and the Starcatcher (Stache), and Spring Awakening (Adult Men). www.thomchristopherwarren.com; Rep: FSE Talent. Love to Adam & Columbus family

Native of Dallas, TX, Jordan Nicole Willis received her education from Booker T. Washington HSPVA and Point Park University. Since graduating she’s performed with The Black Iris Project, Houston Contemporary Dance Company, Open Dance Project and B.MOORE Dance.

Broadway:  Aladdin , Frozen, Moulin Rouge, School of Rock ,  Something Rotten!, Rocky, Annie, Nice Work If You Can Get It, Hugh Jackman Back on Broadway, Billy Elliot the Musical ,  Cat on A Hot Tin Roof  (2008 Revival),  Les Misérables  (2006 Revival), The  History Boys ,  Chitty Chitty Bang Bang ,  Bombay Dreams ,  Thoroughly Modern Millie ,  The Wild Party ,  The Scarlet Pimpernel  (1.0, 2.0, 3.0). Off-Broadway:  Elaine Stritch: At Liberty  – The Public Theater. National tours:  Frozen, Billy Elliot the Musical ,  Carousel . Other: Associate Production Supervisor –  The Lion King  (Worldwide) &  Frozen ( Tokyo, North American Tour), Jimmy Buffett’s  Don’t Stop the Carnival  –   Nassau, Bahamas.

Broadway: Love Life (Encores), Fish In The Dark , Matilda , Forever Tango , Chaplin . NYC: The Public Theater, Audible, The New Group, Red Bull, The Shed, Atlantic; TV: “Encore!” (Disney+), NBC’s “The Wiz Live.” Regional: Kennedy Center, Bucks County, Goodspeed, Williamstown, Old Globe. Education: University of Arizona & Juilliard. For Dad, Mom, & Julie.

Broadway: The Phantom of the Opera . Off-Broadway: Silence! The Musical , The Fantasticks , Triassic Parq , Wanda’s World . Regional theatres including: Ogunquit Playhouse, Fulton Theatre, Crossroads Theatre Company. Love and thanks to Mom, Dad and Aunt Joan. Twitter: @HeadsetChatter

(He/Him). National Tours: Disney’s Aladdin , CATS, The Color Purple . Regional: …  Death of Queens; Eclipsed; All The Way; A Doll’s House, Part 2; The Wolves  (Southern Rep Theatre). BA, Loyola University New Orleans. Love to my family and friends! Live your dream!

The Lion King Tour

The lion king - us tour tickets, news, info & more.

Queen Elizabeth Theatre

Giraffes strut, birds swoop, gazelles leap - the entire Serengeti comes to life. And as the music soars, Pride Rock slowly rises from the stage. This is THE LION KING. A spectacular visual feast, this adaptation of Disney's much-loved film transports you to a dazzling world that explodes with glorious colors, stunning effects and enchanting music. At its heart is the powerful and moving story of Simba, and his epic journey from wide-eyed cub to his destined role as King of the Pridelands. The Lion King won six 1998 Tony Awards: Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical, making Taymor the first woman in theatrical history bestowed with the honor. The Lion King has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.

The Lion King - US Tour Cast

Gerald Ramsey

Mukelisiwe Goba

Khalifa White

Get The Lion King Email Alerts

Tickets for the return of Disney’s The Lion King at the Ohio Theatre are currently on sale. Learn more about the show and see how to purchase.

Now in its 27th year, Disney's game-changing, Tony Award-winning global megahit THE LION KING has once again taken over OC's Segerstrom Center for the Arts in Costa Mesa for another month of performances that continues through February 25, 2024. Even today, the show still manages to elicit genuine wonder and awe for kids and adults alike.

In an effort to ensure the safety of patrons, the touring company and Keller Auditorium staff, the performance of Disney’s The Lion King in Portland at Keller Auditorium tonight, Friday, January 19 at 7:30pm is cancelled due to ongoing icy conditions.

The Lion King will once again leap onto the Hobby Center stage on Thursday, July 11, 2024 for a limited four-week engagement through Sunday, August 4, 2024.

Get the latest news on Disney's The Lion King North American Tour as Mukelisiwe Goba makes a triumphant return as 'Rafiki'. Find out all the details and dates for this highly anticipated production.

Disney Theatrical Productions, along with the Kimmel Cultural Campus and The Shubert Organization, is celebrating the eagerly-awaited return engagement of Disney's The Lion King for a 4-week summer engagement at the Academy of Music on the Kimmel Cultural Campus.

The North American tour of Disney’s The Lion King will welcome back Syndee Winters as “Nala” from August 22 through October 29, 2023. Learn how to purchase tickets to The Lion King!

September 14, 2021, is a day I will never forget.  After an 18-month break due to Covid, Broadway reopened.  Something special happened that morning.  On Good Morning America, there was a special performance from 'The Lion King' that had the cast in places around New York City, awakening the city and Broadway, leading to the cast gathering in Time Square, all during a performance of the opening song 'Circle of Life.' After an eight-year break in Des Moines, you can finally experience the breathtaking opening of 'The Lion King' again during its multi-week run at Des Moines Performing Arts.  Iowa is happy to have the show back again if the audience is any indication.

All new production photos have been released for Disney’s The Lion King North American tour, featuring Darian Sanders (Simba) and new cast members Peter Hargrave (Scar), Nick LaMedica (Zazu) and Khalifa White (Nala).

Watch Heather Headley (Broadway’s original Nala and star of Netflix’s Sweet Magnolias) surprise longtime fan Khalifa White (Nala in The Lion King tour) following a performance backstage.

Disney’s The Lion King, St. Louis’s most eagerly awaited stage production ever, will leap onto the Fabulous Fox Theatre stage from Wednesday, June 1 to Sunday, June 19. Find out how to get tickets and more.

 Disney’s The Lion King continues to reign across North America with a record-breaking, sold-out premiere engagement in Greensboro. The award-winning musical broke two records at the venue during the week ending March 6, 2022: highest-grossing week with a gross of $1,958,506 and the highest one-week attendance, with 23,040 guests seeing the show.

Disney's The Lion King, a groundbreaking musical and the third longest-running musical on Broadway, is in the middle of its nearly month-long reign at the Detroit Opera House, where it will stay until February 20th.

Disney's The Lion King is coming back to the Detroit Opera House for nearly a month-long run from January 27th through February 20th. BWW Detroit interviewed Zazu actor Jürgen Hooper ahead of their stint in Detroit. Read our interview here!

Tickets for the long-awaited return engagement of Disney’s The Lion King will go on sale to the public on Monday, February 7 at 10:00 a.m. St. Louis’s most eagerly awaited return will once again leap onto the Fabulous Fox Theatre stage on Wednesday, June 1 for a limited engagement of 3 weeks through Sunday, June 19.

The Lion King has extended performance cancelations at The Buell Theatre in Denver for Tuesday, December 28 at 7:30 p.m. and Wednesday, December 29 at 7:30 p.m.   

The Lion King, Detroit's most eagerly awaited stage production ever will leap onto the Detroit Opera House stage from January 27 - February 20, 2022.

Disney’s The Lion King North American tour released two new production photos today of Darian Sanders (Simba) and Kayla Cyphers (Nala). 

The cast includes Spencer Plachy as 'Scar,' Gerald Ramsey as 'Mufasa,' Gugwana Dlamini as 'Rafiki,' Nick Cordileone as 'Timon,' Jürgen Hooper as 'Zazu,' Ben Lipitz as 'Pumbaa,' Darian Sanders as 'Simba,' Kayla Cyphers as 'Nala,' Keith Bennett as 'Banzai,' Martina Sykes as 'Shenzi' and Robbie Swift as 'Ed.' Jaylen Lyndon Hunter alternates the role of 'Young Simba', along with Charlie Kahler.

Disney Theatrical Productions and Broadway In Detroit announced today that tickets for the long-awaited return engagement of Disney’s The Lion King will go on sale to the public on Friday, October 22, 2021.

The Lion King North American touring company reunited in Cleveland on September 7, for the first time since the shutdown, to begin rehearsals for the tour’s relaunch. The tour is resuming performances at the KeyBank State Theatre for a two-week return engagement beginning Friday, October 1 and playing through Friday, October 15, 2021

The Majestic Theatre announced its line-up of shows for the 2020-2021 North Park Lexus Broadway in San Antonio Season, and the line-up features a mix of revivals, Broadway Blockbusters, a dramatic adaptation of a classic novel and pop culture favorites for a season that offers diversity and broad appeal.

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Carole King

• Beautiful: The Carole King Musical is On Tour Now - New Dates!

The inspiring true story of Carole King’s journey from teenage songwriter to the Rock & Roll Hall of Fame - Beautiful: The Carole King Musical is on tour. 

Before she was hit-maker Carole King — she was Carole Klein, a spunky, young songwriter from Brooklyn with a unique voice. From the chart-topping hits she wrote for the biggest acts in music to her own life-changing, trailblazing success with Tapestry , Beautiful: The Carole King Musical takes you back to where it all began — and takes you on the ride of a lifetime. Plan to see the show! An updated list of cities and theaters is below.

