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Your home for information about the touring broadway productions in north america, ‘shucked’ north american tour announces full casting.

Producers  Mike Bosner  and  Jason Owen  are proud to announce full casting for the North American tour of  Shucked , the Tony Award® winning musical.

‘Funny Girl’ North American Tour Announces its New Fanny Brice

The producers of  Funny Girl , the sensational musical comedy revival, are thrilled to announce Broadway veteran,  Hannah Shankman , as Fanny Brice.

Casting Announced for the 2024-2025 North American Tour of ‘Come From Away’

Full casting has been announced for the 2024-2025 touring production of Come From Away .

‘Mrs. Doubtfire’ Announces New Casting for North American Tour

The producers of  Mrs. Doubtfire have announced new casting for the final engagements of the 2023-2024 North American Tour. 

Brand New North American Tour of ‘Dear Evan Hansen’ to Tech in San Antonio

The Tobin Center is pleased to be hosting the technical rehearsals of the new, licensed North American tour of Dear Evan Hansen , the Tony and Grammy-winning Best Musical sensation.

Casting Announced for North American Tour of ‘TINA – The Tina Turner Musical’

The musical that celebrates the iconic life and legacy of Tina Turner continues to woo audiences around the world. Casting has been announced for an all-new North American tour of the joyful and triumphant Broadway smash hit  TINA – The Tina Turner Musical .

Cast Announced for Second National Tour of ‘Ain’t Too Proud’

Today, complete casting was announced for the Second National Tour of  Ain’t Too Proud – The Life and Times of the Temptations , the Tony Award®-winning Broadway smash hit musical.

Broadway Votes Launches Sweepstakes for Broadway Fans

Broadway Votes and  HeadCount  announced today that they have joined forces by launching a once-in-a-lifetime online voter engagement sweepstakes.

Broadway Musical ‘The Notebook’ Announces North American Tour Launching Fall 2025

Producers  Kevin McCollum  and  Kurt Deutsch  announced today that the new Broadway musical  The Notebook , based on the bestselling novel by Nicholas Sparks that inspired the iconic film, will launch a North American Tour in fall 2025.

Full Casting Announced for the North American Tour of ‘& Juliet’

Th e producers of & Juliet announced the full cast for the North American Tour, set to  begin performances September 22, 2024 in Baltimore, MD .

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Theater Review: LES MISÉRABLES (National Tour)

by Tony Frankel on August 14, 2023

in Theater-Los Angeles , Theater-Regional , Tours

DON’T MIZ IT

Unlike most of the characters in the blockbuster sung-through musical  Les Misérables , the show itself will never die. Consistently presented either on Broadway, national tours, and globally since the English-language version opened on the West End in 1985, audiences can’t get enough of Victor Hugo’s story about ex-con and do-gooder Jean Valjean and his righteous long-arm-of-the-law pursuer, Javert. With a speedy 3-hour running time, the rousing anthems, heartbreaking ballads, delicious characters right out of Dickens, and compelling storytelling—from Valjean’s paroling to the Paris Uprising of 1832—prove that modern audiences and millennials do indeed have an attention span if the material is great.

After that awful movie adaptation, another Les Miz found itself on Broadway in 2014. The National Tour which relaunched October 7 and opened last week at the Pantages Hollywood (which then heads for Segerstrom in Costa Mesa) is a sleek new revival based on that production, the national tour of which was cut short by COVID in 2020. With dozens of roles, many of them major, and 30+ ensemble members, all of whom must sing spectacularly while negotiating hundreds of costume and wig changes, Les Miz is not an easy venture to undertake (costumes by Andreane Neofitou , additional costume designs by Christine Rowland and Paul Wills ). This production directed by James Powell and Laurence Connor captures the revolutionary spirit in spades.

Designed by Matt Kinley (inspired by the paintings of Hugo), and projections realized by Finn Ross , Jonathon Lyle , and Fifty Nine Productions , the turntable and multi-media spectacle of Broadway have been expunged, but — especially with Kinley’s massive barricade and the amazing lighting by Paule Constable — it is no less effective.

Tara Rubin Casting has assembled the most important thing: singers. Some acted better than others, but the vocals blew me away, especially with Mick Potter ‘s sound design, which makes the acoustically troubled theater feel intimate. I heard most every lyric.

The astounding Nick Cartell anchors the show as Valjean: His vocal abilities positively stunned with a powerful and resonant tenor, and his rendition of “Bring Him Home” was one of the most stirring on record — a lengthy and roaring ovation followed this poignant ballad (one of the few places in the show the audience gets a break to applaud).

Other characters were portrayed as well as those on Broadway. Randy Jeter was the apotheosis of sanctity and strength as the Bishop who bestows silver candlesticks on Valjean as a way to keep him from a life of thievery. An impassioned and persuasive Devin Archer brought life to Enjolras, the leader of the revolutionaries with no backstory whatsoever (indeed, I don’t believe the character’s name is even mentioned in the show). Chicago actors Matt Crowle ( Gentlemen’s Guide.. .) and Cristina Rose Hall ( Wonderful Town ) wisely don’t go over the top as Monsieur and Madame Thénardier, lowlifes who make Fagin from Oliver  a candidate for Sainthood.

Christine Heesun Hwang veered from that yodeling, pop-opera sound as Thénardier’s daughter Éponine, offering a lovely, straightforward teenager who is torn between unrequited love and a life of larceny. A real find was Henry Kirk as the Artful Dodger-like boy, Gavroche; it’s always thrilling to see a child actor powerful in voice who can do without cloying behavior. And as Valjean’s adopted daughter Cosette, who falls for the student revolutionary Marius, Addie Morales presented a clarity of tone that was astonishing. Haley Dortch as the good-girl-turned-prostitute Fantine (“I Dreamed a Dream”) scrunched three-hours of drama into her twenty-minute role, but wisely replaced that grand tortured-soul performance for damaged purity.

Preston Truman Boyd has a booming voice and tall stature as Javert, but while compelling, he lacked character complexity. The only undistinguished performance came from Gregory Lee Rodriguez as Marius, the student revolutionary who falls for Cosette — he sounds fine and looks swell, but without dramatic intent, his songs didn’t always ratchet up to an emotional impact. His love songs, however, soar. And when he meets cute with Cosette, it’s a very winning moment. (Listen, spectators will have their own favorites in regards to characters and/or the actors portraying them; that’s yet another reason why people return and return again.)

Updating John Cameron ‘s original orchestrations, Stephen Matcalfe , Christopher Jahnke , and Stephen Brooker did wonders with a scaled-down 14-member orchestra (music supervision is by Stephen Brooker and James Moore . Credit for the vocals and band goes to Musical Director Brian Eads . With that damn terrific score brought to magnificence by Eads, it’s clear why Les Miz is, as the ad says, “Still the World’s Most Popular Musical.”

But the stars of the show really are creators Claude-Michel Schönberg (music), Herbert Kretzmer (English language libretto based on original French lyrics by Alain Boublil and Jean-Marc Natel ), and James Fenton (additional material). And, of course, the adaptation by  Trevor Nunn  and  John Caird . These gentlemen may have truncated and in some ways bastardized Hugo’s novel, but there must have been Divine Intervention because they found the beating heart of the universal human journey: the search for love in a world of injustice.

photos by Matthew Murphy & Evan Zimmerman for MurphyMade

LES MISÉRABLES National Tour for dates and cities, visit Les 

reviewed at the Hollywood Pantages Theatre end on September 10, 2023 for tickets, call 800.982.2787 Broadway In Hollywood and Ticketmaster

Segerstrom Center for the Arts in Costa Mesa September 19-October 1, 2023 for tickets, call 714.556.2787 or visit SCFTA

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“A jaw-dropping funhouse!” - The New York Times

Broadway's “SCREAMINGLY GOOD FUN!” ( Variety ) musical comedy is now haunting houses all across the country! Based on Tim Burton’s dearly beloved film, BEETLEJUICE tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes. With an irreverent book, an astonishing set, and a score that’s out of this Netherworld, BEETLEJUICE is “A FEAST FOR THE EYES AND SOUL!” ( Entertainment Weekly ). And under its uproarious surface (six feet under, to be exact), it’s a remarkably touching show about family, love, and making the most of every Day-O!

