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Sigur Rós  

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The current tour was advertised as “An Evening with Sigur Rós”. Performing as a trio, without the usual string and orchestra sections, the expectation was a stripped-down, intimate set. So when the venue change from Paramount Theatre to Ellie Caulkins was credited to production issues, curiosity got the best of me. I’ve seen some pretty elaborate stage shows at the Paramount (King Diamond built a multi-level house of horror in there a couple years ago), so what exactly did the Icelandic group have in store? As it turned out, the trio brought a stadium-sized light show with them. Without exaggeration, it might have been the best visual display I had ever witnessed; literally on par with anything I’ve seen at Pink Floyd concerts.

A lot of artists augment live performances with various visual elements, but the Sigur Rós show at Ellie Caulkins was the first time I’ve ever seen a band upstaged by their own production. Don’t get me wrong, the music was incredible. Two completely varied sets, consisting of almost two hours of music culled from across their entire discography, would have been worth the price of admission alone, even if they performed it under the bright white of a single spotlight. But when the soundtrack is emanating from a constantly morphing, multi-dimensional space that extends the back of the stage into an infinite abyss, it becomes an experience more than a concert.

Like musicians moonlighting as magicians, Sigur Rós (and their incredible production crew) were able create a layer of illusions with no explanation. Curtains consisting of LED beadlets separated the stage into sections. Rising and falling as needed to suit the scene of each selection, those curtains could solidify into solid, blinding colors one minute, only to settle into moving images the next. Messing with transparency was another little game they liked to play, but never all at once. As one curtain would disappear, others would come to life, thus creating a seemingly endless display extending well past the physical boundaries of the building.

The edges of outer space; ghosts of children like faded photographs; neon beings coming to life and growing to monstrous heights; virtual rooms in which the band could find shelter during the beginning of the second set. The technology that went into this living trompe l’oeil was extensive, yet the word technology never occurred to me while I was in the moment. The music flowing through the vision made everything feel organic. And although I don’t know why the Paramount Theatre couldn’t have hosted the show, I’m glad it was moved to Ellie Caulkins. As if alive, the illuminations danced upon the walls of the opera house while reflecting off the fog that was slowly creeping into the orchestra. Like the music itself, it was not confined to the stage in which it was made.

There is a part of me that still yearns for the time when Sigur Rós was an enigma. Back before they went on hiatus and Jónsi made a name for himself with his solo album and movie soundtracks. Back before Kjarri Sveinsson split from the band. Back when there were no faces or names associated with the music. If someone would have told me I’d be attending an ‘intimate’ Sigur Rós show, back when I first discovered (and had my mind blown) by Ágætis byrjun, I would have laughed. But Sigur Rós lost a little of its mystery long ago. The fact that real human beings are involved — human beings with creative differences and real ‘human being’ problems — took some of the magic out of the music. Instead of images of barren lands, and discovering whales humping during underwater explorations, I only pictured the faces of the men behind the sound. I expected Tuesday night’s show to reinforcement that humanity, but it did nothing of the sort. Sure, Jónsi and Goggi and Orri were standing right there, plain as day, but they seemed otherworldly; or at least from a future where advancements in the manipulation of light and sound had reached new levels.

Speaking of the sound, the first half was definitely the more ambient one. Each set opened with a new track, the first being “Á”. From there the show continued on with a good chunk of (); slowing building to the crescendo toward the end of “Dauðalagið”, but it wasn’t until the “Glósóli” climax when the trio proved they could reach the mountaintop without the help of additional musicians. As the sound filled the opera house to the ceiling, I couldn’t help but think they were hiding a symphony somewhere in the forest of lights swirling behind them.

The second set opened with “Óveður”, then went on to some of their more commercially successful tracks. “Starálfur” is still one of the most beautiful songs ever written, “Sæglópur” was as close as they got to true post-rock the entire night, and “Ný Batterí” found people closing their eyes just to take it all in without any potential distraction. Where the nuances in the first set were almost drown in imagery, the second set was much more varied, with a setlist guaranteed to keep the crowd engaged as it transitioned from the deep woods of “Vaka” to the wide open fields of “Festival” to the dark caverns of “Kveikur”. Jónsi would attack his guitar with that bow during one song, only to set it down so he could vocalize heartbreak in his signature falsetto; proving pain doesn’t need a translator. At one point he held a note for what seemed an eternity, letting it flow from a few feet behind the microphone, as if to protect us from its full force.

see more at http://ilistensoyoudonthaveto.com/2016/09/29/sigur-ros-ellie-caulkins-09-27-16/

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Icelandic band Sigur Ròs, began a highly anticipated three-night stay in the New York area, kicking off to a sold-out crowd at the legendary Radio City Music Hall. Band members Jón Þór Birgisson (Jònsi) on guitar and vocals, Georg Hólm on bass and Orri Páll Dýrason on drums, filled the large space of the epic hall with some of the most beautiful arrangements that those walls have ever absorbed. It is not often that the magnificent beauty of the Donald Deskey art décor is overshadowed by three men on stage.ang_1730

From the opening song “A”, a new composition, the entire audience sat silently captivated by the moving power of the Icelandic trio’s ethereal sound —setting the tone for what was a unique two-set performance.