• "There's No Me Without You" Carole King Duet with Glen Campbell Available Now
• CAROLE KING’S HOME AGAIN: LIVE IN CENTRAL PARK Concert Out May 26 on Sony/Legacy/Ode
• New Documentary Carole King Home Again: Live in Central Park Playing in Theaters
• Home Again: Live In Central Park Concert Documentary to be Released Feb 9 via The CODA Collection.
• Lead Role in Carole King Bio Pic Announced
• Carole King Testifies Before U.S. House Environment Subcommittee Regarding Reducing Catastrophic WildFires
• Louise Goffin Launches Current and Compelling Podcast Titled Song Chronicles
• Carole King and James Taylor Documentary 'Just Call Out My Name' Coming to HBO Max
• "Here I Am (Singing My Way Home)" Featured in 'RESPECT' Top Contender for the 2022 Oscar for Best Original Song
• Rare Bonus Tracks Available Now On 'A Christmas Carole' - 10th Anniversary for 'A Holiday Carole'
• "James Taylor in Concert" Featuring Carole King, Danny Kortchmar, Leland Sklar, Russ Kunkel, Jo Mama - BBC 1971
• Congratulations to all 2022 GRAMMYs Nominees!
• HBO Rock & Roll Hall of Fame Induction Ceremony 2021 Airs Nov. 20 - Watch the Tease
• 2021 Rock & Roll Hall of Fame Inductee Carole King Performance & Ceremony info & UPDATE w/Sherry Goffin Kondor.
• Variety Features Jennifer Hudson and Carole King Interview
• Rolling Stone Features Carole King RRHOF 2021 Induction as Performer
• S.1276 Introduced April 21, 2021 by Sen. Sheldon Whitehouse (NREPA)
• Carole King Joined a Virtual Conversation Re:NREPA on April 21, 6pm
• Carole King is a Nominee for Rock & Roll Hall of Fame Class of 2021
• MusiCares Music on a Mission Virtual Concert March 12, 2021
• Legacy Recordings Celebrates 'Tapestry's 50th Anniversary
• Carole King BBC In Concert Watch Party on Monday, February 8, 12pm ET
• Talking About 'Tapestry': Musicians Discuss the Influence of Carole King's Masterpiece
• Carole King - "Out in the Cold" Digital Only Release of Single
• 'Tapestry' at 50: How Carole King 'Bet On Herself' To Record a Singer-Songwriter Classic
• Nurse Heroes Live All-Star Concert - Watch Now!
• This Week in September 1971...
• Carole King Joins the Virtual Gala 'A Hole in the Wall Celebration of Hope and Healing'
• Carole King Live at BST Hyde Park
• Goffin & King Foundation - Iso Booth Quarantine Cover Contest
• The "Beautiful" UK Tour Company Performs Virtual Rendition of "I Feel the Earth Move"
• Carole King Joins the Line-up of Performers for ALL TOGETHER NOW Online Concert for City of Los Angeles
• Worldwide Cast and Musicians From The Musical 'Beautiful' Collaborate From Their Homes to Perform "You've Got A Friend"
• 'Tapestry' Was Released 49 Years Ago, February 10, 1971
• Carole King Presents the AMA Artist of the Decade Award to Taylor Swift
• Beautiful - The Carole King Musical Takes It's Final Bow On Broadway
• Carole King Urges Climate Action to Support NREPA
• Carole King Performs at Global Citizen Festival in NYC 9.28.2019 - UPDATE
• Carole King Appeared on 'Morning Joe', Friday, 9/27/19
• Carole King Appeared on The Tonight Show Starring Jimmy Fallon Thurs. 9/26/19
• Goldmine Magazine Features 'Carole King - Live at Montreux 1973' Sept 2019 Issue
• Carole King - Live at Montreux 1973 Release Available Now
• Vanessa Carlton Makes Her Broadway Debut as Carole King in "Beautiful-UPDATE
• "Beautiful" UK Tour in 2020!
• Carole King Urges Lawmakers to Pass NREPA
• A Landscape Lewis and Clark Would Recognize Is Now Under Threat
• New Expansive, Intimate Interview with Carole King on The Great Song Adventure podcast, premieres February 8, 2019
• "Beautiful: The Carole King Musical" Celebrates 5 years on Broadway
• Carole King's Midterm Dream is "One (2018)", New Video From Tapestry Studio
• Broadway Celebrates 2000 Performances of "Beautiful: The Carole King Musical"
• Elvis Costello, Carole King and a Song 20 Years in the Making
• 'America's Got Talent' Treated to a Taste of Broadway's Best with a Performance from the Cast of "Beautiful"
• Carole King Surprises Melissa Benoist and Cast of "Beautiful"
• Abby Mueller Returns to "Beautiful: The Carole King Musical"
• Two Helpmann Awards For "Beautiful" in Sydney, Australia
• July Anniversary of Carole King's Historic Concert in Hyde Park
• Smooth Radio Features Story Behind Hit Song "You've Got A Friend"
• Melissa Benoist Joins the Cast of 'Beautiful: The Carole King Musical'
• 'Will You Love Me Tomorrow' by The Shirelles Highlighted in The New Yorker
• Carole King's 'Tapestry' at Top of NPR's First-Ever Readers' Poll 'Turning The Tables'
• Beautiful - The Carole King Musical Celebrates Facebook #FriendsDay With Joyful Mashup
• Carole King Tapestry: Live in Hyde Park Available Now on CD/DVD/Blu-Ray!
• Carole King Tapestry: Live in Hyde Park on PBS!
• Beautiful: The Carole King Musical Opens in Australia Sept. 2017
• Carole King: Tapestry - Captured Live in Hyde Park Showed Exclusively in the U.S. - CD/DVD Pre-Order Now!
• Carole King Joins The People's Climate March
• Carole King In Conversation with BBC's Michael Ball
• Carole King Performs At Buckingham Palace For The Outward Bound Trust
• Broadway Welcomes Abby Mueller and Evan Todd to cast of "Beautiful"
• Inspired by the Woman's March, Carole King Re-Releases "One Small Voice"
• Carole King Joins Millions in Women's March
• Gilmore Girls: Carole King Hits a High Note With Her Cameo Appearance
• Carole King's "Tapestry" - Live at Hyde Park Aired Sat. Oct. 29th on SkyArts in the UK
• "Beautiful" is Heading Down Under
• Carole King Performed "Tapestry" in Hyde Park 3 July, 2016-UPDATE-SOLD OUT
• Carole King, Lin Manuel-Miranda, Sara Bareilles, Idina Menzel and 60 More Record Single to Benefit Broadway For Orlando
• NREPA Bill Introduced in the Senate For the First Time
• Carole King Presents 2016 Tony Award For Best Original Score To Hamilton's Lin-Manuel Miranda
• American Masters Presents "Carole King: Natural Woman" on PBS - Now on DVD/Blu-ray
• 45th Anniversary of Tapestry Release
• Rolling Stone Features Exclusive Clip From American Masters - 'Carole King: Natural Woman'
• Carole King Featured on NPR's Fresh Air
• Carole King, George Lucas, Rita Moreno, Seiji Ozawa, Cicely Tyson Receive 38th Annual Kennedy Center Honors Dec. 29, 2015
• Carole King Interview on CBS 'This Morning'
• Carole King Appears on MSNBC's "Hardball with Chris Matthews" Friday, Dec. 4th
• Carole King Featured in Billboard Magazine
• Carole King Joins "Morning Joe" To Discuss National Tour of 'Beautiful'
• Carole King, Chilina Kennedy and Abby Mueller Interview Wednesday, Sept. 9th on TODAY
• Carole King Appears in TODAY's Toyota Concert Series, Announces National Tour of BEAUTIFUL!
• A MusiCares® Tribute to Carole King Release on Blu-Ray/DVD June 23, 2015
• Abby Mueller Joins "Beautiful" Cast In Title Role As Carole King
• Carole King Performs at SeriousFun Children's Network Fundraiser
• Autism Speaks Light It Up Blue Campaign April 2
• Sony To Bring "Beautiful" To the Big Screen
• London's "Beautiful: The Carole King Musical" Nominated for 8 Olivier Awards
• Sony U.K. Releases A Beautiful Collection
• Chilina Kennedy and Jessica Keenan Wynn Join "Beautiful" Cast March 7, 2015 on Broadway
• Carole King Performs at Paul Newman's SeriousFun Children's Network Fundraising Gala
• Broadway's "Beautiful" Opens in London Feb. 24 To Rave Reviews.
• "Beautiful: The Carole King Musical" Original Cast Recording Wins Grammy for Best Musical Theater Album
• Finding Your Roots, Episode 7, Includes Ancestry of Carole King
• Carole King Appears on "The Meredith Vieira Show"
• 'Beautiful' Cast Recording Debuts at No.1 on Billboard Top Broadway Albums Chart
• 'Beautiful: The Carole King Musical' Wins Two 2014 Tony Awards
• Legendary Songwriter Gerry Goffin February 11, 1939 - June 19, 2014
• 'Beautiful' Receives the Eighth Annual "ACCA" Award for Outstanding Broadway Chorus
• 'Beautiful: The Carole King Musical' Receives Seven 2014 Tony Award Nominations - Carole Appeared At Live Broadcast Sunday, June 8
• 'You've Got A Friend - The Carole King Story' Airs on BBC Four
• Carole King Performs at Power of Love Fundraiser for Cleveland Clinic Lou Ruvo Center
• Carole King Sees "Beautiful"
• Beautiful: Broadway Show Opens 1/12/2014.
• Carole King Honored As MusiCares Person Of The Year On Jan. 24, 2014
• Sara Bareilles and Carole King Perform Together at 56th Annual GRAMMY Awards®
• Carole King 'Beautiful' Sweepstakes
• Sony Legacy Recordings Celebrates Carole King as 'Artist of the Month': Hosts Contest
• A Special Opening Night Message from Goffin & King and Mann & Weil
• Carole King Performs at National Vigil for Victims of Gun Violence
• Carole King Performs At Alicia Keys' Black Ball Event November 7th
• New Single Available "I Believe In Loving You"
• Carole King Performed At Fundraiser In Boston To Benefit One Fund.
• The President and First Lady Host Concert Honoring Carole King: Recipient of the 2013 Library of Congress Gershwin Prize for Popular Song
• Carole King Speaks Up For America's Wild Horses on Today Show
• Carole King Receives Honorary Doctorate Degree From Berklee College of Music
• 28th Annual Rock and Roll Hall of Fame Ceremony Airing May 18 at 9pm ET/PT on HBO
• "Beautiful: The Carole King Musical" is Broadway Bound - Fall Tryout Run in San Francisco
• Reps. Maloney, Grijalva, & Markey introduce the Northern Rockies Ecosystem Protection Act (NREPA) H.R.1187
• Pandora Radio Interviews Carole King as part of their Turning Points Series
• Carole King Interview Airs on NPR's "The Diane Rehm Show"
• Carole's Memoir A Natural Woman Available In Paperback February 12
• Carole King Awarded GRAMMY Lifetime Achievement Honor
• The Australian Tour Merchandise Store is Officially Open!
• Natural Woman Tour Success in Australia and New Zealand
• 'A Holiday Carole' Grammy Nomination
• Carole King honored with star on Hollywood Walk of Fame
• Carole on 60 Minutes Australia
• Natural Woman Tour: More Shows Announced
• A Celebration of Carole King and Her Music benefits The Painted Turtle Camp
• Playlist: The Very Best of Carole King Released by Sony Legacy
• Natural Women, Natural Leaders Panel Discussion at Southern New Hampshire University
• Carole King Appeared on 'Joy Behar: Say Anything!'
• Help Save America's Wild Horses
• Carole King Performed on MDA 'Show of Strength' Labor Day Weekend
• Carole Invited to Share a Meal with Fire Crews
• Louise Goffin Releases "Indiglo" Music Video
• CURE 2012 Chicago Benefit Features Carole King
• Carole King Named BMI Icon at 60th Annual BMI Pop Awards
• 'The Legendary Demos' Released by Carole King April 24
• Carole King Presenter for Don Kirshner at 27th Annual Rock and Roll Hall of Fame Induction Ceremony
• Carole King's Memoir, 'A Natural Woman', is Published April 10, 2012
• Carole King Awarded Grammy Lifetime Achievement Honor
• Help Protect the Northern Rockies Ecosystem
• Carole King Released First Holiday Album and Took to the Airwaves in the U.S. and UK!
• 'American Idol' Honored the Music of Carole King On Fox
• 'Troubadours' Premiered on PBS Series 'American Masters'
• 'Troubadours' Available on DVD/CD
• Carole King's Music Featured on 'Glee'
• Carole King and James Taylor Featured in Documentary Film 'Troubadours 'at 2011 Sundance Film Festival
• R.I.P. DON KIRSHNER
• 'Troubadours' Hits the Theaters!
• "Going Back": The Carole King Connection to Freddie Mercury's Last Song, "Mother Love"
• Phil Collins Album with Carole King Tracks Hits # 1 in the UK
• 'Live At The Troubadour' A Golden Success!
• Carole and James Say "Thank You"
• Carole King and James Taylor Appear on 'The Ellen DeGeneres Show'
• Carole King and James Taylor Appear On NPR'S 'All Things Considered'
• June 24, 2010 Issue of Rolling Stone
• Carole King and James Taylor In The Big Apple!
• Carole Speaks For Wild Horses on Morning Joe
• Request a Song and Win!
• Thoughts after Nashville
• Carole King and James Taylor 'Live At The Troubadour' 2 Disc CD/DVD Set is Available!
• Special Nashville Stage Seat Packages To Directly Benefit Flood Relief Efforts!
• "I just boarded a tour bus ...
• 'The Essential Carole King' - Double CD Uniquely Profiles Carole King Career as America’s Best Known Singer and Songwriter
• 'Troubadour Reunion' tour Donates to Charity Onstage Seating for Charity - 'Intimate and In The Round'
• First Show.
• Carole King A Presenter On 'Rock And Roll Hall Of Fame Ceremony' - Live On Fuse!
• "Way Over Yonder" Performance Features Idaho's Wild Horses
• Sun Valley Date Added to the 'Troubadour Reunion' Tour for Sun Valley Center and Alliance for the Wild Rockies Benefit Concert