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“A BIG, FANTASTICAL FUNHOUSE OF BURTONESQUE MAGIC!” - People Magazine

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Costume contest rules.

Get tickets to a Friday performance during the month of October and enter the in-person costume contest.

Head to the Marquis Theatre starting 45 minutes before the performance to get a photo of your costume taken by a BEETLEJUICE staff member – group costumes are welcome! Be ready to show your tickets to the BEETLEJUICE staff member.

Winner will receive a package of strange and unusual swag.

The costumes will be judged during the performance, and the winner will be announced on-stage during the curtain call.

Follow these rules (or you're dead to us). Contest entries will be accepted between 7:15 pm ET and 7:45 pm ET on October 7, 14, 21, and 28, 2022. Entries may include groups of up to six (6) people. Every person entered into the contest, including members of a group, must provide proof of their ticket to that evening's performance. Entries must not include content from Beetlejuice the movie. Costumes may not obstruct the view of another audience member, and must fit within the reasonable boundaries of your seat. No simulated, costume or functional weapons are allowed at BEETLEJUICE the Musical. Full-face masks are also prohibited. Hate speech (in any language) is not permitted on attire or props. Shoes must be worn at all times. No nudity. Judging criteria: originality/creativity (40%), adherence to the creative world of BEETLEJUICE the Musical (40%) and overall quality of costume(s) (20%).

TICKETS FOR LIFE CONTEST RULES

Get tickets to a Thursday performance during the month of October and enter the in-person costume contest.

Head to the 7th Avenue side of the theatre (between 50th St. and 51st St.) starting 45 minutes before the performance to get a photo of your costume taken by a BEETLEJUICE staff member – group costumes are welcome! Be ready to show your tickets to the BEETLEJUICE staff member.

During the performance, the cast will choose a winner.

After the show, the winner(s) will have a photo taken with the cast.

Follow these rules (or you're dead to us). No simulated, costume or functional weapons are allowed at BEETLEJUICE the Musical. Full-face masks are also prohibited. Hate speech (in any language) is not permitted on attire or props. Shoes must be worn at all times. No nudity.

DIGITAL COSTUME CONTEST

To enter the digital costume contest, share a photo on Twitter or Instagram that tags @BeetlejuiceBway and uses #BeetlejuiceCostumeContest in the caption through October 27, or upload your photo on our contest landing page.

One winner will receive an exclusive October merchandise package. The winner will be announced on October 31.

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Cameron Mackintosh’s acclaimed production of Boublil and Schönberg’s Les Misérables to make a much-anticipated return to North America.

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‘Wicked’ Hits the Road, Carrying the Hopes of Broadway Tours

The production, which starts Tuesday in Dallas, is the first Broadway tour back onstage, a test as American theaters seek to rebound from the pandemic shutdown.

With a five-week run in Dallas, “Wicked” is set to become the first Broadway show to resume touring since the start of the coronavirus pandemic. Talia Suskauer, shown here rehearsing “The Wizard and I,” plays Elphaba. Credit... Cooper Neill for The New York Times

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By Michael Paulson

• Aug. 2, 2021

DALLAS — Talia Suskauer knows what it’s like to be green. She remembers the feel of pigment and powder on her arms, neck, and face; how the color seemed to seep into her pores and linger behind her ears; what it was like to see a strange but familiar self staring back from a mirror.

She didn’t know that, on a hot July afternoon in Dallas, getting painted once again would make her cry.

Sixteen months after the touring production of “Wicked” in which Suskauer stars as the green-skinned witch Elphaba was forced to close, the cast and crew have reassembled in Dallas for a high-stakes effort to start again. The show’s first performance here on Tuesday, the first by any touring Broadway production since the coronavirus pandemic shut down shows across the nation, will be a sign of hope for a battered theater industry, but also a test at a time when the spread of the Delta variant has Americans once again on edge.

“Each show is going to be someone’s first time back at the theater, so each show is going to be emotional,” Suskauer said. She had her own emotions to draw on, tearing up as she eased back into the makeup chair for the first time since the tour’s March 13, 2020, shutdown in Madison, Wis. “I felt like our purpose was being stripped away,” she said, “and now, to come back, it’s overwhelming.”

Touring is a huge part of the commercial theater ecosystem. It’s big money — in the most recent full theater season, 18.5 million people attended touring shows in North America, and those productions grossed $1.6 billion.

The resumption of touring will once again allow people who live far from New York to see Broadway titles. And it will provide much-needed income for actors, musicians and other theater workers left unemployed by the pandemic.

“If anybody doesn’t love a national tour, there’s something they’re not getting,” said Cleavant Derricks, who in 1982 won a Tony Award for his role in the original Broadway production of “Dreamgirls,” and who now plays the Wizard in the “Wicked” tour. “You’re going from state to state, meeting different people, seeing different aspects of the country, and each night applause comes your way. How can you beat something like that?”

A revisionist back story for “The Wizard of Oz,” “Wicked” is a musical theater juggernaut that opened on Broadway in 2003, has sold more than $5 billion worth of tickets and has been seen by more than 60 million people in 100 cities around the world. The show, which revolves around a fraught friendship between the witches Elphaba and Glinda, has been running so long that Suskauer and her co-star and fellow Floridian, Allison Bailey, both saw it as children.

“I saw it in New York when I was in seventh grade, and it was so magical,” said Bailey, who plays Glinda. “It’s why I wanted to do theater.”

“Wicked,” with songs by Stephen Schwartz, a book by Winnie Holzman and direction by Joe Mantello, has been touring North America since 2005. The tour now travels from city to city in 13 trucks that transport the set, the sound and light equipment, more than 300 costumes and about 100 wigs.

The touring company includes 33 actors, an 18-person crew, six musicians, three stage managers, two company managers and a physical therapist, plus the 16 dogs, one cat and three ferrets brought along for companionship. The traveling company is then supplemented at each stop by 32 local crew members and nine local musicians, as well as dozens of stagehands to help load the set in and out.

The resumption of the “Wicked” tour, which comes a month before the first musicals are scheduled to restart on Broadway, will soon be followed by others: Beginning in mid-August, touring productions of “Hamilton” will resume in San Francisco, Los Angeles, Atlanta and Tempe, Ariz., and in September tours of “Frozen” and “My Fair Lady,” as well as the play “What the Constitution Means to Me,” will hit the road.

In New York, ticket holders to Broadway shows will be required to show proof of vaccination and wear masks , at least through October. In Dallas, the touring production of “Wicked” is requiring vaccines for cast and crew, but not for the audience, which will be instructed to wear masks . Actors will be barred from interacting with the audience, meaning no stage-door autographs or selfies, and no backstage tours.

Early indicators are that audiences are eager to return: The five-week Dallas run has sold strongly, and prices have held steady, ranging from $25 for a lottery ticket to $169 for the best seats.

When the pandemic forced the tour to close last year, the crew packed the set and costumes into boxes and left them in the Madison theater, imagining they’d be back in a few weeks. Then, as the shutdown dragged on, the crew went back to load those boxes into trucks. Ten of the trucks spent nearly a year parked in a Wisconsin truck yard, while three, containing temperature-sensitive electronics, wigs and wardrobe, were sent to a climate-controlled warehouse in Pennsylvania.