The first set was filled with calm, comforting numbers such as “Ekki Mukk” (Not A Sound) from their 2012 release Valtari and “Samskevti” (Attachment) from the 2002 ( ) album. It was a relaxing way to settle into our seats and drift off into a magical place. Jònsi’s falsetto sound and his gentle cello bow guitar style helped create the very emotional atmosphere with songs like “Glósóli” (Glowing Sole) from Takk and “Dauðalagið” (Death Song), also from ( ). One fan, Annie, who traveled 11 hours by train from Quebec to see the show, told me that she was so overcome with emotion that she “hadn’t cried that much for so long.” I think it is the first time at a concert that I looked around and did not see a single person using their cell phone, as everyone was in a deep, almost hypnotic trance. The only thing powerful enough to rouse you from their abstraction was their own special type of pyrotechnics, done with bright flashes of light timed with the loud blow of the drums.ang_1824

The start of the second set finds the three members behind a translucent screen, as the light show makes a dramatic transformation into a cutting edge special effects show. The opening song of set two, “Óveður” (Storm), a new release this year, exhibited what seemed like raining lightning bolt lasers shooting out from the back of the stage down into the hall. Award-winning lighting designer Bruno Poet and his team, including the great Sarah Hopper, featured what appeared to be large cosmic bodies floating overhead, and perceptive lights leading you back into the depths of the stage staggered with interstellar collisions and eruptions. The entire stage was as if you were living inside the most spellbinding sci-fi movie, completely taking you to the next level of grandness. Coupled with the bands massive sound, songs in the second act like “Sæglópur” (Lost at Sea) and Festival from 2008 Með suð í eyrum við spilum endalaust album. ang_1791

The night came to a close with the colossal “Popplagið” (Pop Song), featuring the booming drums of Dýrason, keeping the audience at the edge of their seats, and giving us one last amazing glimpse into the world of Sigur Ròs. Soon afterwards, as the three men returned to the stage to take their bow, you could only reflect in wonder how just three musicians could make such an enormous amount of music. Sigur Ròs, once again, revealed their utter brilliance and complete masterfulness of time, space and sound.

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this is my fifth time seeing sigur ros.

first time was in montreal in 2003 i think.

as always - they are an incredible band.

but i would strongly recommend some restrictions on the audience and more attention by the venue.

Massey Hall was a mess.

my seat, which i happily paid a good price for - was directly behind a huge pillar. i could at all times only see half of the stage.

given the band's light show and immersive environment, given our view, the experience was really stifled.

those seats should be priced for less. and sold with a warning.

also the entire first half of the show, given that it was the quiet part of the show - more mellow music - was drowned out by the sound of a million press camera shutters right next to the audience. there was tons of abrupt noise pollution by giant lens camera shutters. they need to be more considerate of the mood of the show.

finally - the people taking photos.

given the mood of the concert, like this one which requires a great deal of attention, the venue must makes full effort to discourage distraction. they need to make clear announcements emphasizing that NO PICTURES allowed and further more by using laser pointers at people taking videos. in this case little was done and every two second a giant bright phone would light up next to us or in front of our eyes to document the concert with video and photos and even with flash. tons of flash. given this band's sophistication and attention to creating an environment to carry an audience into an operatic grand experience with delicate silences and darkness - this show was honestly terrible ... but only due to Massey Hall's poor organization and lack of care. Sad to write a bad review as i bought my ticket the day of the ticket release and love their music and their good work.

What should have been a pleasurable evening with friends was spoiled by earth-shattering amplification and mixing that mashed all sounds together into an ear-defeating cacophony.

The vocals were generally screeched out in falsetto with Birgisson's voice developing an unmistakable crackle late in the first half. His attempt to hold a high note in the second half was a study in hubris as he wavered increasingly off-note while the crowd - clearly never having witnessed your average classical vocal performance - went into enraptured hysteria.

The musical disappointment was somewhat offset by the interesting, though by no means groundbreaking, visuals and we couldn't help wondering whether the crowd were applauding that rather than the noise. Or perhaps they were sufficiently tanked up with opioids to deaden their senses.