• Carole King and James Taylor Appear on the 'Today Show' and 'Letterman' January 20th
• Carole King Interview on NPR'S 'The Diane Rehm Show' Rebroadcast
• Carole King's Idaho Home Featured in Architectural Digest
• James Taylor and Carole King Announce 'Troubadour Reunion' World Tour 2010 - Full Article
• Carole King Hits the Airwaves for NREPA
• In Memory of Clif Maloney
• Americans Attend 'Mustangs on the Hill' Event in support of S. 1579, The Roam Act, to Save American Wild Horses and Burros
• Carole King Performs at Ken Burns' Film Celebration in Central Park
• Carole King Talks National Parks, NREPA with 'Morning Joe'
• Carole King Visits Capitol Hill
• Carole King Appears on "Way Too Early with Willie Geist"
• Carole King Interview in Politico
• Carole King Performs at Benefit for Camp Korey
• NREPA Editorial Appears in the New York Times
• Michael Jackson
• Carole King Joins Political Analyst Carlos Watson on the Radio
• Carole King Testifies in Support of NREPA at Subcommittee Hearing
• Carole King Talks NREPA on 'Morning Joe'
• Carole King Appears on New Bob Dylan Deluxe Edition Box Set
• Carole King Appears on 'MSNBC Live'
• EVERY day is Earth Day! By Carole King
• Carole King Joins Reps. Maloney and Shays in Support of the Northern Rockies Ecosystem Protection Act
• Carole King Appears on 'Later…with Jools Holland' in the UK
• Gloria Estefan Has a Friend - And It's Carole King!
• Carole King in Washington for NREPA Introduction
• Carole King Returns to 'Morning Joe'
• Rare Carole King Track Included on Graham Nash Boxed Set
• Carole King Appeared on MSNBC's 'Morning Joe'
• Carole King Performs at Two Inaugural Events
• Carole King - Japan Tour and TV 2008 Update
• Carole King on the Campaign Trail
• Carole King Appears on ABC Television
• Carole King Appears at 'Yes On Prop 2' Event in California
• Remembering Paul Newman
• Carole King Hits the Trail in Support of Obama
• Carole King Joins Forces with Olympic Medalists to Battle Women's Cancers
• Carole King/Brian Wilson Exclusive Tracks
• PBS Airdates Added for 'Welcome to My Living Room'
• Jerry Wexler (1917-2008)
• Carole King to Return to Japan - Tour Dates Announced!
• Carole King's 'Welcome to My Living Room' to Debut on Public Television in August
• Carole King Memorabilia Included in Online Auction to Benefit Grammy Charities
• Carole King Stumps for Obama in New Hampshire
• Carole King Makes a Surprise Appearance at James Taylor Show
• Carole King "Home Again" on 'Tavis Smiley
• New Addition Welcomed to Carole King's Living Room
• Carole King Appears on Plum TV Network
• Carole King Featured on 'Ecoists' for Earth Day
• Carole King Interviewed by Kareem Abdul-Jabbar
• Carole King Performs in '3 Great American Voices" in Japan
• Carole King "Sells Out" For Jimmy Kimmel
• Carole King Interviewed on 'Tavis Smiley' Show
• Carole King to Perform in Santa Ynez on March 27, 2008
• Carole King Appears on 'The Colbert Report'
• Carole King Returns to Capitol Hill
• Carole King Featured on Sierra Club Radio
• Carole King Attends 50th Annual Grammy Awards
• Carole King Memorabilia Included in Online Auction Benefit For Musicians On Call
• Carole King appears on 'Duets' Album
• Carole King Appears on Re-Air of PBS Program 'NOW'
• Carole King Comes 'Home For The Holidays' on CBS Television
• Carole King Appears on KCRW
• CaroleKing.com Mourns the Loss of Linda Lawley Pelfrey
• Rockingale Records Releases Carole King's 'Welcome To My Living Room' DVD
• Carole King, James Taylor and the Original Band Celebrate the "Troubadour's" 50th Anniversary
• Carole King Featured in 'Three Great American Voices' tour in Japan
• Carole King Performs on 'The Today Show' Friday, October 26, 2007
• Carole King Appears on "The Martha Stewart Show"on October 23, 2007
• Carole King Testified Before Congress October 18, 2007 in Support of H.R. 1975 (NREPA)
• Carole King Joined Garrison Keillor for 'A Praire Home Companion' on October 13, 2007
• Carole King Performs at Firefighters Benefit Concert September 29, 2007 in Idaho
• "Girl Power" Performed by Carole King at the U.S. Open
• 'Stop Global Warming Concert' Airs Saturday, July 14, 2007 on Sirius Radio Channel 18
• Carole King Performs in Japan
• "Love Makes The World - Deluxe Edition" is Released
• Carole King Joins Sheryl Crow in Performance at Earth Day Event in Washington DC
• Carole King Memorabilia Included in Online Auction Benefit for 'Musicians On Call'
• Carole King's "Tapestry" is #7 on the NARM/Rock & Roll Hall of Fame 'Definitive 200'
• Carole King Records with Reb McEntire on 'Duets' Project
• Carole King Appears on Phil Ramone-Produced Compilation Album
• Carole King on HBO's 'Russell Simmons Presents Def Poetry'
• Carole King Appears on PBS Program 'Now'
• Carole King Performs at Swearing-In for Speaker Pelosi
• Carole Wraps Up Successful Tour in Australia and New Zealand
• Carole King Wows Australia - Next Stop, New Zealand
• Carole King's The 'Living Room Tour' Receives Rave Reviews Down Under
• Carole King Appears on Idaho's 'Newmakers' in November
• Carole King Brings 'The Living Room Tour' Down Under
• Carole King Appears on 'Sunrise' and '7:30 Report'
• Carole King Performs at 2006 Gala for The Hole In The Wall Gang Camp
• Carole King Appears at Two Political Fundraising Events in Idaho
• Carole King's Rockingale Records Announces New Deal with Ryko Distribution
• Carole King Testifies Before Senate Subcommittee
• Carole King Appears on Idaho's 'Newsmakers'
• Carole King Appears on Sunrise
• Carole King Re-Enters Billboard Top 200
• Carole King Appears on Nicolette Larson Tribute Album
• Carole King Appears on Tribute DVD to Benefit MusiCares
• Carole King Performs at MusiCares Tribute to James Taylor
• Carole King Returns to the Hit Series 'Gilmore Girls'
• Carole King Testifies Before Congress
• Join Carole King on the Virtual March to Washington
• Singer/Songwriter to Launch 'The Living Room Tour 2005 on July 3, 2005
• Carole King on CBS Sunday Morning July 24, 2005
• Rockies Prosperity Act Has 187 Bipartisan Cosponsors
• Carole King's New CD Debuts at #17 on Billboard!
• Carole King's The 'Living Room Tour 2005' Receives Rave Reviews
• Carole King Performs on Today Show Concert Series July 15, 2005
• Carole King Opens Up Her 'Living Room' - Two-CD Set
• July 9, 2005 - Carole King on NPR's 'Weekend Edition'
• Help Fight Poverty On July 2, 2005
• Carole King Joins the Wallflowers for Some Oxygen
• Advance Concert Tickets Available at CaroleKing.com
• CaroleKing.com Proudly Announces the Grand Opening of the CK Cafe'!
• Carole King Returns to Stars Hollow
• Carole King Featured Artist in Rock & Roll Library
• Carole King's "Uncommon Love" Included on 'Love Rocks' CD to Benefit Human Rights Campaign
• Carole Plays for Peace 2004
• Carole King on Campaign Trail Through November 2, 2004
• Carole King Stumps for Kerry-Edwards
• Carole King Guests on John McLaughlin's 'One On One'
• Carole Takes a Break From Concert Tour to Campaign for Democrats in Idaho
• Carole King to Perform at Democratic Convention
• Honesty is Back - Carole King Announces Summer Concert 'Living Room Tour'
• Carole King and Vanessa Carlton Perform at Lifetime Television and 'Rock the Vote' Late Night Party
• Ray Charles Duets CD 'Genius Loves Company' Features Goffin & King's "Hey Girl" Performed by Charles and Michael McDonald
• Carole King 'Live' with Wolf Blitzer on CNN
• Carole King Featured on the Cover of Performing Songwriter Magazine
• Goffin and King "Inside the Hit Factory" One of the 50 Most Important Moments That Changed the History of Rock
• Carole King to Present Award at 'Spirit of Liberty Celebration' June 14th for People For The American Way
• Carole King Duets with Willie Nelson on 'Willie Nelson & Friends: Outlaws and Angels' On Memorial Day USA Network Television Special
• Carole King Marches for Womens' Lives
• Carole King Visits Rock Hall of Fame
• Carole King Adds Second Show in Boise for Kerry Campaign
• Carole King Presenter and Acknowledged at 46th Grammy Awards
• Rudy Guess on NPR and Other News from the Campaign Trail
• Carole King Adds Concert in New Hampshire
• Carole King Crisscrosses New Hampshire for Sen. John Keryy
• Carole King on C-SPAN from the Kerry Campaign in Iowa
• Carole King Performs in Concert at 'Kerry For President' Events in Iowa, New Hampshire and New York
• Goffin and King Names as Recipients of NARAS' 2004 Trustees Award
• Carole King's Landmark Album, 'Tapestry', #36 on Rolling Stone List - King Contributes Another Dozen Songs on Top 100 LPs
• "Love For Christmas" Available Exclusively at iTunes
• 'Love Makes The World', Carole King's Latest CD Now Available on iTunes Music Store
• Carole King Performs at Inaugural "Songwriters Salon" to Benefit Hearing-Impaired Children and Their Families
• Carole King Lifts Her Voice in Songs for Life - Multi-Artist CD to Help Fight AIDS in Southern Africa
• Carole King to Perform at Westport Country Playhouse Benefit
• NREPA Reaches All-Time High: More Than One Third of House of Representatives on Board
• Carole King Interviews Mandy Moore for Interview Magazine
• Carole King an "Inspiration" to Vanessa Carlton in This Month's Music Issue of InStyle Magazine
• Carole King in the Studio
• Carole King's "So Far Away" Artist's Choice on New Starbucks CD
• Yale University Hosts Carole King at a Master's Tea
• Carole King Visits 'Raising Helen' Set
• Carole King Recalls Little Eva in NPR Interview
• 'Tapestry' Added to National Recording Registry
• Carole King and James Taylor Join Representatives Christopher Shays (R-CT) & Carolyn Maloney (D-NY) to Reintroduce Northern Rockies Ecosystem Protection Act in 108th Congress
• 'Carole King: A New Colour in the Tapestry' Re-Airs on PBS
• Carole King's "It's Too Late" Inducted into Grammy Hall of Fame
• 'A Sugar Beats Christmas' is a Holiday Treat for All Ages
• Carole King Joins Studded Cast to Benefit The Painted Turtle Children's Camp
• Sherry Goffin Kondor's 'A Sugarbeats Christmas' Now Available Online
• Carole King's NPR 'Weekend Edition' Interview with Liane Hansen Available Online
• Carole King Interviewed by Liane Hansen for NPR's 'Weekend Edition'
• "Gilmore Girls' Soundtrack CD Features "Where You Lead", with Carole King and Louise Goffin
• Carole King Video Interview Available on CaroleKing.com
• King and Daughter Sherry Goffin Kondor at 'Hole in the Wall Gang' Came Benefit
• Carole King Guests on 'The Caroline Rhea Show' Wednesday, September 4
• Carole King is "Sophie Bloom" on the WB's Gilmore Girls Television Show
• Carole King to Headline Friday Concert on NBC'S 'Today'
• AC Radio Loves "Monday Without You"
• Carole King Performs at 20th Anniversary Celebration of Newman's Own
• "Love Makes The World" on 'World Cafe'
• What Year Is This?
• Grammy Hall of Fame Inducts "You've Got A Friend"
• Louise Goffin Releases 'Sometimes A Circle' on Dreamworks
• 'Love Makes The World' Added to VH1 Classics Channel
• Ms. King Goes to Sacramento
• 'Love Makes The World' Climbs to #27* on R&R's First 2002 AC Chart
• Response to Carole King's Christmas E-Card: Tremendous!
• Carole King Honored at Recording Academy's 2001 New York Hero Awards
• AOL Music Names Carole King "Artist of the Day"
• "United We Stand What More Can I Give" Concert Update From CaroleKing.com
• Carole King's 'Love Makes The World' Album Debuts on UK Chart at #86
• Rosie O'Donnell Hosts Carole King on October 24th
• 'Love Makes The World' Debuts on Billboard Charts
• Carole King Appears on Oprah - Friday, October 19th
• CaroleKing.com Street Team Up and Running!
• 'Tapestry' Jumps from #15 to #7 on Billboard's Top Pop Catalog Chart
• A Cause Worth Fighting For: Carole King on Capitol Hill
• Television Appearances Scheduled for October
• 'Love Makes The World' Released September 25, 2001
• King At The Castle
• Carole King and Louise Goffin Featured in GAP's 'My First Love' Fall Ad Campaign
• VH1 Names 'Tapestry' in Top 100 Greatest Albums of Rock 'n' Roll
• Rep. Maloney Tours Idaho Back Country
• A&E Documentary Features Goffin & King
• King Takes Rep. Shays On Tour Of The Northern Rockies
• King Tune Leads the WB's 'The Gilmore Girls'
• "Will You Love Me Tomorrow" Included in Nyro Collection
• Carole King & Semisonic - Now That's "Chemistry"
• "You've Got A Friend" Inducted into NARAS Hall of Fame
• King Named Most Successful Female Songwriter by Whitburn
• "Will You Love Me Tomorrow" Featured on Ally McBeal
• President Clinton Visits King Home For Fundraiser
• "Freedom Song" Receives 2000 Emmy Nomination for Best Song