Some members of the company went home, but some had no homes — they are usually on the road so much, they don’t need them — so they stayed with family, or rented something somewhere.

“Since I’ve been married, I’ve never been home this long, ever,” said the tour’s hair supervisor, Andrea DiVincenzo Shairs, who has been with “Wicked” off and on since 2003. “I went to Fort Lauderdale — my husband is there — and we actually still love each other, so it worked out!”

Reuniting was fun, but restarting was complicated, and the show set aside three weeks to get ready at Dallas’s Music Hall at Fair Park, the 3,420-seat venue “Wicked” was returning to for the sixth time. The cast was rusty, and needed to re-rehearse the show, while the crew needed to assess each piece of equipment for possible damage after months of disuse.

“We were worried about what was going to come out of the trucks,” said David O’Brien, the tour’s production stage manager. “Opening these boxes of clothes, what are we going to find, and what’s it going to smell like?”

There were minor problems — a dimmer rack that needed to be reprogrammed, and a warped board in the set floor that caused a sliding statue to jam — but for the most part, the crew was delighted with how well the equipment held up.

While the crew reassembled the Tony-winning set, the cast rehearsed in the lobby, working on a sprung floor rented from the Texas Ballet Theater. “It’s been 16 months of singing in your shower, which is different than singing with multiple people,” said Evan Roider, the tour’s music director, “but they came back ready to go.”

There were jokes about expanded waistlines and forgotten dance steps. “It’s a little more snug this time around!” Suskauer said of her costume when a button popped as she rehearsed.

By the time they were working in the theater, underneath a proscenium featuring the show’s red-eyed dragon, the cast was polishing details. “Careful with your wand!” the associate director, Lisa Leguillou, instructed Bailey as she rehearsed her entrance in a floating bubble. “It’s covering your face!”

There are, of course, new safety protocols, which the “Wicked” team is sharing in video meetings with crews from other tours as they, too, prepare to restart. Some measures are now familiar: plentiful hand sanitizer, plus masks and gloves and air scrubbers. But there are also more theater-specific strategies. Ultraviolet wands are being used to clean mask interiors, lest too much disinfectant give actors headaches. Actors now scan QR codes for their daily check-ins, in lieu of the traditional sign-in sheet on a clipboard. And partitions are being installed in the orchestra pit to try to contain any aerosols emitted by reed and brass instruments.

“Our biggest concerns have been how to reinvent things we do in a Covid world,” said Steve Quinn, the tour’s company manager, who has been touring with “Wicked” for 16 years. “We’re the guinea pigs, and we’re just trying to navigate this.”

The company’s excitement about being back together, and making a show, is tempered by some anxiety, particularly among the crew. “I want to make sure I have covered all my bases, so not by my hands would anybody become sick or injured by something I didn’t think of,” said Joyce B. McGilberry, the tour’s makeup supervisor. “I wanted to come back, but I can’t deny my concerns.”

The tour company has a wide range of experience. Rebecca Gans Reavis had been playing a flying monkey for just a week before the tour shut down, while Laurel Parrish, the advance wardrobe supervisor, has been with “Wicked” since it opened on Broadway.

Reavis, heartbroken, spent the pandemic in Wichita, Kan., where she and her husband took jobs teaching at her mother’s dance studio; Parrish, in northern Manhattan, worked for a cheesemonger while taking on passion projects in embroidery and sewing.

“I don’t think I knew how much I missed it until we started back,” Parris said. “Seeing the clothes was like seeing old friends.”

When two of the show’s cast members opted not to return after the pandemic, that created openings for the return of an alumnus, Clifton Davis, who at 75 is the oldest member of the tour cast, and a newbie, Anthony Lee Bryant, a Los Angeles-based dancer who had auditioned for the show six times before landing a spot.

“Theater is being resurrected, thank God,” said Davis, who is relishing a second go as Doctor Dillamond, an erudite goat who taught at Shiz University when Glinda (then known as Galinda) and Elphaba were students there. Davis previously played the same role in 2012.

As Bryant scrupulously took notes on dance moves, and Davis practiced his bleat, some moments seemed sure to land differently, even though they were crafted years ago. Chief among them: Glinda’s opening line, which Bailey utters as she floats in on her bubble.

“It’s good to see me, isn’t it?”

“I think I’m going to say it the same, but it’s going to feel different,” Bailey said. “I feel like I’m saying it on behalf of theater itself.”

Michael Paulson is the theater reporter. He previously covered religion, and was part of the Boston Globe team whose coverage of clergy sexual abuse in the Catholic Church won the Pulitzer Prize for Public Service. More about Michael Paulson

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NORTH AMERICAN TOUR CAST

Marcus Choi

George Washington

Tyler Fauntleroy

John Laurens/Philip Hamilton

Deon’te Goodman

Neil Haskell

King George III

Jared Howelton

Marquis de lafayette/thomas….

Lencia Kebede

Angelica Schuyler

Marcus is so thankful for his return to stage. After all the historic difficulties of 2020–2021, he is most thankful for his health and the health of his family. Broadway : Flower Drum Song revival (OBC), Wicked (OBC), Sweet Charity revival, The Times They Are A-Changin’ (OBC), Allegiance (OBC), Miss Saigon revival. Recent TV: FBI , Homeland , Luke Cage , Blindspot , Chicago PD , The OA .

Select credits: Tambo and Bones (Playwrights Horizons/CTG), Looking for Leroy (New Federal Theatre), Fences (Pennsylvania Shakespeare Festival), The Tempest (Hudson Valley Shakespeare Festival), The Most Spectacularly Lamentable Trial of Miz Martha Washington (Hudson Valley Shakespeare Festival), 1 Henry IV (Folger Theatre), Next to Normal (Syracuse Stage). TV: “Succession,” “FBI,” “The Oath.” To God be the glory!

NYC-based actor, recording artist (known as Nafis), and vocal coach. Broadway: Hamilton (u/s Burr, Washington, Mulligan/Madison). Regional: Sweeney Todd , In the Heights , Songbird . Nafis has been a vocal supervisor in studio sessions with many artists, including MJ Rodriguez (“Pose”). Always showing BIG LOVE to my family, music teachers/mentors, and Wolf Talent Group. 

Broadway: Hamilton (Original Cast), Bring It On (Steven), Tuck Everlasting , Cinderella , 9 to 5 , The Times They Are A-Changin’ . Off-Broadway: Altar Boyz (Luke). TV/Film: Station 19 , Glee , So You Think You Can Dance , Jersey Boys , Rock of Ages , The American Mall . Thanks and love to my family!

Marquis de Lafayette/Thomas Jefferson

Broadway: Hamilton (Principal Standby). Broadway Tours: Hamilton A nd Peggy Tour & Angelica Tour (Laurens/Philip). International: Shrek the Musical (Donkey). Off-Broadway: Urinetown (Bobby Strong). He is not able to do this without the love and support of his family, agents at Stewart Talent, and manager Michele Largé. Praise God!

L.A. native, Ethiopian by descent; degree in Diplomacy and World Affairs; and lover of animals, Domino’s pizza, and vulnerability. Joined Hamilton in July 2019 and can confirm it has changed my life for the better. Previous work adventures include Tokyo Disneyland, the International Tour of Rent , Sister Act , and singing backup for Beyoncé Knowles Carter. Grateful for the gift of exploration.

Blaine Alden Krauss

Alexander Hamilton

Eddie Ortega

Hercules Mulligan/James Madison

Peggy Schuyler/Maria Reynolds

Nikisha Williams

Eliza Hamilton

Adam Ali-Perez

Universal Swing

Jisel Soleil Ayon

Honored to be rejoining the Phillip tour, where he previously was the standby for Hamilton/Burr. Broadway:  The Great Comet of 1812 ,  Kinky Boots ,  The Cher Show . Tour: Disney’s  The Lion King . TV: “Pose.” Presidential Scholar in the Arts and CCM graduate. Love to my family and Nicolosi!