What a shame and embarrassment when introducing some friends to this band. I kept having to assure them that I wasn't crazy and that Sigur Ros do normally have a really interesting sound.

The constant stream of people escaping the auditorium confirms we weren't alone in our assessment.

Having never heard Sigur Rós before, I went into this show a complete virgin to them. I was actually taking my mother to see them, as she's a big fan, and as I'm predominantly a hard rock/metal head, I was hoping for the best that I wouldn't be bored to tears. It began rather slowly and I thought I might be in for a long night, but by the end of the first half I was "getting it". The second half after the interval just exploded - utterly amazing. Judging by the applause as various songs started, I presume they were playing their more well known songs, but the light and graphics show that went along with the following hour or so was just stunning. What was really good about it was even though I'd never heard them before, and they are rather abstract and unconventional, they were also easy to follow and understand the music being played. Quality wise, they were outstanding - it sounded great, looked great, and the whole production was completely on point. Turned out to be a very enjoyable evening, well worth going.

Sigur Ros was, as expected, incredible. They're always good but it's amazing how awe-inspiring they can be in person. Pure sound and essence. Almost a religious experience. Was literally moved to tears on at least one occasion, and not even kidding. 8000 people, just silent letting the sound wash over. The weather was perfect, clear skies and the wind died down to nothing for the show. Cold but so fitting for a group of musicians from Iceland who seemed to be moved to greater heights by the chill. Like some kind of arctic temple.

The Greek is a perfect venue for these guys, intimate, with great sound and feedback from the crowd. Their stage show was fresh and evocative, playing, unexpectedly two long sets of 15 minute songs, intertwining new and old favorites. Will always go out for these guys and 25 years into their career their sound is no less sublime then it ever was. Great show.

The show was really amazing. It's the 4th time I've seen Sigur Rós. Visually they brought more stuff to show. The setlist was outstanding.

My only complain, was that all fans that bought tickets on a pre-sale, were instructed to pick up the tickets on the same day of the show at the venue. The place (Auditorio Nacional) had a mess and we all were in line more than 3 hours. Unbelievable in 2017 when you can PDF tickets or bring it in your cell phone. I'm pretty sure some fans didn't see Sigur Rós complete show as got into the Auditorio like 10 minutes before SR started and behind me there were like 150 people waiting for the tickets. Please work in this for futures shows.

There aren't many bands that I'd fly from LA to Iceland to see, but Sigur Rós is not just any band. And 11 hours of flying is a small price to pay to see one of the best live bands on the planet.

Sigur Rós deliver shows that will make you feel everything - from beautiful melancholy to dizzying euphoria. Often accompanied by a full range of string and horn sections, the cinematic scope of their music is the perfect metaphor for the dazzling landscapes of their native Iceland. The term "other worldly" is a bit overused these days, but it couldn't be more appropriate here.

One of the few bands that I will make sure I see every time they are in town, Sigur Rós is a worldly treasure.

The show was great, Sigur Rós is a super band. The only problem was the venue (Tempodrom) and organisers, they just don't care about people. First of all, they haven't informed beforehand the fact that it won't be possible to enter the venue with a backpack. Something like storage point was organized in front of the Tempodrome and the queue to it was long. So, in the end, you need to stay in three queues - to leave your backpack, then to enter the Tempodrom and the to leave your coat. But the biggest bummer was that the organizers oversold seat tickets and 10-15% of seat places was actually behind the scene, which is stupid and pissed off quite a lot of people.

The most inspirational show I've seen. Sometimes I describe it as magical, but no one understands, Sigur Ros is a MUST see live.

The venue was unpleasant and more suitable for a heavy metal show, but somehow Sigur Ros made it pleasurable and almost enchanted it.

Every song sounded even better than the record. And being able to actually see all the instruments and people that are involved is extraordinary and makes you more aware of all the sounds.

Tickets were on the pricey side, but I would gladly pay more to see them again. I was surprised by the lack of people there, it made me a little sad.

Can't wait for them to come around again!

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Sigur Rós is not due to play near your location currently - but they are scheduled to play 24 concerts across 10 countries in 2024-2025. View all concerts.

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​Sigur Rós announces Asia tour dates for 2022

Singapore, Japan, South Korea & Thailand make up the Asia leg of their 2022 world tour

• Charles Budd
• 26 April 2022

Post-rock band Sigur Rós have announced dates for the Asia leg of their 2022 world tour.

Following dates in Australia, the Icelandic Grammy-nominated group will appear at The Star Theatre in Singapore on August 17, courtesy of LAMC Productions , with fan pre-sales starting tomorrow April 27, and general tickets going on sale this Friday, April 29.