Explore Carole’s Career Through The Years

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Pearls: Songs of Goffin and King

• One Fine Day

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Former King Crimson members ADRIAN BELEW and TONY LEVIN band together with guitar virtuoso STEVE VAI and explosive Tool drummer DANNY CAREY for the first time to create BEAT, a creative reinterpretation of the three iconic 80s KING CRIMSON albums – Discipline, Beat, and Three Of A Perfect Pair.

BEAT – Performing the music of 80s King Crimson

CLICK THE LINK BELOW FOR TICKETS / MEET ‘N GREET / VIP PACKAGES

Napa, CA (EXPANDED CAPACITY) Blue Note Napa Summer Sessions at Meritage Resort 

Anaheim, CA City National Grove of Anaheim

Phoenix, AZ (EXPANDED CAPACITY) Celebrity Theatre

Houston, TX (EXPANDED CAPACITY) Bayou Music Centre

Dallas, TX Majestic Theatre

Atlanta, GA The Eastern

Fort Lauderdale, FL The Parker

Orlando, FL Hard Rock Live

Clearwater, FL Ruth Eckerd Hall

Charleston, SC Charleston Music Hall

Charlotte, NC Knight Theater

Durham, NC Carolina Theatre of Durham / Fletcher Hall

Washington, DC Warner Theatre

New York, NY Beacon Theatre

Glenside, PA Keswick Theatre

Richmond, VA Carpenter Theater in Dominion Energy Center

Red Bank, NJ Count Basie Center

Boston, MA Shubert Theatre

Hampton Beach, NH Hampton Beach Casino Ballroom

Halifax, NS Rebecca Cohen Auditorium

Moncton, NB Casino New Brunswick

Montreal, QC Theatre Maisonneuve

Toronto, ON Massey Hall

Rochester, NY Kodak Center

Albany, NY The Egg

Greensburg, PA Palace Theatre

Reading, PA Santander Performing Arts Center

Cleveland, OH            Agora Theatre

Cincinnati, OH Taft Theatre

Detroit, MI (NEW VENUE) Masonic Cathedral Theatre

Nashville, TN Ryman Auditorium

Indianapolis, IN Murat Theatre

Chicago, IL Copernicus Center

Milwaukee, WI (NEW VENUE) The Riverside Theater

Madison, WI Orpheum Theater

Minneapolis, MN State Theatre

Denver, CO Paramount Theatre

Las Vegas, NV The Theater at Virgin Hotels

San Diego, CA (NEW SHOW) Humphrey’s

Los Angeles (NEW SHOW) The United Theater on Broadway

ADRIAN BELEW

“The 1981 through 1984 King Crimson created a music all its own. Timeless. Beautiful. Complex. Fierce. For the fans who lived through it then, and the ones who never got to witness it, our aim is to bring it to life again. A monumental task but we’re going for it!  There are not enough exclamation points to express my excitement!”

“Being a part of this ensemble is an extraordinary privilege and opportunity to perform some of the most beloved, timeless, and monumental music of the 80’s (and beyond) with truly inspired musicians. This music resonates deeply with me. Adrian, Tony and Danny are unique musicians with an otherworldly insight into presenting rich musical complexities in a very accessible way, and I am looking forward to searching each other’s musical minds in real time on stage. I’m sure sparks will fly.” He continues, “Father Robert Fripp is one of our historical geniuses. His highly specific and exceptionally brilliant guitar technique is studied and revered. His contribution to the quality of my musical life, and so many others is supreme. I can assure the fans of KC that I will be putting my best foot forward to respect this great music with the care and intensity it deserves. Did I say ‘sparks will fly?’”

“This is going to be quite a tour. Revisiting some of my favorite music is a treat in itself, but in company of this stellar lineup, I expect to have my musical butt kicked! And it’s also great that we’re not just playing a few shows, we’re hitting it hard. So, Road Dogs are coming to your area soon.”

DANNY CAREY

“I am very excited to share the stage with three of my favorite musicians on the planet. Tony, Steve and Adrian have always been a source of inspiration for me since the beginning of my career, and now to be able to share a bit of my musical journey with them is a dream come true. There’s nothing better to make some sparks fly and light a fire under your ass than getting out of your musical comfort zone, and I can’t think of any other three guys I’d rather do this with.  I think I can speak for all of us when I say I hope all of our fans are as excited as we are about this tour.”

Thank you for joining the BEAT Mailing List. Long live the Crimson King.

Booking inquiries: Randy Salcedo – Sound Talent Group https://www.soundtalentgroup.com/

All Right Reserved ©2024, Bundini Music LLC

Tutankhamun Exhibition in Washington D.C

Learn, discover, and travel in time to ancient egypt tickets will be available on: march 26th at 12:00 p.m..

A FANTASTIC IMMERSIVE EXHIBITION

Tutankhamun: His Tomb and His Treasures is an exhibition that offers guests an unprecedented glance into Ancient Egypt. With hundreds of perfectly reconstructed objects, breathtaking decorations and fascinating explanations, allows visitors to step right into the wonder of the most famous archaeological discovery site of the 20th century. Ready to travel to the era of the pharaohs?

1922 - 2023: 100 YEARS SINCE THE DISCOVERY OF THE TOMB OF THE FAMOUS PHARAOH

November 4th, 1922, Luxor. After five years of unsuccessful excavations in the Valley of the Kings, the British archaeologist Howard Carter made an incredible discovery, which remains to this day, unprecedented! Lit by the light of his candle, he discovered the impressive golden tomb of the Pharaoh Tutankhamun, who died more than 3000 years ago, surrounded by all his treasures.

TUTANKMANUN - PHARAOH OF A DYNASTY

Tutankhamun ascended to the throne in 1332 BC. at the age of 9 as one of the last kings of the 18th Dynasty. His father was the heretical king Akhenaten. The most important achievement of his reign was the rejection of his father's radical religious reforms, which had destabilized the whole country. According to the latest studies, the young king suffered from serious illnesses. He passed away after nine years on the throne and his death remains a mystery to this day.

HIS TOMB AND ITS TREASURES: OVER 1000 OBJECTS TO DISCOVER

The Metropolitan Museum sent Harry Burton to be the excavation photographer - he was 'Carters eye and memory'. With his enormous camera and cumbersome negative plates, he tirelessly surveyed the site of the discovery. He set up his laboratory in the tomb of Sethos II and improvised a darkroom in the neighboring tomb KV 55. Every step of the excavation work was documented in photographs, down to the smallest detail. A total of 2,800 large-format glass negatives were printed, listing all finds and their location in the tomb.

The gigantic Tutankhamun exhibition houses over 1,000 exquisite, painstakingly, and scientifically produced crafted replicas and an impressive abundance of art from ancient Egypt. Discover its treasures, tomb, golden mask, and more before they're gone!

OPINIONS AND COMMENTS ABOUT THE EXHIBITION

Very interesting and informative. Liked being able to take it in at my own pace

A group of 4, we really enjoyed and appreciated the reproductions of the famous findings and all the history provided in the story. Just wonderful!

Loved that the audio tour was included…..tour was set up really well! Thoroughly enjoyed it!

Great learning experience. I am "into" history, my wife not so much. I was impressed and the wife liked it very much, also. We both enjoyed that we could take our time and actually see the exhibit

The exhibit was breathtaking! Excellent value for the money

We love it!! It is a really good experience to learn about history

We learned so much from this experience. It is so well put together and well organized. This is definitely must do in Atlanta

Fantastic!! So much better than I'd expected. Terrific display and the staff were so polite and helpful

Amazing replicas and information!

Paul Milliken

Cathy Cobbs

Adventures in Georgia

PRACTICAL INFO

• Monday to Thursdays opens from 10am to 6h30pm
• Fridays open from 10am to 7h30pm
• Saturdays open from 9am to 8pm
• Sundays open from 9am to 6h30pm
• Duration: 1 hr and a half approx
• LOCATION: Rhode Island Center: 524 Rhode Island Ave NE, Washington, DC 20002, United States
• PRICE: Starting at $33.90 for adults and $25.90 for children.
• AGE REQUIREMENT: All ages are welcome

Tutankhamun in Washington D.C

Rhode island center.

The new Doraville art center is situated on a five-acre site, with more than 250 parking spaces (music to any city driver’s ears)! The scale of the site also presents the opportunity to host both indoor and outdoor experiences.

Private Bookings for Groups and Events

We offer private bookings perfectly suited to various kinds of groups and events:

Corporate Events

Private Events

Schools, Universities & Associations

Do you have any questions? Maybe you can find the answer here!

Regarding the experience

• On the Fever App, available on Google Play and Apple Store.
• On the Fever website.
• On the Fever app, in the Tickets section. If you haven´t already, you can download the app from Google Play and Apple Store.
• In the purchase confirmation email Fever sent you.
• Standard Access - includes entry to the exhibition
• Adult (ages 13+)
• Child (4 to 12)
• Senior (65+), Student (13 to 26), or Military
• Group Bundle (min. 8 people) - enjoy a 10% discount on the ticket price
• VIP Access - includes skip-the-line entry to the experience at any time on your selected date, an exclusive poster
• VIP Child (4 to 12)

MISCELLANEOUS

Share your #Tutankhamun.expo moments and tag our account for repost!

About the organizers

Semmel exhibitions.

Exhibition Hub

Exhibition Hub creates and produces major exhibitions that travel the world and is well known for exhibitions such as "Van Gogh - The Immersive Experience". Since 2015, they have reached more than 6 million visitors in 42 cities with exhibitions that digitize the works of great masters like Van Gogh, Monet or Klimt, transforming them into an immersive experience.

Fever is the leading global entertainment discovery platform, helping over 40 million people every month to discover the best experiences in their cities. Through its platform, Fever inspires users to enjoy the best local experiences, from gigs to theatre, live music, immersive experiences, and pop-ups, while empowering event organizers to create new original content.

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Press Release

“beyond king tut: the immersive experience” produced in partnership with the national geographic society commemorates 100th anniversary of tomb discovery.

Beyond King Tut: The Immersive Experience  a new exhibition developed in partnership with the National Geographic Society, commemorates the 100th anniversary of one of the greatest archaeological discoveries of all time. Beyond King Tut will mark its world premiere with the start of its North American tour in spring 2022.

The world premiere showings include a special installation at the National Geographic Museum in Washington, D.C. (June 2022-February 2023) and SoWa Power Station in Boston (July 8-September 18). Waitlist registration for priority access to tickets starts today at www.beyondkingtut.com .

Beyond King Tut will take visitors on a time-traveling journey flooded with sight, sound and intrigue through the world of King Tut—the boy who reigned as pharaoh of Egypt more than 3,000 years ago—and the discovery of his tomb and treasures in 1922. The discovery of the intact tomb of King Tut captured the imagination of the world, and the mysteries surrounding the tomb still resonate today. Drawing from the storied archives of the National Geographic Society, the exhibition combines the power of cinematic storytelling and soaring imagery made possible with state-of-the-art projection mapping to invite visitors into the golden king’s world like never before.

“ Beyond King Tut will be a must-see for anyone interested in Egypt and the history of King Tut,” said Kathryn Keane, vice president of public programming for the National Geographic Society. “New technologies are making it possible to fully immerse people like never before in important stories from our past, allowing us to develop connections and understand history’s influence on our present and future generations.”

Beyond King Tut is produced by Paquin Entertainment Group and Immersive Experiences. Paquin Entertainment Group’s exhibition portfolio includes the acclaimed Beyond Van Gogh and Beyond Monet exhibitions that have attracted more than 3 million visitors around the world.

The North American debut of the award-winning virtual reality experience “Tutankhamun: Enter the Tomb” will be presented alongside Beyond King Tut in select venues, including SoWa Power Station, as an optional add-on experience. Created by immersive cinematic storytelling company CityLights and voiced by lauded English actor Hugh Bonneville, the groundbreaking experience whisks guests through a photorealistic version of King Tut’s tomb and all its treasures, just as archeologist Howard Carter and his financier Lord Carnarvon found it when they first peered inside in 1922.