Orlando native. Eddie is thrilled to begin his Hamilton journey with the Philip Tour. Bachelor of Music, FSU. Much love to his family, friends, and Luna. Huge thanks to Stefanie Talent, Telsey, and the entire Hamilton  family.

She/Her Broadway: Hair . Tour: Hamilton (Philip Tour, LA Company), Hair (First National), Mamma Mia! (Las Vegas), … Spelling Bee (Chicago). Off Broadway/Regional: Carrie (MCC Theater), Dogfight (Second Stage Theater), Life After (Goodman Theatre). B.F.A., U of M. Love to Mom, friends & RS. Big thanks to KMR, Telsey, and the Hamilton  team.

Nikisha is originally from Mobile, AL. Broadway Tour : The Color Purple . Regional: The Color Purple , Memphis , Hairspray . Master’s in choral conducting. Bachelor’s in vocal performance. Romans 8:28.

Regional: West Side Story (A-Rab, Guthrie Theater). Education/Training: Fiorello H. LaGuardia HS, BFA from SUNY Fredonia. Much love to my family and friends for their support!

Jisel was recently seen as Jenna in Waitress (Second National Tour). Additional credits: Hunchback... (Esmeralda), Les Misérables (Cosette), The Addams Family (Wednesday). Huge thanks to KMR, family, and friends.

Travante S. Baker

Amanda Braun

Allie Jordan Butcher

Stephen Carrasco

Yossi Chaikin

Thrilled to be joining Hamilton ! Credits: Wicked (National Tour) , West Side Story (International Tour), Soul: The Stax Musica l (Baltimore Center Stage), The Music Man , Joseph… , Mamma Mia! (Flatrock Playhouse). Thanks to family, friends & CTG.    

Credits: Hamilton (First National Tour, Original Cast). Tours:  Catch Me if You Can ,  Joseph…Technicolor Dreamcoat ,  Elf . TV: “Last Week Tonight” (HBO), “The Gilded Age” (HBO), “Harlem” (Amazon), “SNL” (Asst. Choreo.). BFA in MT, Pace.

Queens native honored to join the HamFam! Tour: Cats (Rum Tum Tugger); BFA, MT Pace U; LaGuardia HS alum. Heartfelt thanks to my family, friends, CTG, Telsey, and the Hamilton team. 

Thrilled to join the Philip Tour of Hamilton !   This is her first National Tour/Broadway debut. Thanks to her teachers, friends, family, and to all who believed in her.

Stephen Carrasco has appeared in nine Broadway shows and two tours. He’d be lost without his incredible husband Lee, Odie, and his chosen family. Huge thanks to MSA, Telsey, and this iconic production.

Broadway debut! Born, raised, and trained in Israel. Graduate of The Juilliard School, BFA Dance. Original Cast: #HamChi #HamLA. Credits: Joseph…Dreamcoat (Nat’l Tour).

Andrew Chappelle

John Devereaux

Nicole deRoux

Victoria Fiore

Lili Froehlich

Cyndal Gilmore

BROADWAY: Hamilton (Original Broadway Cast), Mamma Mia. TOUR: Priscilla Queen of the Desert. OFF BROADWAY: Hamilton (Public Theatre) TV/FILM: Scotty in Blindspotting (Starz!), Jlo in Escape at Dannemora (Showtime).

Grateful! International: Rent (20th Anniversary Tour), Dreamgirls . Regional: Spamilton (Center Theatre Group). Thanks to Mom, Avalon Artists Group, and Telsey + Co. for believing in me. 1 John 4:12

Nicole is originally from Westfield, N.J. She is a graduate of Drexel University’s Lebow College of Business. Hamilton is her national tour debut, and she is thrilled to be back performing with Philip Tour as “The Bullet.” So many thanks to my Mom, Dad, friends, family, and CTG.

Victoria Fiore is over the moon. Off-Broadway:  Only Gold . Regional:  Fly  (La Jolla Playhouse). TV/Film: “Fosse/Verdon” (FX) , “ Evil”(CBS) , Your Monster . Proud grad of Pace University and LaGuardia HS. Big s/o to The Telsey Office, my team at CESD, Justin, Steven, Steph, and Andy B. Big love always to Mom, Dad, and G.

Delighted to be here! Broadway:  Cats . Tours:  Hamilton ,  Joseph…Dreamcoat . Lili is originally from Fort Worth, Texas, and is a graduate of Otterbein University. Love to Vanessa, Mom, Dad, and the HamFam!

A Maryland native, Cyndal attended Peabody Preparatory. Towson, BFA Dance. Tuachan2018. Happy to be joining the HamFam! Love and grace to my family, and all the honour to God!

Devin Tyler Hatch

Swing, Dance Captain

Tristan Hill

Jimmie “J.J.” Jeter

Universal Standby

Marcus John

Dharon Jones

Ashley LaLonde

Grateful to be a part of the HamFam. Credits: Cats North American Tour, Newsies (Village Theatre), “Evil Lives Here” (Investigation Discovery). Much love to my friends and family!

Film/TV: A Jazzman’s Blues , Christmas on the Square , “ Christmas in Rockefeller Center with Mariah Carey.” Stage: Radio City Christmas Spectacular . Regional: Once on This Island . Gratitude to God & family.

Stage: Hamilton (Broadway, Chicago, Original Production in Australia), Fences (Pioneer Theatre Company), Romeo and Juliet (STC). TV: “The Chi” (Showtime). Training: The Juilliard School. This performance is dedicated to the memory of the greatest artist I know, my Aunt Badia.

International Tours: Rent (Benny, 20th Anniversary Tour), Mamma Mia!. NYC: iLLA (NYMF). TV: Harlem (Amazon). Big ups DGRW! For the love of hip-hop, intelligent movement. Pray often, worry not!

BK native. Broadway: West Side Story (Riff, 2020). Off-Broadway: Soft . Film/TV: Saturday Church , Champions , Rittenhouse Square , “Blue Bloods,” “Unbreakable Kimmy Schmidt,” Olga Dies Dreaming . BFA, Ithaca College. Love to family, Calli Company, Buchwald Talent, Telsey, and Hamilton  creatives.

Tour debut! Recent Harvard graduate & native New Yorker. Theater: Punk Rock Girl , Next to Normal , The Black Clown ,  Burn All Night . Love to Noah. 1 John 4:16

Vanessa Magula

Taeko McCarroll

Tyler McKenzie

Kameron Richardson

Bella Rusli

Tour:  Waitress . Proud UCLA alumna. Love and gratitude to Andrew, Ari, Trevor, Binta, friends and family, DDO, and the  Hamilton  team!

Honored to be the first Asian cast as “The Bullet” in Los Angeles. Credits: Gwen Stefani, Rihanna, MTV’s America’s Best Dance Crew season 1, Glee , Curb Your Enthusiasm , Dancing with the Stars . Thanks Mom, Dad, Stephanie, Andy, Lac, Jeffrey, TK, Telsey, Jennie.

Tyler is a proud original cast member of the Philip Company. Broadway/National Tours: Hamilton , Matilda , Mamma Mia! Regional: Escape to Margaritaville (Jamal, Ogunquit), Memphis (NCT), Mamma Mia! (MUNY), Rocky Horror Show (Bucks County). BFA in Musical Theatre from Western Carolina University. Endless love & gratitude to Mom, Dad, CJ, Dallin, DGRW.

Kameron is beyond grateful to join the Hamilton family. Credits: Aladdin (U.S. National Tour), The Muny, Pittsburgh CLO, Wallis Annenberg, Ensemble Theatre Cincinnati. Much love to family and friends!