Read this next: Seoul: S2O Korea

View this post on Instagram A post shared by sigur rós (@sigurros)

Their next stop is Seoul on August 19, for which venue and ticketing details will be announced soon.

The band then heads to Japan for two shows on August 22 in Osaka and on August 25 in Tokyo, with tickets going on sale on May 21 — fan presales for Japan start on April 29. The first concert will be held at Zepp Osaka Bayside and the second show at Tokyo Garden Theatre on 25 August.

Sigur Rós' final stop in Asia is Bangkok on August 28; venue and ticketing info will be announced soon.

In addition to ‘ Hoppípolla ’, expect to hear hypnotic gems from their seven-album-strong lineage, plus some new material.

Read this next: Bali: W Bali-Seminyak presents M.A.N.D.Y

You can find more information about Sigur Rós' World & Asia tour here .

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Sigur Ros Are Working on a New Album and Getting Ready to Tour the World

By Kat Bouza

Sigur Rós will hit the road this summer for their first world tour in nearly five years, with shows currently slated for the United States, Canada and Mexico. The influential Icelandic band also announced that they’ve returned to the studio to record a new full-length album — and both the album and tour will feature the Kjartan Sveinsson, who recently rejoined Sigur Rós after leaving the group nearly a decade ago.

The post-rock outfit promises to debut some new material during the upcoming tour, which kicks off April 30 at Festival Vaivén in Morelos, Mexico. The run will continue through May before wrapping with two shows at the Beacon Theatre in New York City, June 17 and 18.

Tickets for the U.S. and Canada shows go on sale Feb. 25 at 10 a.m. local time, while the Mexico shows will go on sale at 11 a.m. Feb. 26. Additional tour dates to be announced at a later date. More information can be found on the band’s website .

The album. meanwhile, will mark the first proper Sigur Rós studio effort since 2013’s Kveikur . In 2020, the group released Odin’s Raven Magic , an orchestral piece based off a 13th century Icelandic poem — but the composition was first performed nearly two decades prior to its official release, and the 2020 version came from a recording of a 2004 performance at La Grande Halle de la Villette in Paris.

Sigur Rós World Tour Dates

April 30 – Morelos, Mexico @ Festival Vaivén May 3 – Monterrey, Mexico @ Citibanamex Auditorium May 5 – Guadalajara, Mexico @ Auditorio Telmex May 9 – Vancouver, BC @ Orpheum Theatre May 11 – Portland, OR @ Theater of the Clouds May 13 – Seattle, WA @ Paramount Theatre May 17 – Stanford, CA @ Frost Amphitheater May 19 – Los Angeles, CA @ Shrine Auditorium May 23 – Austin TX @ ACL Live at the Moody Theater May 24 – Austin TX @ ACL Live at the Moody Theater May 25 – Dallas, TX @ Winspear Opera House May 27 – Atlanta, GA @ Cobb Energy Performing Arts Centre May 28 – Nashville, TN @ Ryman Auditorium May 31 – Minneapolis, MN @ State Theatre June 1 – Milwaukee, WI @ Riverside Theater June 3 – Detroit, MI @ Masonic Temple Theatre June 4 – Chicago, IL @ Auditorium Theatre June 6 – Washington, D.C. @ The Anthem June 7 – Philadelphia, PA @ The Met Philadelphia June 9 – Boston, MA @ Wang Theatre June 10 – Montreal, QC @ Place des Arts June 11 – Toronto, ON @ Meridian Hall June 14 – Brooklyn, NY @ Kings Theatre June 17 – New York, NY @ Beacon Theatre June 18 – New York, NY @ Beacon Theatre

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Arts & entertainment, design & style, travel & leisure, search concrete playground, sigur rós are returning to australia in 2025 to pair the icelandic band's ethereal tunes with live orchestras.

Jónsi and company will play with the Melbourne Symphony Orchestra, Brisbane Philharmonic Orchestra, Adelaide Symphony Orchestra and more.

Every gig should be its own distinctive experience, even if a band is hitting city after city on a massive national or international tour. But there's unique concerts and then there's Sigur Rós' latest run of shows. While there's nothing quite like seeing the Icelandic band live in general, they'll be doing something different on their next trip to Australia: taking to the stage with live orchestras.

Jónsi Birgisson, Georg Hólm and Kjartan Sveinsson will play with the Melbourne Symphony Orchestra, Brisbane Philharmonic Orchestra, Adelaide Symphony Orchestra and more when Sigur Rós' current orchestral tour makes its way Down Under. Across the rest of 2024, fans across the US and Nordic countries can catch the group joining forces with a 41-piece orchestra. Then, come May 2025, it's Adelaide, Melbourne, Sydney and Brisbane's turn to witness quite a few new members temporarily join the band.