In addition to the premiere of Beyond King Tut , National Geographic is commemorating the 100th anniversary of the discovery of King Tut’s tomb in November 2022 with content including a documentary and a National Geographic magazine feature.

Prospective Beyond King Tut guests can sign up for tour date announcements and waitlist registration for priority access to tickets at http://www.beyondkingtut.com/ .

Join the Conversation on Social Media:

Instagram: @BeyondKingTut

Facebook: https://www.facebook.com/BeyondKingTut/

#beyondkingtut

Photos / Video for Press Usage: bit.ly/BKTpress

About Immersive Experiences

With a mission to create pioneering and unforgettable experiences for audiences through the power of immersive storytelling, Immersive Experiences is harnessing the expertise of cultural events industry veterans to lead the evolution of immersive cultural content including Beyond King Tut in 2022.

About Paquin Entertainment Group

Established in 1985, Paquin Entertainment Group is a leading, full-service North American arts and entertainment company with offices operating in Winnipeg, Toronto, Vancouver, Nashville and San Diego. Paquin Entertainment Group is home to a diverse portfolio, including artist agency and management, film and television, theatrical production, brand partnership, and touring exhibitions. Since its inception, Paquin Entertainment Group’s core vision remains unchanged: to foster a creative culture that seeks and develops the world’s premier artists and productions. For more information visit paquinentertainment.com .

Media Contact

The National Geographic Society is a global nonprofit organization that uses the power of science, exploration, education and storytelling to illuminate and protect the wonder of our world. Since 1888, National Geographic has pushed the boundaries of exploration, investing in bold people and transformative ideas, providing more than 15,000 grants for work across all seven continents, reaching 3 million students each year through education offerings, and engaging audiences around the globe through signature experiences, stories and content.

To learn more, visit www.nationalgeographic.org or follow us on Instagram , LinkedIn, and Facebook .

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King Tut: A Classic Blockbuster Museum Exhibition That Began as a Diplomatic Gesture

When the boy-king was the hottest ticket in town.

Close-up of a gilded statue of Tut wearing the crown of Lower Egypt.

© Images of Africa Photobank / Alamy

President Richard Nixon hung on to the brass rail of a Victorian parlor car, leaning out the window and waving to cheering crowds. The train huffed from Cairo to Alexandria, passing cotton fields, orange groves, and water buffalo. The date was June 13, 1974, and back in Washington, D.C., the House Judiciary Committee waited impatiently for the White House to turn over tapes of conversations recorded in Nixon’s office. The committee wanted to know what Nixon knew about the Watergate burglary.

People line the edge of the National Mall, waiting to see “Treasures of Tutankhamun” at the National Gallery in February 1977.

Washington Post

In this pectoral, a scarab made of yellow-green chalcedony grows falcon wings as its front legs hold up the moon as represented by the “Eye of Horus.”

© CULTNAT, Dist. RMN-GP / Art Resource, NY

On the train next to Nixon stood Anwar Sadat, the president of Egypt, with whom he was about to sign a bilateral agreement. Negotiated by Henry Kissinger, Nixon’s secretary of state, it represented a step forward in forging a new partnership between the two countries after the termination of diplomatic relations seven years earlier. Tucked into the agreement was a clause devoted to culture. The United States would help the Egyptians reconstruct Cairo’s opera house, while Egypt would send the “Treasures of Tutankh­amun” to the United States.

After an explosive few years in the Middle East, Richard Nixon wanted the American people to associate Egypt with something more than oil and war. There are few things that survive from the ancient world more compelling or captivating than artifacts of Tutankhamun, the boy-king who ruled Egypt thirty-three centuries ago. By sending his treasures on tour across the United States, Nixon and Kissinger hoped to shape public perceptions about the United States’ newest ally. What they got was a cultural juggernaut.

From November 1976 to April 1979, “Treasures of Tutankhamun” traveled to six American cities with the help of NEH grants. As millions of people lined up for hours to see the show, museums became the hottest tickets in town, helping usher in the era of the blockbuster museum exhibition.

The discovery that captivated the world 

Tutankhamun, more commonly known as King Tut, has played an outsized role in our cultural imagination ever since archaeologist Howard Carter and his patron, the fifth Earl of Carnarvon, opened his tomb in November 1922.

For years, Carter had been digging in the Valley of the Kings, the ancient burial site of Egypt’s pharaohs, in search of Tut. Almost ready to call it quits, Carnarvon agreed to support Carter for one last season. Carter decided to focus his efforts on a small plot of land lodged between the tombs of Ramesses II, Merneptah, and Ramesses VI. Huts that might have belonged to the workers who built the tomb of Ramesses VI had been discovered there. From what Carter knew about Egyptian burial practices, it seemed unlikely that workers would have been allowed to camp on a pharaoh’s tomb, but it was the only place left to search.

On the second day of the dig, Carter’s workmen discovered a layer of flint chips, which often signified the presence of a tomb. On the morning of day four, they found the beginning of a staircase. It dead-ended at a door bearing the seals of the royal necropolis. Marshalling every ounce of self-control he possessed, Carter ordered his workers to refill the staircase with rubble, then posted guards. A pharaoh might lie behind the door, but finding out would have to wait until Carnarvon arrived from Britain.

After a series of ferries, trains, ships, and donkeys, Carnarvon reached the Valley of Kings on November 20. Workers removed the rubble on the following day. Seals belonging to Tutankhamun appeared, and holes had been cut into the door. Carter’s heart sank. Archaeologists had located more than thirty royal tombs since the nineteenth century—only to discover that grave robbers had looted all of them first. What if Tut’s tomb had also been ransacked? Beyond the door was a narrow passage twenty-five feet long. It too bore signs of tampering. As the workers cleared the rubble, another door appeared, also sealed and repaired.

On November 26, Carter drilled a hole in the door and peeked inside. “At first, I could see nothing, the hot air escaping the chamber causing the candle flame to flicker, but presently, as my eyes grew accustomed to the light, details of the room within emerged slowly from the mist, strange animals, statues, and gold—everywhere the glint of gold,” he wrote in his account of the discovery.

Carter had found the antechamber to Tut’s tomb. Priceless artifacts lay jumbled all around: thrones, boxes, vases, chariots, statues, weapons, and more. Grave robbers most likely created the mess, as no pharaoh would have entered the afterlife amid such disarray.

Realizing he needed help, Carter contacted the Metropolitan Museum of Art, which had a team working in the valley. In particular, he wanted the services of photographer Harry Burton. “Only too delighted to assist in any possible way. Please call on Burton and any other member of our staff,” cabled A. M. Lythgoe, the Met’s curator of Egyptian art. As Carter excavated, Burton photographed his progress, providing a historic and intimate account of the process.

The throng of reporters who witnessed the opening of Tut’s tomb made the discovery front-page news and this once obscure pharaoh a celebrity. But the antechamber was only the beginning. Carter found three more rooms—annex, burial chamber, and treasury—stuffed full of golden treasures. It would take more than a decade to excavate Tut’s tomb, but Carnarvon did not live to see the results. In April 1923, the earl died of complications from an infected mosquito bite. His untimely death, along with the demise of other members of the expedition, inspired lurid tales of the “Curse of the Pharaoh.”

A good deal of mystery surrounded the man in the tomb. Tut reigned for nine (or ten) years during the Eighteenth Dynasty of the New Kingdom, a period of imperial prosperity for Egypt. He ascended the throne at the age of nine, taking as his wife Ankhesenamun, his half-sister and the daughter of Nefertiti. The couple produced two daughters, both of whom were stillborn. Their fetuses were found in Tut’s tomb. The boy-king also possessed a clubbed left foot, which probably required him to use a cane.

His short life has led to ongoing speculation on the cause of his death. Some have claimed murder. Others believe he died following a chariot accident. The most recent findings suggest that a sour genetic cocktail, caused by intermarriage among Egyptian royalty, produced a sickly constitution, further compromised by malaria.

Political arrangements

Throughout the fall and winter of 1974 to 1975, the State Department negotiated with the Egyptians. It was decided the exhibition would start in 1976 and serve as a gift of friendship from Egypt to the United States during the bicentennial year.

The inclusion of a Tut show in the Nixon-Sadat agreement upended plans by the National Gallery of Art in Washington, D.C., to organize its own Tut exhibition. J. Carter Brown, the gallery’s director, had already received approval from Sadat and the Egyptian cultural ministry to host Tut in 1977 or 1978. Now that Tut had become part of Nixon’s diplomatic strategy, Brown wasn’t sure what role the National Gallery could or should play. Nevertheless, he offered the National Gallery’s services as the organizing institution.

Thomas Hoving, director of the Met, also stepped into the fray. Hoving didn’t think much of Nixon’s use of Tut as a diplomatic tool, but he changed his tune after Kissinger buttonholed C. Douglas Dillon, the president of the Met’s board of trustees. From his conversation with Kissinger, Dillon believed the Met might lose access to federal grants if it didn’t take an active role in organizing the Tut exhibition. Hoving, who had a flair for the dramatic, later claimed that Kissinger threatened to have his taxes audited if he didn’t show more interest. Soon, Hoving was knee-deep in his own negotiations with the Egyptians.

Having both the National Gallery and the Met vying to organize the Tut show complicated negotiations in Cairo. The museums had competed for decades, but the rivalry between Brown and Hoving was personal. Neither liked to lose—and Brown had consistently outmaneuvered Hoving in securing international shows. After the National Gallery beat out the Met to host another détente art show, “The Archaeological Treasures of the People’s Republic of China,” Hoving vowed to never lose another big show to Brown.

In the spring of 1975, the State Department asked Brown if the National Gallery would step aside and let the Met coordinate the exhibition. Hoving’s yearlong charm offensive in Cairo had worked its magic. Brown agreed, provided the Tut show opened at the National Gallery, in keeping with its bylaws, and the Met wasn’t given credit as the initiator of the exhibition. Hoving stewed over the Met being denied the chance to open the exhibition—Brown had once again managed to outmaneuver him—but calmed down when he realized, as he wrote in his memoirs, “that being last was actually better than being first—visitors would flood to the final opportunity to see the show.”

In late October 1975, Kissinger and Egyptian Foreign Minister Ismail Fahmy signed an agreement outlining the exhibition. “Treasures of Tutankhamun” would begin in Washington, D.C., travel to Chicago, New Orleans, Los Angeles, and Seattle, and finish in New York. Each museum would host for four months, with two months in between for packing, travel, and installation. The Egyptians had final say on the selection of museums. By having the Tut show tour six cities, the Americans also trumped the Soviets—which is exactly what Nixon wanted. When “Treasures of Tutankh­amun” toured the Soviet Union, it visited only three: Moscow, Leningrad, and Kiev.

After seeing a copy of the budget from the British Museum’s 1972 Tut show, Hoving and Brown began to fret. The insurance costs alone were staggering, not to mention the additional staff and logistical support required. Help appeared on the insurance front when Congress passed the Arts and Artifacts Indemnity Act, in December 1975, to help cover insurance costs related to hosting international exhibitions. “Treasures of Tutankhamun” became the first international art exhibition indemnified under the new law.

A grant from NEH to the Met in the summer of 1976 helped defray the upfront costs of organizing the show. The Robert Wood Johnson Jr. Charitable Trust and Exxon together matched the $250,000 provided by NEH.

Putting on a show 

With an official agreement in place, the Met and its partner museums had less than a year to design and assemble the exhibition. Christine Lilyquist, the Met’s curator of Egyptian art, chose the fifty-five objects for the exhibition in consultation with Hoving and the staff of the Cairo Museum. The Met also sent Lee Boltin to Egypt to take color photographs for a catalog, which I. E. S. Edwards, just retired as Keeper of Egyptian Antiquities at the British Museum, agreed to write.

Hoving believed that once visitors moved past the “ooh” stage, the exhibition needed to provide context for the objects. William J. Williams, from the National Gallery’s education department, teamed up with David Silverman, an Egyptologist at the Field Museum, to write the wall text and to select images from the Met’s archive of Burton photographs.

When arrangements to transport Tut’s artifacts to the United States became hopelessly muddled, the U.S. Navy came to the rescue. The USS  Milwaukee  picked up the treasure in Alexandria, Egypt, and handed it off in Naples, Italy, to the USS  Sylvania , which delivered it to Norfolk, Virginia, in early September 1976.