Originally from Dallas, Texas, and graduated from Boston Conservatory at Berklee with a BFA in Dance. Previously a Swing in  Hamilton (Angelica Company), Bella is super grateful to be in her second Hamilton  company as a Swing and Dance Captain! A dream come true, y’all! All the love and thanks to my amazing family and everyone who has been on this journey with me.

Nick Sanchez

Anthony Santos

Broadway: Rent , Tarzan , Mary Poppins , Escape to Margaritaville . Off-Broadway: Altar Boyz . Marymount Manhattan College, BFA. Proud AEA member. Love to friends, family, BLOC, and Telsey + Co. #lifeisgood #dontforgettoplay

NYC-born. Training: Rosie’s Theatre Kids, led by Lori Klinger. UNCSA graduate. Former member of Dance Theatre of Harlem, led by Virginia Johnson. Previous collaborator with New York City, Houston, Miami City, and Pittsburgh Ballets.     

CREATIVE TEAM

Lin-manuel miranda.

Book, Music, and Lyrics

Pulitzer Prize, Grammy, Emmy and Tony Award-winning songwriter, actor, producer and director. Creator and original star of Broadway’s Tony-winning Hamilton and In the Heights . Additional Broadway: Freestyle Love Supreme (2020 Special Tony Award, co-creator/producer/guest performer) , Bring It On: The Musical (co-composer/co-lyricist, Tony nomination for Best Musical) and West Side Story (2009 revival, Spanish translations). Recipient of the 2015 MacArthur Foundation Award, the 2018 Kennedy Center Honors, and the 2019 Portrait of a Nation Prize. Emmy Award winner with Tom Kitt for their song “Bigger” from the 67th Annual Tony Awards. Mr. Miranda and The Miranda Family actively support initiatives that increase the representation of people of color throughout the arts and government, that ensure access to women’s reproductive health, and that promote resilience in Puerto Rico. TV/Film : Vivo , In The Heights , Hamilton , His Dark Materials , Fosse/Verdon , Curb Your Enthusiasm (2018 Emmy nomination), Saturday Night Li ve (2017 Emmy nomination), We Are Freestyle Love Supreme ; Siempre, Luis ; Sesame Street , The Electric Company , House , DuckTales , 200 Cartas , The Odd Life of Timothy Green , Moana (Grammy Award for Best Original Song), and Mary Poppins Returns . Fall 2021 releases: Disney’s Encanto and Netflix’s Tick, Tick… BOOM! (film directorial debut). For Vanessa, best of wives and best of women.

Thomas Kail

Broadway directing credits include  Sweeney Todd  (upcoming), Hamilton , Freestyle Love Supreme ,  In the Heights ,  Lombardi , and  Magic/Bird . Off-Broadway selected directing credits include the world premieres of Hamilton , Dry Powder ,  Tiny Beautiful Things , and  Kings  at The Public Theater; the world premiere of  The Wrong Man  at MCC Theater; the world premiere of  In the Heights ;  Broke-ology  and the world premiere of  When I Come to Die at Lincoln Center Theater; and the world premiere of Daphne’s Dive  at Signature Theatre. Broadway producing credits include  Derren Brown: Secret and  Freestyle Love Supreme . Television directing and producing credits include “Up Here” on Hulu (upcoming), “Hamilton” on Disney+, “Fosse/Verdon” on FX and “Grease: Live” on Fox. He is a recipient of a Kennedy Center Honor and a graduate of Wesleyan University.  

Andy Blankenbuehler

Choreographer

Mr. Blankenbuehler is three-time Tony Award winner for his choreography in the Broadway productions of Bandstand , In The Heights, and Hamilton, for which he also received London’s Olivier Award. Other Broadway credits include Bring It On , 9 to 5 , The People in the Picture , The Apple Tree , Annie , and the revival of CATS. Upcoming theatre projects include the new musical Only Gold with British singer/songwriter Kate Nash, The Secret of Santa Vittoria with writer John Weidman, and the new musical Five Points . Recently, Mr. Blankenbuehler’s work has been seen on the Emmy Award-winning FX series Fosse/Verdon , as well as the Universal Studio film of the musical CATS.   He made his concert debut with a piece entitled Remember Our Song for the Tulsa Ballet Company. As a performer, Mr. Blankenbuehler has danced on Broadway in Fosse , Contact , Man of La Mancha , Saturday Night Fever , Steel Pier , Big, and Guys and Dolls . Originally from Cincinnati, Ohio, Mr. Blankenbuehler resides in New York City with his wife, Elly, and two children, Luca and Sofia.  Mr. Blankenbuehler has received Dance Magazine and Drama Desk Awards for his achievement in the theatre, as well as the 2018 Kennedy Center Honors for his work on the musical Hamilton.

Alex Lacamoire

Orchestrations / Co-Arranger

Alex Lacamoire is a four-time Grammy, three-time Tony, and Emmy winner for his work on Dear Evan Hansen , Hamilton , In the Heights , and FX's mini-series Fosse/Verdon . His credits as music director, arranger, and/or orchestrator include: Message in a Bottle (London), The Wrong Man (Off-Broadway), Annie (2011 Broadway Revival), Bring It On , The People in the Picture , 9 to 5 (Drama Desk and Grammy noms), Legally Blonde , High Fidelity , Wicked , Bat Boy , and Godspell (2001 National Tour). He also serves as the Executive Music Producer for many films including The Greatest Showman (20th Century Fox), In the Heights (Warner Brothers) and the upcoming animation Vivo (Netflix), Dear Evan Hansen (Universal Pictures), and Tick, Tick...Boom! (Netflix). Love to Mom, Dad, Little Sis, and to his wife, Ileana.

Ron Chernow

Author of the book “Alexander Hamilton”

Ron Chernow is the prize-winning, best-selling author of seven volumes and the recipient of the 2015 National Humanities Medal. His first book, “The House of Morgan,” won the National Book Award; “Washington: A Life” won the Pulitzer Prize for biography; and “Alexander Hamilton” — the inspiration for the musical — won the George Washington Book Prize. He is one of only three living biographers to have received the Gold Medal in Biography of the American Academy of Arts and Letters. A past president of PEN America, Chernow has received eight honorary doctorates. He resides in Brooklyn, New York.

David Korins

Scenic Design

Broadway:  Here Lies Love ;   Hamilton  (Tony nomination);  Beetlejuice  (Tony nom);  Dear Evan Hansen ;  Mrs. Doubtfire ; War Paint  (Tony nom); Bandstand ; Misery ; The Great Society ;  Motown: The Musical ;  Vanya and Sonia and Masha and Spike ; Annie ; Bring It On ; Magic/Bird ;  An Evening With Patti LuPone and Mandy Patinkin ; Godspell ; Chinglish ; The Pee-wee Herman Show ; Lombardi ; Passing Strange ;  Bridge and Tunnel . TV: “Grease: Live!” (Emmy Award); 91st & 94th Academy Awards (Emmy noms); “Elton John: A Grammy Salute”; “Last Week Tonight” with John Oliver; “The Big Brunch”; Heisman Trophy Award ceremony. Creative Director: “ Immersive Van Gogh ”; “ Disney Animation Immersive Experience”; “ Hamilton: The Exhibition”; DiscOasis NYC; the Shoah Foundation; numerous collaborations with Sotheby’s  and TED. He has collaborated with David Blaine, Lady Gaga, Bruno Mars, Mariah Carey, and Andrea Bocelli. Extensive theater, hospitality, event, and experience design. Dad: Stella & Vivian.