Sigur Rós have a one-night date locked in in Adelaide to kick off their Australian visit, and then will play Melbourne for two nights, Sydney for three and Brisbane for one. ÁTTA , their 2023 album, will be in the spotlight, as the last time they toured Down Under was in 2022, before it was released — and it was was recorded with arrangements featuring a 32-piece orchestra.

Fans can expect tracks from their 1997 debut Von onwards, however, spanning tunes from fellow records Ágætis byrjun , ( ) , Takk... , Með suð í eyrum við spilum endalaust , Valtari and Kveikur .

Alive87 via Wikimedia Commons

That last — and soldout — trip this way was part of the group's first tour in five years, but clearly they haven't left the same gap go by between then and their next tour.

Sigur Rós first started doing the rounds with an orchestra in 2023, playing a limited number of gigs, before expanding the experience further. Next stop: Australia.

Goatling via Flickr .

Sigur Rós Australian Orchestral Tour 2025

Saturday, May 17 — AEC Theatre, Adelaide Monday, May 19–Tuesday, May 20 — Hamer Hall, Melbourne Friday, May 23–Sunday, May 25 — venue to be announced, Sydney Tuesday, May 27 — QPAC Concert Hall, Brisbane

Sigur Rós is touring Australia in May 2025, with presale tickets available from 10am local time on Wednesday, October 2, 2024 and general sales from 10am local time on Friday, October 4. Head to the band's website for further details.

Top image: Kathryn Parson Photography via Flickr .

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Sigur Rós Australian Orchestral Tour in 2025

The pride of Iceland, post-rock band Sigur Rós, are returning to Australia for orchestral performances in Adelaide, Melbourne, Sydney and Brisbane. (Details for Sydney shows are expected to be confirmed soon.)

Known for blending ambient electronics with orchestral strains, and the shiver-inducing falsetto of frontman Jónsi, the band first exploded in the late ’90s when its 1999 album was named Iceland’s best of the century. The group’s 2012 album, Valtari, reached number seven on the US charts and several others have gone platinum.

They’ve played at Coachella, Glastonbury and Lollapalooza, and have sold out tours globally while also appearing on screen in Game of Thrones making mystical music.

Their new tour features lush orchestral arrangements. For their Australian tour, they will be joined by the Adelaide Symphony Orchestra, the Melbourne Symphony Orchestra and the Brisbane Philharmonic Orchestra. (Sydney musicians to be announced.)

Presale tickets are available from 10am on Wednesday October 2, 2024 and general tickets will be available from 10am on Friday October 4, 2024. Links will be live on day of sale.

sigurros.com/tour/ @sigurros

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Icelandic rock band Sigur Ros playing for 2 nights in Singapore in February 2025

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The band will play alongside Singapore-based musicians’ collective Resound Collective.

Jonsi Birgisson, centre, and Georg Holm, left, of the band Sigur Ros perform with the Wordless Music Orchestra at the Greek Theatre on Aug 28, 2023, in Los Angeles. (AP Photo/Chris Pizzello)

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Celebrated Icelandic rock band Sigur Ros is returning to Singapore in February next year and this time, fans will be able to enjoy the group's music in an orchestral arrangement.

The trio – which comprises Jonsi Birgisson, Georg Holm and Kjartan Sveinsson – is currently embarking on an orchestra tour which has featured collaborations with various symphony orchestras, giving rise to reimagined versions of their classic hits.

For the Singapore leg of the tour, Sigur Ros will be playing alongside Singapore-based musicians’ collective Resound Collective.

View this post on Instagram A post shared by AEG Presents Asia (@aegpresentsasia)

Sigur Ros will be playing at the Esplanade Theatre on Feb 25 and 26 next year, with ticket prices going between S$128 and S$258.

A presale session will be happening from 10am on Oct 2 to 10am on Oct 4. General sales will then take place from 12pm on Oct 4 via Ticketmaster .

Sigur Ros is regarded as one of Iceland’s most successful acts of all time, with a string of hits and platinum-certified albums worldwide.

Their album Agaetis Byrjun received critical acclaim and appeared on multiple critics' lists of the best albums of the 2000s, including Pitchfork, NME and Rolling Stone.

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Sigur Ros announce special symphonic shows for Australia

• September 26, 2024

If you’ve ever seen Sigur Ros live before you know just how profoundly powerful the experience can be. Intense, beautiful, joyous. These are some of the words that spring to mind when thinking about this Icelandic band, who are absolutely no strangers to Australian shores.