Each museum received the same objects, wall text, and Burton photographs. They also agreed to organize the exhibition around the layout of the tomb. Beyond that, they were free to put their own spin on presentation. The National Gallery opted for a spare approach that showcased the gold artifacts against saturated walls, while the Met and the Seattle Art Museum both drew on Burton’s photos to recreate Tut’s tomb in the staging.

At each museum, the exhibition opened with a passage that mimicked the walk Carter took, back in the Valley of the Kings, from the steps to the second door. Visitors saw Tut first as a painted wood figure depicting him as the sun god: intense dark eyes, full lips, and an elongated skull. The figure, which would have allowed Tut to be continually reborn as the sun god, appears here because Carter discovered it beneath the rubble in the entranceway, most likely dropped by thieves as they scurried out.

From here, visitors progressed to the antechamber. A portable chest made of red and ebony woods is the only specimen of its kind that survives from ancient Egypt. A child’s chair, used by Tut when he was a boy, features gilded panels. The older Tut would have sat on the ceremonial chair, which has legs that turn into the paws of a lion and a carved back depicting Heh, the god of eternity. Sheet gold—imprinted with hieroglyphs, scenes of gods and kings, vultures, and flowers—covers the outside of a golden shrine. Archaeologists believe the shrine, which stands twenty inches tall, was intended to commemorate Tut’s coronation and sustain his dominion in the afterlife.

When it came time to open the burial chamber, Carter once again made a small hole and peered inside, using an electric light, before removing the entire door. “An astonishing sight its light revealed, for there, within a yard of the doorway, stretching as far as one could see and blocking the entrance to the chamber, stood what to all appearance was a solid wall of gold,” he wrote. When he removed the door, he discovered it wasn’t a wall, but a large shrine containing Tut’s sarcophagus.

The shrine and the sarcophagus didn’t travel to the United States, but items from the burial chamber, including some that adorned Tut’s mummified body, did. A lion carved of alabaster perched atop an unguent jar decorated with scenes of animals in combat. A three-and-a-half-inch solid gold rendering of a standing Tut, wearing a crown and kilt, topped a four-foot gold staff. Thirty brown and white ostrich feathers would have filled out a gold relief fan depicting an ostrich hunt, but insects had largely devoured them by the time Carter entered the tomb.

When Carter opened Tut’s sarcophagus, he found three coffins, one nestled inside the next. Tut’s mummified body lay in the final coffin, a funeral mask covering his head and upper body. The mask, which for all of its golden glitz makes it seem as if the boy-king still lives, has become synonymous with Tut. Obsidian and quartz create his soulful eyes, while lapis lazuli sketches his eyelashes and eyebrows. A fake beard appears below his full lips, its plaits crafted from the same deep-blue glass as the stripes in his headdress. As a vulture springs forth from Tut’s brow, signifying his dominion over Upper Egypt, a cobra puffs up beside it, proclaiming Tut’s sovereignty over Lower Egypt. A wide collar inlaid with green feldspar, lapis, and quartz covers his chest, swooping up to finish with a falcon’s head perched on each shoulder.

Beneath the strips of linen, Carter found a necklace with an intricate pendant portraying the blue-winged vulture goddess Nekhbet. Another vulture, this one in the form of an elaborate gold collar with glass feathers in shades of turquoise, lapis, and jasper, spread its protective wings across Tut’s mummified body.

From the burial chamber, visitors entered the treasury, which contained some of the liveliest pieces in the exhibition. A model boat measuring almost four feet and crafted of a single piece of wood helped Tut navigate the afterlife. A sculpture of a golden Tut portrays him standing on a raft made of papyrus (not unlike a surfboard), his arm hoisted and ready to throw a harpoon. Carter found Tut’s organs in an alabaster canopic chest inside a shrine guarded by four golden goddesses, each standing fifty-four inches high. The tight clinging robes of the goddess Selket give her an unexpected slinkiness.

Tut storms America  

When the exhibition opened at the National Gallery on November 17, 1976, the line wrapped around the three-block-long building. Tickets were distributed daily, on a first-come, first-served basis, leading people to regularly queue up at dawn. To bring visitors in from the unusually brisk winter, the gallery snaked the line through the entire building. Even so, once they reached the Fourth Street NW entrance, ticketholders still faced a four-hour wait before they could walk down the west marble staircase and descend into the tomb.

President Carter paid his respects ahead of a visit by Sadat to discuss Middle East peace negotiations. Standing with Sadat on the south grounds of the White House on April 4, 1977, Carter called seeing Tut “one of the most exciting experiences that I have had.”

Members of Congress paraded through, as did Hollywood royalty. Elizabeth Taylor, who had played the legendary Cleopatra, took in the exhibition with her husband, John Warner. So did Robert Redford, Marisa Berenson, Rex Harrison, William Holden, and Stefanie Powers. Andy Warhol and Richard Avedon also stalked Tut.

When the exhibition closed on March 15, more than 835,000 people had seen Tut—more than the population of Washington, D.C. Although a certified hit, the exhibition strained the gallery’s resources, requiring extra staff and security. The phones quit working halfway through. The gallery’s wood and marble floors suffered damage from the countless footsteps. By the end of each day, tumbleweed-sized dust bunnies lurked in corners.

Visitors spent $100,000 a week (in 1976 dollars) on souvenirs. Exiting the show, they stepped into a store stocked with three hundred Tut-themed items developed by the Met. There were coloring books, posters, and postcards, along with a Tut tote bag. The Tut-inspired jewelry collection ran to one hundred pieces. Hermès designed a limited-edition scarf, while Limoges produced a porcelain plate adorned with a falcon. There was also a $1,500 reproduction of the goddess Selket. The profits from the sale of merchandise were earmarked for the work of the Egyptian Organization of Antiquities, in particular renovations to the Cairo Museum.

From Washington, the exhibition moved to Chicago’s Field Museum of Natural History, where officials nervously welcomed the pharaoh and his belongings. The museum installed a new switchboard, arranged for more staff and volunteers, devised a different ticketing system, and upgraded its security system.

People began lining up at five in the morning on April 15, 1977. A group of friends arrived after an all-night bar crawl. One lay on the museum steps “mummified” from head to toe in toilet paper. By nine o’clock, two thousand people were waiting. When the Field Museum halted sales at 1:30 p.m., it had issued 8,547 numbered tickets. Visitors receiving the last tickets faced a seven-hour wait, but could roam the rest of the museum before getting to see Tut.

In mid June, the museum began flying a gold flag, emblazoned with a King Tut mask, on the north side of the building to signal the availability of tickets to motorists on Lake Shore Drive. When lowered to half staff, tickets were gone for the day. The flag usually went down before noon.

To complement the Tut show, the University of Chicago’s Oriental Institute hosted “The Magic of Egyptian Art,” an exhibition supported by NEH. The show featured thirty-seven objects used to embalm Tut, along with examples of Egyptian writing, portraiture, and religious items. Before Tut’s arrival, the Oriental Institute also sponsored a free lecture series, supported by NEH as well, covering everything from mummification to the history of the Eighteenth Dynasty.

Not everyone in Chicago fell for Tut. Best-selling novelist Andrew Greeley lamented in the  Chicago Tribune  that in the rush to see Tut, people were ignoring masterpieces at the Art Institute. “I kind of feel that it’s tasteless to flock like sheep to see one set of artistic treasures and ignore all the others around.” The  Chicago Tribune , however, called Tut “a grand slam homer for culture.”

On Monday, August 15, when the last visitor, Keith Feiler, an English teacher from Elmhurst, passed through the exhibition, the staff enlisted his help to reenact an ancient Egyptian ritual. After high Egyptian officials placed all of the items into a pharaoh’s tomb, they swept away their footprints as they exited. Using a replica of an ancient Egyptian broom, Feiler helped sweep away the footprints of the 1.35 million people who had come before him.

From Chicago, Tut moved to New Orleans, running from September 15, 1977, to January 15, 1978. John Bullard, the director of the New Orleans Museum of Art, confessed to having “nightmares” before its arrival. The museum had never hosted anything to rival Tut. One month before the exhibition debuted, group tours sold out. The museum also stopped offering memberships, which included access to the exhibition, after subscriptions climbed from 3,000 to 12,000.

When Tut opened, the line meandered into City Park. The museum erected a striped canopy over the sidewalk to provide shade. Sixteen portable “Tutlets” were also stationed nearby. Lelong Drive, which leads to the museum’s front steps, was painted Nile blue and the Fairmont Hotel served Sphinxburgers, Queen Nefertiti’s salads, and bowls of Ramses’ gumbo. The museum also used a grant from NEH to offer a series of public programs about Tut and Egyptian history.

Bourbon Street couldn’t resist Tutmania either. While decked out like an Egyptian goddess, legendary burlesque dancer Chris Owens shimmied her way through a routine called “Pharaoh’s Favorite Toy.”

When the doors closed, 870,594 people had seen the show and spent $75 million in town. The museum saw Tut off with a jazz funeral.

The show traveled next to Los Angeles, where it ran from February 15 to June 15, 1978. Rates quickly spiked in all of the parking lots surrounding the Los Angeles County Museum of Art. Ticket scalpers went to work. To manage the crowds, LACMA offered advance tickets at $2 apiece, selling out weeks before Tut’s arrival. By opening day, scalpers were selling tickets for $35 each.

LACMA built a Tut Shop on the plaza outside the museum. Frederick Cole, a labor contractor who witnessed the mania for Tut when he visited New Orleans, set up his own Tut Shoppe on Wilshire Boulevard adjacent to LACMA. “It just struck me that this is where it was at,” he told the  New York Times .

When it came time to pack up the exhibition, the museum gave the  Los Angeles Times  a front row seat to the painstaking process. No matter how gentle the curators were, the packing and display process enacted a toll on the objects. Curators from the Cairo Museum assessed items for damage and repairs were made before tucking the artifacts into special containers. Upon arrival in the next city, the process was repeated. “You learn the personality quirks of every piece—how strong they are, what they can take and what they can’t. It’s like being married—to fifty-five wives,” said Yale Kneeland, a conservator who supervised the packing process on behalf of the Met.

From Los Angeles, Tut traveled north, opening at Seattle Center’s Flag Pavilion on July 15, 1978. Built for the 1962 World’s Fair, the pavilion was renovated to host the exhibition with the help of a $1.2 million grant from the federal Economic Development Administration. The Seattle Art Museum, the sponsoring institution, lacked the necessary facilities.

Unlike in Los Angeles, which drew the majority of its visitors from the surrounding area, the show in Seattle relied heavily on tourists. Tickets for packaged tours could be purchased in advance. Otherwise, numbered tickets—$1 for an adult and 50 cents for students and seniors—were sold daily starting at 8:30 a.m. Monitors around the Seattle Center and downtown displayed wait times and ticket availability. On select nights, the museum offered private viewings to groups, such as the Junior League and Boeing, for a premium of $7.50 to $10 a head. Afterward, visitors rode to the top of the Space Needle and sipped Tut-inspired cocktails. By the time he departed for New York, 1.29 million people had viewed Tut’s burial mask in Seattle.

After organizing the exhibition and watching it enthrall audiences from afar, the Met finally had its moment. To handle the crowds—and keep people from freezing in line during the New York winter—the Met offered its free tickets through Ticketron, which charged a small service fee. They went on sale on a rainy September morning, and the line stretched along Fifth Avenue from 80th Street all the way down to 59th. Tickets were sold out in six days, but when one New Jersey agency advertised Tut tickets for $20 apiece in the  New York Times , it faced legal action. Scalping was illegal on both sides of the Hudson River.

During Tut’s run from December 15, 1978, to April 15, 1979, 633,500 out-of-town visitors descended on New York City, pumping $110 million into the local economy. When the Met closed its doors on the exhibition, 1.27 million people had gazed upon the objects the museum had helped Howard Carter excavate more than five decades earlier.