Paul Tazewell

Costume Design

Received an Emmy Award for costume design of The Wiz! Live and a Tony Award for costume design of Hamilton . Film: West Side Story , directed by Steven Spielberg upcoming release (20th Century Studios); Hamilton (Disney+); Harriet (Focus Features); The Immortal Life of Henrietta Lacks , starring Oprah Winfrey (Cine Mosaic/HBO). Broadway: In the Heights (Tony nomination); The Color Purple (Tony nomination); Memphis (Tony nomination); Bring in ‘Da Noise, Bring in 'Da Funk (Tony nomination); Side Show ; A Streetcar Named Desire (Tony nomination); Caroline, or Change ; Elaine Stritch at Liberty; Doctor Zhivago . TV: Jesus Christ Superstar Live in Concert for NBC, starring John Legend.

Howell Binkley

Lighting Design

Broadway: Ain’t Too Proud: The Life and Times of The Temptations (2019 Tony nomination), Come From Away (2017 Tony nomination), Hamilton (Tony Winner), Allegiance , After Midnight (2014 Tony nomination), How to Succeed in Business Without Really Trying (2011 Tony nomination), West Side Story (2009 Tony nomination), In the Heights, (2008 Tony nomination), Jersey Boys (2008 Tony winner), Avenue Q , The Full Monty , Parade , Kiss of the Spider Woman (1993 Tony nomination/Olivier and Dora winner). Co-founder/resident lighting designer: Parsons Dance.

Nevin Steinberg

Sound Design

Broadway: Sweeney Todd (2023 Revival, Tony Award), Tina: The Tina Turner Musical (Tony nomination), Hadestown (Tony Award), Hamilton , Dear Evan Hansen , Freestyle Love Supreme , The Cher Show , Bandstand , Bright Star , It Shoulda Been You , Mothers and Sons , Rodgers + Hammerstein’s Cinderella (Tony nomination) , The Performers , Magic/Bird . Over thirty Broadway productions with Acme Sound Partners and five additional Tony nominations: The Gershwins’ Porgy and Bess , Bengal Tiger at the Baghdad Zoo , Fences , Hair , In the Heights .

Charles G. LaPointe

Hair and Wig Design

Charles G. LaPointe is an award-winning Wig and Hair Designer. Theatre: Numerous Broadway; Touring; Regional Theatre; West End and International productions, including: Hamilton (Make-Up Artists & Hair Stylist Guild Award); Ain’tToo Proud ; Beautiful: The Carole King Musical ; Beetlejuice ; The Cher Show (Drama Desk Award); The Band’s Visit ; Anastasia ; SpongeBob SquarePants (Drama Desk Award); Jersey Boys ; A Gentleman’s Guide to Love and Murder ; The Color Purple ; Newsies ; In the Heights.  Television: The Wiz Live! (Emmy Nomination ) ; Jesus Christ Superstar Live! (Emmy Nomination and Make-Up Artists & Hair Stylist Guild Award); Blue Bloods ; American Crime ; Maddoff ;  Hairspray .

Michael Keller and Michael Aarons

Music Coordinators

Broadway: & Juliet , Moulin Rouge! , Hamilton , Dear Evan Hansen , The Lion King , Wicked , The Book of Mormon . Upcoming Broadway: The Devil Wears Prada . Off-Broadway: Kinky Boots , Little Shop of Horrors . Current tours: Moulin Rouge! , Hamilton , Dear Evan Hansen , Jagged Little Pill , Pretty Woman , Frozen .

Randy Cohen

Synthesizer and Drum Programmer

Randy Cohen has programmed more than 70 Broadway shows including Hamilton , The Book of Mormon , Dear Evan Hansen , Frozen , Anastasia , Pretty Woman , Kinky Boots , A Bronx Tale , Once on This Island (revival), Bring It On , Grey Gardens , Peter and the Starcatcher , and In the Heights . Keyboardist for TV’s “Sesame Street.”

Emmanuel Schvartzman

Music Director/Conductor

Broadway:  On Your Feet!  Off-Broadway:  Real Men  (New World Stages) .  Tour:  On Your Feet!  International:  Rent  (Havana, Cuba),  Carmen La Cubana  (Paris). Manny was born in Argentina and grew up in Miami. He has served as a music director, conductor, pianist, arranger, and orchestrator for more than a hundred productions. Love to the HamFam!

Matt Gallagher

Associate Music Supervisor

Broadway, Associate Conductor: Doctor Zhivago , Hands on a Hardbody , Jesus Christ Superstar (2012), 9 to 5 , Legally Blonde , High Fidelity . Off-Broadway, Music Director: Cymbeline (The Public), Tick, Tick... Boom! (Encores!), The Last Five Years (Second Stage). Training: Leite Music Studios, Adelphi University, Merce Cunningham.

Hudson Theatrical Associates

Technical Supervision

Over 100 Broadway productions and tours. Recent: Mrs. Doubtfire , American Buffalo , The Minutes , Hangmen , For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf , Girl From the North Country , American Utopia , Hadestown , Hamilton , Aladdin . HTA is a member of Neil A. Mazzella’s Hudson family, which includes Hudson Scenic Studio, Bridget Van Dyke, Sam Ellis, Sean Gorski, Brianne Tabak, and Irene Wang.

Patrick Vassel

Associate and Supervising Director

Broadway: Hamilton , Freestyle Love Supreme (Associate Director), Magic/Bird (AD). Off-Broadway: Freestyle Love Supreme (Greenwich House), Hamilton (The Public Theater), Working (Prospect). Credits: In a Little Room (Ten Bones), Sorin , Six Characters in Search of an Author (Notre Dame), Welcome to the Gun Show (ANTFest), Nothing Left to Burn (O’Neill Semi-Finalist, Ars Nova ANTFest).

Resident Director

Death of a Salesman  (Associate Director);  Hadestown  (Associate Director);  Space Dogs  (Associate Director, MCC);  Kin  (Pipeline Festival);  Jump  (IU Theatre);  Everybody ,  Antigone  (Atlantic Theater/NYU);  Moby Dick  (Assistant Director; ART). Drama League Fellowship, SDCF Gielgud Directing Fellowship, Bret C. Harte Directing Fellowship, Victory Garden’s Directors Initiative, and the WP Directors Lab. Lucy Powis, A3

Stephanie Klemons

Associate & Supervising Choreographer

Drama Desk Award-winning performer and choreographer. Original Broadway companies: Hamilton , If/Then , Bring It On, In the Heights . Notable O ff-Broadway: Hamilton, In the Heights, Repo!... First national tours: Bombay Dreams , In the Heights, Bring It On . 

Michael Mindlin

Supervising Choreographer

Choreographer:  The Nice List  (Masie Productions),  Gypsy  (North Carolina Theatre), Xanadu  (ReVision Theatre),  Beauty and the Beast  (Northern Stage),  Awesomer and Awesomer  (The Triad Theatre),  All Hail the Queen  (The Cutting Room), numerous BC/EFA benefit concerts. Broadway performance:  Aladdin ,  Bring It On ,  Mamma Mia! ,  9 to 5 ,  Chitty Chitty Bang Bang . Faculty at Broadway Dance Center and STEPS.

Desmond Nunn

Dance Supervisor

Hamilton Deutschland (Assistant Choreographer), Hamilton Angelica Tour (Dance Captain/Swing, John Laurens/Philip Hamilton Cover, Dance Supervisor). Huge thanks to the HamFam past and present, and his family, whose love and support fuel him daily. Stream his debut single, “My Mind,” on Apple Music, Spotify, and Tidal.

Maggie Brohn

Executive Producer

J. Philip Bassett

Production Supervisor

Broadway: Hamilton , The Last Ship , A Night with Janis Joplin , Breakfast at Tiffany’s , Magic/Bird , The Miracle Worker , In the Heights , Grey Gardens , Lestat , The Glass Menagerie , Bombay Dreams , Hairspray , Neil Simon’s 45 Seconds from Broadway , Footloose , The Scarlet Pimpernel and others.