So in some incredibly exciting news, they are coming down under yet again. In May 2025, Sigur Ros will be performing in Adelaide, Melbourne, Sydney and Brisbane with a 41-piece orchestra backing them. These one-of-a-kind performances present a Sigur Ros Australian fans have never seen before – bigger, elevated, even more compelling than they usually are.

The band will be flying down to promote their most emotionally direct album to date, ATTA, and cobble together disparate elements of ambient electronica and rock over Jonsi’s ethereal voice.

If you haven’t seen them yet, we highly recommend you take note of the below dates and on-sale times so you don’t miss out. It’s the kind of band that you see once and commit yourself to seeing every single chance you get, so these tickets will sell out.

Sigur Ros Orchestral Tour

Presale available from 10am local time – Wednesday 2nd October General Sale from 10am local time – Friday 4th October

Sat 17 May – AEC Theatre, Adelaide Mon 19 May – Hamer Hall, Melbourne Tue 20 May – Hamer Hall, Melbourne Fri 23 May – Venue To Be Announced, Sydney Sat 24 May – Venue To Be Announced, Sydney Sun 25 May – Venue To Be Announced, Sydney Tue 27 May – QPAC Concert Hall, Brisbane

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Chris Singh

Chris Singh is an Editor-At-Large at the AU review, loves writing about travel and hospitality, and is partial to a perfectly textured octopus. You can reach him on Instagram: @chrisdsingh.

※先行にて完売となった場合は、 一般発売はございませんのでご了承ください。

メッセージ動画が到着！

SIGUR RÓS performing with Orchestra 新規公演決定！

アイスランドの至宝、シガー・ロスがオーケストラと共に送るスペシャル公演が決定！ 日本でのオーケストラ・セットは初となり、息をのむようなシガー・ロスの美しい音世界がさらに特別な公演に・・ クリエイティブマン会員 のチケット先行は10/2(水)より受付スタート！

チケット・公演情報はこちら！

イープラスにてオフィシャル先行受付中！

本日よりオフィシャル・チケット先行となるイープラス・プレオーダーが受付スタート！ 良席はお早目にどうぞ！

2025.2.15 (土) & 16 (日) 東京ガーデンシアター

発売日： 11/9X(X) XX:00pm

※ステージサイド見切れ席のお席となり、ステージ、演出、出演者が見難い、一部見えないお席となります。 ※当日の座席位置の変更、返金対応など一切行うことができませんので予めご了承ください。

一般発売日： 11/9(土)10:00am～

※未就学児(6歳未満)のご入場はお断りいたします。6歳以上はチケットが必要となります。 ※先行販売で規定枚数に達し次第、受付を終了させて頂きます。その場合、一般発売はございませんので予めご了承ください。 ※座席位置によっては一部演出や出演者が見づらい場合がございます。予めご了承ください。 ※ハンディキャップエリアをご希望のお客様はA席のチケットをご購入お願いいたします。 チケットご購入後、お手数ですが コチラ よりハンディキャップエリア利用申請をお願いします。（チケットご購入後、早めの申請にご協力をお願いします。） ※チケットの破損・紛失・公演日当日チケット忘れ等、いかなる理由でもチケットの再発行は行いません。 ※万が一本公演が中止や延期となった場合、それに伴う会場までの旅費・宿泊費等(キャンセル料含む)の補償はいたしません。 ※公演延期、中止の場合を除き、お客様ご自身のご都合、病気(新型コロナウイルス感染症、インフルエンザ等含む)や怪我などいかなる理由であってもチケット購入後の変更・キャンセル・払い戻しは一切できません。予めご了承ください。

クリエイティブマン 3A先行（抽選）

10/2(⽔)3:00pm～10/6(日)6:00pm, クリエイティブマン モバイル先行（抽選）, 10/2(⽔)6:00pm～10/6(日)6:00pm, c/c(水)3:00pm～m/m(火)6:00pm, c/c(水)6:00pm～m/m(火)6:00pm, 5/22(水)12:00～5/30(木)23:59, 5/31(金)12:00～6/9(日)23:59, 6/10(月)12:00～6/20(木)23:59, 6/22(土)12:00～7/4(木)23:59.

※受付期間中であっても予定枚数に達し次第終了となりますのでご了承ください。

6/25(火)12:00～6/30(日)23:59

6/25(火)12:00～7/1(月)23:59.

日本テレビ / ＢＳ日テレ / J-WAVE -->

チケットぴあ P-Code:-

ローソンチケット l-code:-.