Tut, Tut, King Tut

As the Tut show at the Metropolitan wound down, Steve Martin lamented on  Saturday Night Live  about how “we have commercialized it with trinkets and toys, T-shirts and posters.” Dressed like a dime-store pharaoh and backed by a band attired in Egyptian garb and two gyrating dancers, Martin delivered what became an iconic routine: “(King Tut) (King Tut) / Now when he was a young man, / He never thought he’d see (King Tut) / People stand in line to see the boy king. (King Tut) / How’d you get so funky?” Halfway through the song, a saxophone player in head-to-toe Tut garb emerged from a sarcophagus at center stage. As he riffed on the song’s melody, Martin placed a blender before him as an offering.

While Nixon and Kissinger wanted the Tut show for diplomatic reasons, there was no denying, as Martin so deftly pointed out, that the exhibition made money for its host museums, savvy retailers, and local economies. The exhibition also captured the imagination of the American public, making Tut and his enchanting treasures part of the cultural zeitgeist of the 1970s.

Culture pundits tried to explain Tut’s appeal. Did the decadent golden treasures present an antidote to the cash-strapped 1970s? Were we just fascinated by mummies and Egyptian burial practices? A survey conducted by the National Gallery reported that 82 percent of attendees were drawn by “the beauty of the works of art” and 72 percent by “the age of the works of art.” Meanwhile, 62 percent professed an “interest in archaeology and ancient Egypt.” Only 15 percent claimed to have come because of the publicity.

“Treasures of Tutankhamun” brought several benefits with its oversized crowds. It forced museums to devise new ticketing systems for popular shows. The quality and success of the merchandising set a standard for future exhibitions. It also helped museums expand their membership rosters and interact with their communities in new ways. Whether or not blockbuster shows are good for museums remains an issue of contention. A 2001 Smithson­ian study noted that while they bring people into museums, blockbusters exhaust staff, drain resources that could be spent marketing the permanent collections, and create a “boom and bust” cycle of membership.

By allowing Tut’s artifacts to tour the United States, the Egyptian government raised $9 million to fund much needed renovations to the long-beleaguered Cairo Museum. Hoving, who resigned as director of the Met in 1977, helped mastermind an overhaul. While visitors to the museum in the early 1980s noticed improvements in how objects were displayed and labeled, Hoving complained in his memoir, published in 1993, that larger plans to reorganize the museum and train staff to maintain its collections had stalled. After arguing about it in committee for fifteen years, the Egyptians continued to disagree on how to best preserve and present Tut’s legacy.

Meredith Hindley is a senior writer for Humanities .

Funding information

The Metropolitan Museum of Art received a  $250,000  matching grant to support “Treasures of Tutankhamun.” The University of Chicago’s Oriental Institute received $108,894 to support a series of public programs on Egyptology and to support an exhibition, “The Magic of Egyptian Art.” The New Orleans Museum of Art received $97,492 to support an Egyptology lecture series. Sources: Material for this article was drawn from the archives of the Metropolitan Museum of Art and the National Gallery of Art.

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The Return of the King: The Tut Tour Comes Back to the States

By Jason Sheftell

In 1979 King Tut, an ancient Egyptian Pharaoh who ascended to the throne at age 9 and died before he was 20, captured the hearts and minds of America. Like a Rolling Stones concert tour, the traveling museum exhibit of King Tut drew huge crowds and a cult following. King Tut was everywhere. Comedian Steve Martin even wrote a song dedicated to the Boy King that rose to the top of the pop charts.

Now, he's back. A traveling exhibit titled "Tutankhamun and the Golden Age of the Pharaohs" is scheduled to stop in four American cities over the next 27 months. Having opened on June 16 in Los Angeles, the exhibit will hit venues in Ft. Lauderdale, Chicago and Philadelphia.

For information on the traveling show, go to www.kingtut.org . They have detailed schedules, ticket information and an education section detailing the history of King Tut's life, death and afterlife, a custom inherent to the mummification process of the ancient Egyptians. The reason for the exhibit and the return of King Tut is quite simple -- the Egyptians need additional financing to preserve and fund the upkeep of the their great ancient national treasures such as the Pyramids, Sphinx and Temple of Luxur. Egyptian officials believe their great sites are decaying and face ruin within 100 years if not properly cared for and preserved.

With over 100 artifacts dating as far back as 3,500 years from both King Tutankhamun's tomb and the Valley of the Kings, burial site of most of Egypt's great Pharaohs, this particular exhibit includes the gold crown placed upon the Tut's mummified body that he may have worn in life and a gold-tiled coffin that contained the young king's internal organs. When King Tut's tomb was discovered in 1922, it was one of the world's most important archaeological finds ever. The great exhibit with all its artifacts takes you back in time to the world of the Pharaohs and the culture of the Nile. It's an especially incredible show for kids who become enchanted by the color of the exhibit and Tut's personal history. After all, what nine year old can't relate to a king or queen his own age?

Ticket prices vary slightly per city. Expect to pay $30 per adult on weekends or $27 during the week. For children 6 to 17, tickets will cost $14 or $15 vary per city every day. Senior tickets cost $22 during the week or $27 on a Saturday or Sunday. Tickets are available for the first two legs of the exhibit at the Los Angeles County Museum of Art that lasts from June 16 to November 15, 2005 and for the Museum of Art in Fort Lauderdale that goes from December 15, 2005 to April 23, 2006. You can sign up to be notified when tickets officially go on sale for the final two cities at www.kingtut.org/sweepstakes.htm . Tickets are expected to go on sale January 24, 2006 for the Chicago leg of the tour showing at The Field Museum from May 26, 2006 to January 24, 2007. For the show in Philadelphia at the Franklin Institute from February 3 to September 7, 2007, tickets should go on sale sometime in 2006 as well. You'll find detailed information on each of the venues including telephone numbers, addresses and links to the museums' individual sites at www.kingtut.org/venues.htm . (The exhibit is skipping the Metropolitan Museum of Art in New York because of a disagreement between museum officials and the Egyptian curators over an Egyptian demand to charge a separate price for entrance into the Tut exhibit, a request in direct contradiction to the Met's pay-one-price policy.)

Official planning for this exhibit even included securing special hotel deals in each of the host cities. In Los Angeles, seven hotels have deals related to the King Tut exhibit ( www.kingtut.org/lahotels.htm ). The Wilshire Grand (tel. 888/773-2888 ; www.wilshiregrand.com ) has a one-night double occupancy rate that includes two tickets to the exhibit, Executive Level accommodations, free parking and continental breakfast in the Executive Lounge for $169 per night. Additional nights at the hotel cost only $119. The Fort Lauderdale exhibit struck a deal with Marriott where Ft. Lauderdale Marriott Hotels & Resorts the official hotel sponsor for the event. Starting at $149 per night with double occupancy, you get two VIP tickets to the exhibit that mean front of line access, two audio tours, an official King Tut catalogue and 10 percent off the museum gift shop. See www.marriottse.com/offers/kingtut or call 800/583-0179 for details. There are six Marriott's in the Ft. Lauderdale vicinity all of which offer the above deal ranging in price from $149 to $199 per night depending on hotel amenities, location and resort type. Keep checking back at the King Tut website or sign up for newsletter to see hotel deals as they come available for the Chicago and Philadelphia exhibits.

Do you have a question or comment regarding this article? Are you planning to see Tut or did you see the exhibit first time around? Tell us on our Cultural Immersion Message Boards today.

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King Krule Announces 2023 Tour

By Madison Bloom

King Krule has announced a string of tour dates that will follow the release of his next album, Space Heavy , which arrives June 9 via Matador . Archy Marshall and his band will get started in Minneapolis on Friday, July 21, stopping over at the Pitchfork Music Festival in Chicago the following day. Then, King Krule will wind through Detroit, Montreal, Philadelphia, Brooklyn, Nashville, Denver, Seattle, and more, before playing his final U.S. gig in Los Angeles on September 25. King Krule will also play venues in the United Kingdom and Europe in October and November. Find the full itinerary below.

Space Heavy is King Krule’s follow-up to 2020’s Man Alive! Marshall wrote the album during periods in London and Liverpool between 2020 to 2022. He was largely inspired by the notion of “the space between” while conceptualizing his new batch of songs, which he recorded with producer Dilip Harris, saxophonist Ignacio Salvadores, drummer George Bass, bassist James Wilson, and guitarist Jack Towell.

Upon announcing Space Heavy last month, Marshall shared lead single “Seaforth,” along with with a music video directed by Jocelyn Anquetil . A couple of happy dogs co-starred with the musician in the clip.

Revisit “ How Supermarkets, Electricity Towers, and a Satanic President Inspired King Krule’s Man Alive! ”

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King Krule:

07-21 Minneapolis, MN - First Ave 07-22 Chicago, IL - Pitchfork Music Festival 07-23 Detroit, MI - Masonic Temple Theatre 07-25 Toronto, Ontario - History 07-26 Montreal, Quebec - Corona Theatre 07-28 Boston, MA - House of Blues 07-29 Washington, D.C. - 9:30 Club 07-30 Philadelphia, PA - Union Transfer 08-01 Brooklyn, NY - Kings Theatre 09-08 Atlanta, GA - Variety Playhouse 09-09 Nashville, TN - Brooklyn Bowl 09-11 Houston, TX - White Oak Music Hall 09-12 Austin, TX - Stubbs Waller Creek Amphitheater 09-13 Dallas, TX - House of Blues 09-15 Denver, CO - Ogden Theatre 09-16 Salt Lake City, UT - The Depot 09-18 Portland, OR - Roseland Theatre 09-19 Vancouver British Columbia - Vogue Theatre 09-20 Seattle, WA - Paramount Theater 09-23 Oakland, CA - Fox Theater 09-25 Los Angeles, CA - Hollywood Palladium 10-04 Dublin, Ireland - 3 Olympia 10-06 Glasgow, Scotland - Barrowland 10-07 Manchester, England - Academy 10-09 London, England - Eventim Apollo 10-16 Amsterdam, Netherlands - Paradiso 10-18 Antwerp, Belgium - De Roma 10-19 Brussels, Belgium - AB 10-21 Cologne, Germany - Carlswerk Victoria 10-23 Copenhagen, Denmark - Vega 10-26 Berlin, Germany - Columbiahalle 10-27 Prague, Czech Republic - Forum Karlin 10-28 Vienna, Austria - Simm City 10-30 Budapest, Hungary - Akvarium Klub 10-31 Ljubljana, Slovenia - Kino Siska 11-01 Zagreb, Croatia - Tvornica Kultur 11-03 Lausanne, Switzerland - Les Docks 11-04 Turin, Italy - Club to Club Festival 11-06 Paris, France - Trianon

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Queen Mary and King Frederik forced to cancel part of upcoming royal tour

Queen Mary and King Frederik have been forced to cancel part of their upcoming royal tour .

The two-day visit to the Faroe Islands was in the royal diary for next week but has had to be postponed due to strike action.

Their Majesties were due to stop there during the first part of their planned Commonwealth tour but five major workers' unions have gone on strike since May 14.

READ MORE: Prince William's subtle tribute to 'granny' at D-Day commemorations

The Danish royal household announced the change to the itinerary on Wednesday, saying they hope to make the trip later this year but no new date has been set as yet.

"The royal couple express their full understanding of the decision the Faroese layman has made," the statement said, suggesting it was Faroe Islands Prime Minister Aksel V Johannesen's decision.

"Their Majesties look forward to carrying out the planned program at a later date."

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The news came as members of the Danish royal family marked the 175th anniversary of Constitution Day - a day celebrating Danish parliament's first constitution.

King Frederik along with Queen Mary, Queen Margrethe and Princess Benedikte attended a service at Holmens Church, in Copenhagen, on Wednesday morning.

Australian-born royal Mary, looked striking in a vibrant pink dress by Andrew Gn, which she paired with Prada heels and an oversized Susanne Juul hat.

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Queen Mary shared a laugh with her mother-in-law, Queen Margrethe, when the duo realised their hats were too big to greet each other with kisses on the cheek as they usually do.

This prompted Mary to blow kisses to Margrethe and her sister Benedikte.

The interaction even drew a cheeky grin from King Frederik as he walked on ahead.

Later on Wednesday evening the royal will gather again to celebrate the big anniversary with an official recpetion in the former upper chamber at Christiansborg.

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Royal visit to New York: European king and queen will soon arrive in NYC

• Published: Jun. 06, 2024, 1:25 p.m.