Jimmie Lee Smith

Production Stage Manager

Jimmie Lee Smith comes directly from  The Outsiders , a new musical. Select Broadway credits: Disney’s  The Lion King ,  Aladdin ,  Mary Poppins , Kenny Leon’s  The Mountaintop  with Samuel L. Jackson and Angela Bassett. Select National Tours include  Saturday Night Fever ,  Jekyll & Hyde ,  Evita , and  Jesus Christ Superstar . He has also managed political and corporate events for Presidents Barack Obama and Bill Clinton, and for the MLK Memorial.

Aldora Neal

Assistant Stage Manager

Aldora Neal is a Brooklyn native and SUNY Purchase alumna blending her passions of stage management and dance. Broadway, Production Assistant:  Frozen ;  Caroline, or Change ;  Freestyle Love Supreme ;  The Cher Show ;  Once on This Island . Regional, Production Stage Manager:  Hedda Gabler  (IRT Theatre),  Radioactive  (Manhattan School of Music); Production Assistant:  Urban Retreat  (Public Theater). Dance: Project D, First Place,  Elements XV & XVI ;  Prelude New York ;  Defining Rhythm 2015 & 2016 . Aldora would like to dedicate each show to the company she keeps.

Rolando A. Linares

Stage Manager

Is excited to take Hamilton on the road. National tours: Wicked. Chicago sit-downs: Hamilton, Wicked . Regional: Several productions at the Goodman Theatre and Chicago Shakespeare Theater. Born and raised in Panama, he is a graduate of The Theatre School at DePaul University. Proud member of Actors’ Equity.

Matthew Matulewicz

Broadway:  To Kill a Mockingbird ;  The Iceman Cometh ;  Meteor Shower;   Hello, Dolly! ;  Dear Evan Hansen ;  In Transit ;  Shuffle Along ;  School of Rock ;  Gigi . National Tours:  The Little Mermaid ,  A Gentleman’s Guide to Love and Murder ,  Beautiful: The Carole King Musical . BFA, UNCSA ’15.

The Telsey Office Bethany Knox, CSA

Broadway/tours: Beetlejuice ; Be More Chill ; Network ; The Cher Show ; The Prom ; American Son ; Pretty Woman ; My Fair Lady ; Mean Girls ; Frozen ; Anastasia ; Come From Away ; Waitress ; Kinky Boots ; Wicked ; Hello, Dolly! ; Charlie and the Chocolate Factory ; On Your Feet! Off-Broadway: Atlantic Theater Company, Classic Stage Company, MCC Theater, St. Ann’s Warehouse, Second Stage Theater. Film: Mary Poppins Returns , Ben Is Back , The Greatest Showman , Into the Woods , Rachel Getting Married . TV: “Rent: Live,” “Murphy Brown,” “This Is Us,” “House of Cards,” “NCIS: New Orleans,” “One Day at a Time.”

The Press Room

Press Representative

Broadway:  Hamilton ,  The Book of Mormon , and this season’s  Prima Facie  starring Jodie Comer. Off-Broadway:  Everything’s Fine ,  Hyprov ,  Fiddler on the Roof   in Yiddish . Institutions: The Acting Company, Antonyo Awards, Barrington Stage Company, Drama Book Shop, Hunter Theater Project, National Yiddish Theatre Folksbiene, NY Classical Theatre, Ogunquit Playhouse, Out of the Box Theatrics, Paper Mill Playhouse, Rosie’s Theater Kids, Shakespeare’s Globe, Vineyard Theatre, Waterwell, The Wooster Group. Upcoming:  Born for This ,  Grace ,  Invincible ,  Personality ,  Sidney ,  A Wonderful World ,  Working Girl The Musical .

Laura Matalon

Marketing and Communications

John Gilmour, Gabriella Godinez

Susan brumley.

Company Manager

Broadway: The Present starring Cate Blanchett, Sister Act, Bring It On: The Musical . National Tours: The Book of Mormon, Evita, Next to Normal, Yo Gabba Gabba, Hairspray, Eve Ensler’s The Good Body . Off Broadway: Natasha, Pierre, and The Great Comet of 1812. Australia: The Book of Mormon. To the revolution!

Brad Broman

Associate Company Manager

Broadway:  Hello, Dolly!  starring Bette Midler & David Hyde Pierce;  The Book of Mormon . National Tours:  Hamilton  (Philip),  The Book of Mormon ,  Dirty Dancing ,  We Will Rock You ,  Mary Poppins ,  La Cage aux Folles  starring George Hamilton & Christopher Sieber,  High School Musical  (Ryan),  Hairspray  (Brad, u/s Wilbur, MAF). GMA:  Jersey Boys ,  ELF ,  The Sound of Music . Pittsburgh Native. NYU-Tisch: BFA Musical Theatre. Proud Union Member, ATPAM.

Clarissa Po

Assistant Company Manager

So grateful and excited to be joining the Hamilton Philip Tour company, her first tour! Regional: “Celebrating the Black Radical Imagination: Nine Solo Plays” (Williamstown), Chester Theatre Company. Proud Smith College graduate and member of Baseline Theatrical’s Beyond the Stage Door inaugural cohort. New Jersey native. Forever thankful for the love and support of family and friends.

The Booking Group

Tour Booking Agency

Baseline Theatrical

General Management

Founded by Andy Jones in 2014 and joined by Nick Lugo, Baseline’s Broadway credits include Hamilton ; Sweeney Todd ; Fat Ham ; freestyle love supreme ; Pass Over ; Derren Brown : Secret ; The Cher Show ; The Great Comet ; The Last Ship . Off-Broadway: Audible Theatre at Minetta Lane, The Enigmatist . National Tours: Hamilton , freestyle love supreme . Recently established Beyond the Stage Door, a no-cost educational intensive created to prepare underrepresented undergraduates for theater management careers. 

Jeffrey Seller

Jeffrey Seller is the winner of four Tony® Awards for Best Musical: Hamilton  (2016) and  Rent  (1996), both of which won the Pulitzer Prize for Drama;  Avenue Q  (2004); and  In the Heights  (2008). He also produced  De La Guarda  (1998), Andrew Lippa’s  The Wild Party  (2000), Baz Luhrmann’s direction of Puccini’s  La Bohème  (2002),  High Fidelity  (2006), the 2009 revival of  West Side Story ,  The Last Ship  (2014),  The Cher Show  (2018),  Derren Brown: Secret  (2019), and the 2023 revival of  Sweeney Todd . He was executive producer of the NBC drama “Rise” (2018) and HBO’s “Coastal Elites” (2020). Jeffrey is a graduate of the University of Michigan.

Sander Jacobs

Received the Tony and Olivier Awards for Best Musical for the Pulitzer Prize–winning  Hamilton , and a Tony Award for  In the Heights . He recently served as executive producer of the  Hamilton  film and received an Emmy Award. He is a producer and/or investor for numerous Broadway, national, and international productions, such as  Les Misérables ,  The Phantom of the Opera ,  Grand Hotel ,  Follies ,  West Side Story ,  Bengal Tiger , and  The Last Ship .

Jill Furman

Broadway: Freestyle Love Supreme (Special Tony Award), Hamilton (Tony Award), In the Heights (Tony Award), Rodgers + Hammerstein’s Cinderella , The Heiress , Seminar , West Side Story , The Drowsy Chaperone , Sly Fox , and Fortune’s Fool . Jill is an Executive Producer of In the Heights and the Hamilton movie on Disney+, as well as a producer of the Hulu documentary We Are Freestyle Love Supreme . In 2011 Furman received the Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing. Furman is on the board of the Freestyle Love Supreme Academy, the Lung Cancer Research Foundation, the Corporation of Brown University, and the President’s Advisory Council for the Arts at Brown.