※受取はスマチケのみとなります。

Pコード：218-210

チケット転売の仲介サイトに関するご注意

Viagogo、チケット流通センター、StubHub、チケジャム[ticketjam] 等は正規販売ルートではございません。正規販売ルート以外で購入されたお客様のご入場は保障いたしかねます。 上記サイト等での売買及び個人間での売買の結果、詐欺などトラブルに巻き込まれる可能性がございます。警察当局の取り調べの対象となったり、場合によっては売り手も買い手も処罰される場合もありますので十分にご注意ください。 チケットのお求めは、本公演公式サイトに掲載のプレイガイドをご利用下さい。

■公演に関する注意事項

– SIGUR RÓS(シガー・ロス) –

--> オフィシャルサイト レーベルサイト -->

NEW RELEASE

Official SNS

『ジャパニーズ・シングル・コレクション-グレイテスト・ヒッツ-』

全米のポップ・カルチャーを変えたアーティスト、 シガー・ロスの歴史を辿る究極のベスト盤！ 【日本独自企画盤】 2SHM-CD + DVD / 絶賛発売中！UICY-16086 ¥4,400(税込)　

『janet. [デラックス・エディション]』

シガー・ロスの最高傑作、 発表30周年を記念した特別企画で初SHM-CD化も実現！ 絶賛発売中！UICY-16169 ¥3960(税込)

『TheVelvet Rope [デラックス・エディション]』

「Together Again」収録！ 発表２５周年を企画した デラックス盤がデジタル・リリース！ 配信中！

Mon. FEB. 15TH & 16TH , 2025 TOKYO GARDEN THEATER

Additional tickets.

Mar 13(Wed) on sale

NOV 9(Sat) on sale

Purchasing Tickets from Overseas

Ticket is available for customers outside of Japan via the links below. Please check the website for tickets available for purchase.

Purchasing Tickets for Residents In Japan

Lawson ticket, rakuten ticket, 12/27(wed)12:00pm～.

*Children under the age of 6 are not allowed to enter. Children 6 years of age and older must have a ticket. *Ticket sales will end once the specified number of tickets has been sold. In this case, there will be no general sale. *Depending on your seat location, some performances or performers may be difficult to see. *If you would like to sit in the handicapped area, please purchase an A RESERVED SEAT. After purchasing your ticket, please apply for handicapped area seating from the following link . (Please apply as soon as possible after purchasing your ticket.) *Tickets will not be reissued for any reason, including damage, loss, or forgetting your ticket on the day of the performance. *In the event of a cancellation or postponement of this performance, we will not reimburse you for travel expenses, accommodation, or cancellation fees to the venue. *Except for cancellations or postponements, we will not make any changes, cancellations, or refunds to your ticket purchase for any reason, including your own convenience, illness (including COVID-19, influenza, etc.), or injury.

• Philippines

Sigur Rós mengumumkan tur Asia 2022 — Singapura, Jepang, Korea, dan Thailand

Sigur Rós sedang menuju kembali ke Asia.

Dalam sebuah pengumuman yang dibuat pada tanggal 26 April , band post-rock ini membagikan bahwa mereka akan menuju ke beberapa kota di Asia sebagai bagian dari Tur Dunia 2022 mereka. Artis 'Hoppípolla' akan tampil di Singapura, Thailand, Korea Selatan , dan Jepang .

          View this post on Instagram                       A post shared by sigur rós (@sigurros)

Sigur Rós akan tampil di The Star Theatre pada 17 Agustus 2022 . Tiket konser akan dijual di muka pada 27 April pukul 10 pagi SGT dan penjualan umum pada 29 April pukul 10 SGT melalui Sistic SG . Tiket berkisar dari SGD 98 hingga SGD 188 .

BANDWAGON TV

Ini adalah sebagai konser terbaru Sigur Rós di Singapura, setelah pertunjukan Fort Canning mereka pada tahun 2016 dan 2013.

SOUTH KOREA

Sigur Rós akan mengadakan konser Seoul mereka pada 19 Agustus . Detail tentang tempat dan penjualan tiket akan segera diumumkan, perhatikan bagian ini untuk update.

Sigur Rós akan melakukan dua konser di Jepang, di Zepp Osaka Bayside pada 22 Agustus dan Tokyo Garden Theatre pada 25 Agustus .

Tiket untuk konser band ini di Osaka akan dijual di muka pada tanggal 29 April dan penjualan umum pada tanggal 21 Mei pukul 10 pagi JST melalui Zepp Japan . Sementara tiket konser mereka di Tokyo akan dijual secara pre-sale pada 29 April dan penjualan umum pada 21 Mei pukul 10 pagi JST .

Sigur Rós akan mengadakan konser mereka di Bangkok pada 28 Agustus . Detail tentang tempat dan penjualan tiket akan segera diumumkan, perhatikan bagian ini untuk update.