Queen Maxima of The Netherlands and King Willem-Alexander of The Netherlands wave during King’s Day celebrations on April 27, 2024 in Emmen, Netherlands. King Willem-Alexander and his family are celebrating King's Day and his eleventh anniversary as King of the Netherlands in Emmen. (Photo by Andreas Rentz/Getty Images) Getty Images

• Geoff Herbert | [email protected]

Practice your bows and curtsies: European royalty is coming to Upstate New York this month.

King Willem-Alexander and Queen Máxima, of the Netherlands, will visit Albany on Wednesday, June 12, as part of a days-long trip to the U.S. highlighting bilateral ties between the Kingdom of the Netherlands and the United States. The Dutch king and queen will also visit Georgia, the Netherlands’ 10th largest U.S. trade partner, and New York City between June 10-13.

According to the Times-Union , King Willem-Alexander and Queen Máxima are scheduled to visit Gov. Kathy Hochul at the Governor’s Mansion on Wednesday, meet CEOs of Dutch companies active in the Capital Region, and tour the NY CREATES nanotech hub near the University at Albany. The king will also give remarks at a business seminar about furthering cooperation in semiconductor research, development and production.

The royals are also scheduled for an afternoon trip to the Schuyler Mansion State Historic Site, once the home of Dutch General Philip J. Schuyler and his wife, Catherine Van Rensselaer, for a discussion on climate change with youth. Schuyler was a Revolutionary War general and a U.S. Senator in America’s first Congress; the mansion is where his daughter Elizabeth Schuyler married Founding Father Alexander Hamilton.

King Willem-Alexander is also expected to deliver a short address at a network event at the Governor’s Mansion in the evening.

King Willem-Alexander of The Netherlands, Queen Máxima of The Netherlands, Princess Amalia of The Netherlands and Princess Alexia of The Netherlands at the balcony of Palace Noordeinde at Prinsjesdag on September 19, 2023 in The Hague, Netherlands. Prinsjesdag is the state opening of the parliament. (Photo by Patrick van Katwijk/Getty Images ) Getty Images

“I hope this visit and others like it in the future continue to build upon our mutual respect and appreciation for one another and foster even greater partnership and collaboration for generations to come,” Albany Mayor Kathy Sheehan said in a statement.

According to WTEN, Albany’s relationship with the Netherlands dates back 400 years, as Dutch colonists settled in the area and built Fort Orange in 1624. Historic sites with Dutch ties include The Old English Pub, also known as the Old Dutch Pub, the second oldest house in Albany; the Van Ostrande-Radliff House, built in 1728, the only surviving Dutch urban timber framed building left in the country; the Ten Broeck Mansion; and Cherry Hill. The city’s annual Tulip Festival also features a traditional Dutch street-scrubbing ceremony.

The Times-Union reports King Willem-Alexander’s mother, Princess Beatrix, previously visited Albany in 1959. Willem-Alexander succeeded his mother as monarch in 2013. He and his wife, Máxima, have three daughters: Princess Catharina-Amalia, Princess Alexia and Princess Ariane.

“With more than 5 million Americans tracing their roots to the Netherlands, there are close personal and cultural links between our countries,” the Royal House of the Netherlands said . “The U.S. is the Netherlands’ biggest non-EU partner in regard to economic and security cooperation. These close transatlantic ties are essential in safeguarding the Netherlands’ prosperity. This partnership is based on a shared history that goes back 400 years.”

AMSTERDAM, NETHERLANDS - DECEMBER 12: King Willem-Alexander of The Netherlands and Queen Maxima of The Netherlands pose for an official picture at the start of the state banquet in the Royal Palace on December 12, 2023 in Amsterdam, Netherlands. (Photo by Patrick van Katwijk/Getty Images) Getty Images

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The 5 best sightseeing tours of buckingham palace.

See one of Britain's top attractions on a walking, biking, bus or private taxi tour.

The Best Tours of Buckingham Palace

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On a visit to London , some of the top attractions are linked to the royal family. But nothing is quite as iconic as a visit to the one of the three official residences of the monarchy – Buckingham Palace . While it's only open to the public on select dates, you can relish in its beauty from the regal gates, snap a selfie and catch a Changing the Guard ceremony.

How to Tour Buckingham Palace

For about 10 weeks every summer (select dates from July 11 to Sept. 29, 2024), Buckingham Palace opens its elaborate gates, welcoming visitors to explore its lavish State Rooms, grounds and Royal Collection artworks. The Royal Mews is also open to visitors from March to October, showcasing the Royal Family's real working stables and ornate, historic carriages – including the Gold State Coach used for Queen Elizabeth II's Platinum Coronation in 2022.

If you aren't here at the right time, fear not; this extravagant, 18th-century royal residence is just as impressive from the outside, making it worth a visit any time of year. Check online for a current schedule of the Changing the Guard ceremony – when the red-and-black-clad Royal Guard marches toward the palace, accompanied by striking military music – and see a tradition that's been running for more than 300 years. Combine it with explorations in the surrounding area of Westminster to see London at its most quintessential.

You can explore all of this independently, of course – but if you're looking to dig a little deeper, hear about the king's coronation and uncover local secrets, consider a guided London tour . Insider experts can point out the best photo spots, take you to the must-see sights and show you the ins and outs of the area, while sharing knowledge of the country's royal history along the way.

There are tons of options out there, so where do you start? Based on local knowledge and traveler review sites, here are some of the most highly rated tours.

Changing of the Guard Walking Tour

Price: From $13 Duration: 2 to 3 hours Standout perk: Witness the pomp of the iconic Changing the Guard ceremony.

Watch the Royal Guard march toward Buckingham Palace as you witness this historic, quintessentially British spectacle on a tour of Westminster's highlights. Accompanied by a military band, you'll see the Old Guard (soldiers on duty) switch to the New Guard as they arrive at the palace from Wellington Barracks. Your guide will explain which regiment is which, before taking you on a guided walking tour past other world-famous, attractions, including Big Ben, Clarence House, the Houses of Parliament , St James's Palace and Westminster Abbey .

Recent travelers gave high ratings to the tour, saying guides were able to take them to the best photo spots for the ceremony while offering a wealth of historical and entertaining insight.

Tours leave at 10 a.m. and depart from the Victoria Palace Theatre. The outings end at Parliament Square.

Local tip: Look at the Horse Guards Clock on the Horse Guards Parade – the official entrance to Buckingham Palace and St James's Palace – to see a dark stain above the 2 (II, in Roman numerals). It marks the time King Charles I was executed outside the Palace of Whitehall in 1649, after being charged with treason.

Check prices & availability on:

Buckingham Palace and Windsor Castle Tour

Price: From $161 Duration: 8.5 hours Standout perk: Get a rare chance to explore the State Rooms with Buckingham Palace tickets, and tick off two of the United Kingdom's grandest royal residences in one day.

This twin-castle tour offers the opportunity to enter Buckingham Palace and see its State Rooms, Royal Collection artwork and other treasures, with commentary from an audio guide. After you've toured the palace, you'll travel by coach about 25 miles west of London to Windsor Castle – the oldest and largest occupied castle in the world, and the family home of the monarchy for more than 900 years. Explore the castle's lavish State Apartments and grounds, and visit St George's Chapel – the burial place of Queen Elizabeth II alongside many other monarchs, and the spot where Prince Harry married Meghan Markle.

Recent travelers said the tour was a great opportunity to see inside both palaces. Several commented on the extensive art collection at Buckingham Palace, and many enjoyed hearing insights from the guides, although some complained about long lines.

The tour takes place from July through September on select Mondays, Thursdays and Saturdays, and leaves from Victoria Coach Station at 7:45 a.m.

Local tip: Windsor Castle has its own Changing the Guard ceremony, as well as its own extensive art collection. The ceremony takes place at 11 a.m. on select days of the week.

Best of London Tour Including Tower of London and Changing of the Guard

Price: From $144; with optional London Eye or Harrods cream tea for an additional fee Duration: 9 hours Standout perk: You'll see many of London's key attractions in one day, and enjoy a river cruise thrown in for good measure.

If you want to combine a visit to see Buckingham Palace's Changing the Guard ceremony with stops at several other London spots, this is a great choice. The full-day trip begins at the UNESCO listed Tower of London where you'll have the chance to see the crown jewels.

From here, you'll visit Buckingham Palace to witness the famous pomp and pageantry of the ceremony and get the chance to admire the palace's impressive architecture from the outside. The day includes a tour of the elaborate St. Paul's Cathedral (not available on Sundays), before embarking on a boat tour of the Thames, passing key attractions including Tower Bridge and Shakespeare's Globe. The day also includes a photo stop at Westminster Abbey, where Prince William and Kate Middleton married in 2011, and a brief walking tour of Parliament Square. Travelers can choose to add a ride on the famous London Eye observation wheel (or opt for a quintessentially British cream tea at Harrods instead).

Recent travelers loved the tour and praised the guides as highly knowledgeable and entertaining. Many were impressed with how much they saw in a day and said it gave them a great introduction to London (although it's worth noting a few felt there was quite a bit of walking involved).

Tours leave from Victoria Coach Station at 7:45 a.m. and finish at the London Eye.

Local tip: If you fancy delving deeper into the Tower of London in your own time, book a ticket to see the Ceremony of the Keys. Dating back seven centuries, this nightly ceremony is when the castle gets locked up for the night, with a special exchange between the sentry and Yeoman Warder taking place at 9:30 p.m. between the atmospheric battlements – both eerie and magical.

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London: Explore the Parks and Palaces on a Morning Bike Tour

Price: From $37 Duration: 3.5 hours Standout perk: Get active on two wheels, and combine a Buckingham Palace stop with a visit to Kensington Palace and other royal sights.

This half-day guided cycling tour is a great option to get active on your London trip. You'll start at Kensington Gardens – the home of Kensington Palace, where Princess Diana lived with the now King Charles, and Queen Victoria's birthplace. From here, pedal to the Royal Albert Hall to check out this elaborate concert hall, opened by Queen Victoria in 1871. Afterward, cycle through Hyde Park and on to Green Park to reach Buckingham Palace, where your guide will regale you with little-known stories about the palace. Continue on to Trafalgar Square, Westminster Abbey, the Houses of Parliament and Big Ben as you take in some of the capital's key highlights, before returning to the Royal Parks.

Recent travelers raved about the tour and were impressed by the guides' knowledge. Many enjoyed the small group size and said the cycling was a good, leisurely pace, with plenty to see along the way, and iced tea and snacks included as a bonus.

The tour leaves from outside the main entrance at Hilton London Hyde Park. The recommended minimum age is 9 – you can pre-book junior bikes and child seats. While the bicycle and helmet for use during the tour are included, attraction entry fees are additional.

Local tip: If you've got time after the tour, it's well worth exploring Kensington Palace a bit more. Admire the elaborate, Georgian-era King's Staircase and the King's State Gallery with its fine art collection, see the Queen's State Apartments where Mary II would come to relax or welcome guests, and visit the Sunken Garden, once a favorite spot of Princess Diana's. After, enjoy afternoon tea or lunch at the Kensington Palace Pavilion amid the gardens.

The Premier Classic London: Private 4-Hour Tour in a Black Cab

Price: From $482 Duration: 4 hours Standout perk: You'll see many of London's must-see attractions, and as it's a private tour, you can tailor the trip to your liking.

If you're after a private tour, this half-day trip in a classic London black cab is just the ticket.

You can choose to align your visit to Buckingham Palace with a Changing the Guard ceremony, and you'll get expert commentary from your personal taxi driver, who's also a registered tour guide. Alongside the palace, you'll pass must-see points including the Houses of Parliament, Downing Street, St James's Palace, the Tower of London, Piccadilly Circus, Shakespeare's Globe, Borough Market and Covent Garden , with options to stop along the way.

Recent travelers loved the tour and said guides were able to tailor the trip, stopping at spots both on and off the tourist trail and offering plenty of historical insight.

Your driver-guide can pick you up and drop you off at your hotel; or a central London location.

Local tip: Make a stop at Borough Market to try some of the best food in the city, with more than 100 stalls offering everything from Persian to Italian, alongside plenty of fresh produce.

Why Trust U.S. News Travel

Laura French is an award-winning British travel writer based in London. She grew up just outside the city and worked around the corner from Buckingham Palace for several years. She loves exploring the surrounding area, and used her own experience alongside online research to compile the roundup.

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• The Best Harry Potter Tours in London
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Tags: Travel , Tours

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