The Public Theater

Premiered Hamilton on January 20, 2015, on the same stage where A Chorus Line premiered 40 years earlier. New York’s Public Theater continues the work of founder Joe Papp as an advocate for theater as an essential cultural force, leading and framing the important issues of our day. Programming includes new work, Shakespeare in the Park, Public Forum, Mobile Unit, Under the Radar, Public Studio, Public Works, Joe’s Pub. Recipient of 59 Tonys, 169 Obies, 53 Drama Desk Awards, 54 Lortel Awards, 32 OCC Awards, 6 Pulitzer Prizes.

Broadway & Regional Theatre Auditions

Updated: September 16, 2024 - Upcoming Broadway auditions, regional theater auditions and national tour theatre casting calls, with data provided by the Actors' Equity Association.

Monday September 16, 2024

Hamlet - center theatre group.

( Los Angeles, CA Audition )

Equity Principal Actors

( Submission )

Equity Stage Managers

A CHORUS LINE - Theatre Arlington Inc

( Arlington, TX Audition )

CURIOUS INCIDENT OF THE DOG IN THE NIGHTTIME - Theatre Arlington Inc

Bob and jean - zachary scott theatre center.

( Austin, TX Audition )

MOULIN ROUGE - MRB Musical LLC

( New York, NY Audition )

Equity Ensemble Dancers (All genders)

MOULIN ROUGE (Broadway) - MRB Musical LLC

Phantom in concert - watertower theatre.

( Addison, TX Audition )

CABARET (Broadway) - TBD Theatricals

Equity Ensemble Dancers (Morning - All genders)

Equity Ensemble Dancers (Afternoon - All genders)

Equity Ensemble Singers (Morning - All genders)

Equity Ensemble Singers (Afternoon - All genders)

HAIR - American Stage Company

( St Petersburg, FL Audition )

Equity Ensemble Singers

Equity Ensemble Dancers

FURLOUGH'S PARADISE - Geffen Playhouse

9/16/2024 - 9/26/2024

Friday September 13, 2024

Time stands still - thalia's umbrella.

( Seattle, WA Audition )

& JULIET - Juliet Broadway LLC

Suffs - young are at the gates llc.

Equity Ensemble Singers (All genders)

FAKE IT UNTIL YOU MAKE IT - Various Producers

Old globe 2025 season - old globe.

( San Diego, CA Audition )

HELL'S KITCHEN - HK Theatrical LLC

Florida studio theatre 2024 winter season - florida studio theatre.

( Sarasota, FL Audition )

Thursday September 12, 2024

9/12/2024 - 9/25/2024

JITNEY - Oregon Shakespeare Festival

Kiss me kate - quintessence theatre group, wednesday september 11, 2024, grief camp - atlantic theater company, irving berlin's white christmas - music theatre of connecticut.

( Norwalk, CT Audition )

THE LAST FIVE YEARS - Milwaukee Repertory Theater

Tuesday september 10, 2024, murder on the orient express - beef and boards dinner theatre.

( Indianapolis, IN Audition )

THE LITTLE MERMAID - Beef and Boards Dinner Theatre

Aladdin - disney theatrical productions.

Equity Ensemble Dancers (Male Characters)

Equity Ensemble Dancers (Female Characters)

FIDDLER ON THE ROOF - ACT of Connecticut

( Ridgefield, CT Audition )

CHRISTMAS TIME - Reagle Music Theatre of Greater Boston

( Waltham, MA Audition )

PACIFIC OVERTURES - Kunoichi Productions

( San Francisco, CA Audition )

A CASE FOR THE EXISTENCE OF GOD - Kitchen Theatre Company

( Ithaca, NY Audition )

FIDDLER ON THE ROOF - Axelrod Performing Arts Center

( Deal Park, NJ Audition )

Monday September 9, 2024

The magic school bus: lost in the solar system - marriott theatre.

Equity Actors

2nd Half 2025 Dinner Theater Season - Marriott Theatre

( Buffalo Grove, IL Audition )

( Chicago, IL Audition )

( Lincoln, IL Audition )

Friday September 6, 2024

Hell's kitchen (broadway) - hk theatrical llc.

Equity Ensemble Singers (All Genders)

Luna Stage Company 2024-25 Season - Luna Stage Company

( West Orange, NJ Audition )

Miners Alley's 2025 Season - Miners Alley Playhouse

( Denver, CO Audition )

Miners Alley 2025 Season - Miners Alley Playhouse

9/16/2024 - 9/18/2024

ISLAND OF BLUE DOLPHINS - Laguna Playhouse

( Laguna Beach, CA Audition )

MY MAN KONO - Pan Asian Repertory

Thursday september 5, 2024, anastasia - bucks county playhouse theatre inc, angels in america parts 1 & 2 - sandra feinstein-gamm theatre.

( Warwick, RI Audition )

Wednesday September 4, 2024

Titanique - porchlight music theatre, disney's frozen and ragtime - city springs theatre company.

( Sandy Springs, GA Audition )

Open Call - Dancers

FROZEN and RAGTIME - City Springs Theatre Company

Equity Ensemble Singers (Male Characters)

Equity Ensemble Singers (Female Characters)

BEAUTIFUL: THE CAROLE KING MUSICAL - Various Producers

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Frequently Asked Questions FAQ

Auditions are updated daily in real time, and are available directly from Actors' Equity Association.

At this time auditions can only be submitted directly via Actors' Equity Association. Please submit your Equity audition to the union to be listed here. To submit a non-equity audition, click here . To submit a different type of job posting, visit the Classifieds .

BroadwayWorld has a complete guide on auditions, including song selection, monologue ideas, advice from industry professionals and more. Click here .

You can find song selection advice, including a breakdown of recommended materials by voice type here .

See some of our guides here including:

How To Break Into Audition Pianist Work In NYC Moving to NYC: The Actor's Guide How To Write A Resumé For Actors How To Find Equity and Non-Equity Auditions, Audition Tips, And More! How To Find A Voice Teacher in NYC How To Find An Acting Teacher in NYC How Do Non-Equity Performers Get Seen At Equity Auditions? Everything You Need To Know About Open Call Auditions  

See our guides breaking down advice for specific audition types here .

Submission details are included within each audition's page, including requirements for pre-screens or agent submissions.

Each audition has a unique deadline, usually included with the listings.

This varies. Calls for submissions are usually virtual, while open auditions are often in person in NYC.

Each audition listing includes specifics on what to prepare.

Auditions are vetted and submitted by Actors' Equity Association.

You may join Equity under the “Open Access” program if you have worked professionally as an actor or stage manager in a theatrical production within Equity’s geographical jurisdiction.

If you have worked on a previous Equity Contract, worked as an EMC or Local Jobber or have been a member of Equity prior you may contact us to inquire about joining and filing a new Membership Application.

If you have worked professionally as an actor or stage manager in Equity’s geographical jurisdiction you will need to provide a copy of your contract and proof of pay (i.e. pay stub, W2, 1099, etc).

If you are joining Equity through Open Access, at least $600 initial payment is due with your application, and you must have completed any non-union theatre work.  

You may join the Association by virtue of employment under an Equity contract. Applications for joining Equity are only valid during the term of the contract. Certain contract types also have a length-of-employment requirement before a membership application becomes valid; the Membership Department will advise you at the time of joining.

Learn more here.

Auditions for all Broadway shows are under Equity contracts, listed on BroadwayWorld via the union.

To keep up to date on the latest theater indsutry trends, including featured job postings, subscribe to our Industry Newsletter .

You can browse all of BroadwayWorld's educational initiatives, including resources for Elementary, Middle, Highschool, as well as our database of college programs and scholarships for all types of Broadway jobs, from performing to marketing, technical, and more - here .

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