Sebagai bagian dari tur mereka, band Islandia juga akan menuju ke kota-kota di Australia, Selandia Baru, Amerika Utara, dan Eropa. Ketiganya dikatakan akan membawakan materi baru serta lagu-lagu hits dari diskografi mereka selama 25 tahun.

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Sigur Rós announce details of huge world tour

They're also working on a new album

Sigur Rós  have today (February 22) announced details of a huge world tour.

It’s the group’s first in almost five years and will see the acclaimed Icelandic collective appear in Mexico, Canada and the United States later this year.

Tickets for the gigs in Canada and the US are on sale at 10am local time on February 25, while those in Mexico will go on sale 11am local time on February 26. You can purchase tickets here .

More dates are expected to follow – check out the first round of dates here:

Sigur Rós – World Tour 2022 APRIL 30 – Festival Vaivén, Mexico

MAY 3 – Citibanamex Auditorium, Monterrey 5 – Auditorio Telmex Guadalajara 9 – Orpheum Theatre – Vancouver, BC 11 – Theater of the Clouds – Portland, OR 13 – Paramount Theatre – Seattle, WA 17 – Frost Amphitheater – Stanford, CA  19 – Shrine Auditorium – Los Angeles, CA 23 – ACL Live at the Moody Theater – Austin TX 24 – ACL Live at the Moody Theater – Austin TX 25 – Winspear Opera House – Dallas, TX  27 – Cobb Energy Performing Arts Centre – Atlanta, GA 28 – Ryman Auditorium – Nashville, TN 31 – State Theatre – Minneapolis, MN  JUNE 1 – Riverside Theater – Milwaukee, WI 3 – Masonic Temple Theatre – Detroit, MI 4 – Auditorium Theatre – Chicago, IL  6 – The Anthem – Washington, D.C. 7 – The Met Philadelphia – Philadelphia, PA  8 – Boch Center Wang Theatre – Boston, MA  10 – Place des Arts – Montreal, QC  11 – Meridian Hall – Toronto, ON  14 – Kings Theatre – Brooklyn, NY  17 – Beacon Theatre – New York, NY  18 – Beacon Theatre – New York, NY 

A statement also said that the band “are in the process of writing and recording their first new studio album since 2013’s ‘Kveikur'”.

Recommended

It went on to say that the group “will air new songs at the shows, alongside material drawn from their acclaimed 25 year discography.”

Last week, the band also confirmed that founding members Jónsi and Georg Holm are joined in the studio and on tour by former member Kjartan Sveinsson, who is rejoining the band almost a decade after stepping away to focus on other projects .

Sveinsson was previously a member of the group from 1998, leaving in 2013 to “do something different”.

The multi-instrumentalist was not replaced following his departure, with Jónsi telling Paste that year: “We never thought about getting somebody else to replace him. I think we just wanted to keep on with the three of us.”

Sigur Rós shared a screenshot of a video call featuring Jónsi, Georg “Goggi” Holm and Sveinsson. “Two old faces and one new old face,” they captioned the post. “Three of us happy to be back together and doing what we love doing. Exciting times ahead.”

In 2020, Sigur Rós released the collaborative soundtrack album ‘Odin’s Raven Magic’ with Hilmar Örn Hilmarsson, Steindór Andersen, Páll Guðmundsson and Maria Huld Markan Sigfúsdóttir. The composition originally served as an orchestral score to a poem by Hrafnagaldr Óðins and was created in 2002.

Last year, Jónsi released his latest solo album, ‘Obsidian’ , alongside a visual art installation of the same name.

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Oslo Spektrum

Oslo, norway, oct 20, 2022.

Set 1 1. Vaka 2. Fyrsta 3. Samskeyti 4. Svefn-g-englar 5. Rafmagnið búið 6. Ný batterí 7. Gold 2 8. Dauðalagið 9. Smáskifa

Set 2 10. Glósóli 11. E-Bow 12. Sæglópur 13. Gong 14. Andvari 15. Festival 16. Kveikur 17. Popplagið

( setlist info )

4 Comments on “Oslo Spektrum”

Kaare faanes.

Great consert.

I missed the consert in Oslo in 2017 because og journey. So i am excited to be here and listen to the Music and recognice «the light and fire» this year. What a sound

I think its the ninth or tenth time I have the privilege to attend a concert with Sigur Ros. They never disappoint me. Mesmerising! You music has been a “soundtrack to my life” since early 2000, when I first heard Svefn G englar on Norwegian radio.

And Welcome back, Kjartan, great to see you with the band again. :)

Edvard Mortensholm

Amazing show!

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