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24 bewertungen (ø 4,62), tolles konzert.

"Leprous" !!!!! Eben 😀 Eine Vorband hätte es auch gemacht 😉.

Gute Location, geniales Konzert

Ich höre Leprous schon seit mehreren Jahren aber eher sporadisch. Muss sagen, dass mich das Konzert ziemlich in den Bann gezogen hat. Ich hab sogar meine Rückenschmerzen vergessen. Auch meine Begleiter, die ich in letzter Minute noch überzeugen konnte, auch zu kommen, waren begeistert. Eine kannte Leprous gar nicht und war ganz gerührt.

Super Location, geniale Band

Leprous wie immer in Bestform, super Sound und hervorragende Sicht in einem alten umgebauten Kinosaal.

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If the light at the end of the tunnel could be converted into sound, you can bet it would sound exactly like Leprous. Over the last two decades, the Norwegian mavericks have produced some of the deepest and most rewarding music imaginable, steadily evolving from their beginnings as exuberant prog metal explorers, to their current status as one of the most unique and fascinating bands in modern heavy music. Opening their creative account with kaleidoscopic debut Tall Poppy Syndrome in 2009, Leprous have always exhibited a profound desire to make music that sounds like nothing else on Earth. Maturing via the critically acclaimed likes of The Congregation (2015) and Malina (2017), frontman

Einar Solberg’s extraordinary songwriting talents have taken his band to new heights with each successive release. Similarly revered as a jaw-dropping and heart-stopping live band, Leprous have been enthusiastically embraced by a wide variety of music lovers, from diehard metalheads to old school prog fans and, in truth, anyone that demands a little bit more passion, power and elegance from their music. In 2019, Leprous released Pitfalls; their sixth studio album and the most personal batch of songs that Solberg had ever written. Detailing the multi-instrumentalist’s battles with depression and anxiety, it was universally hailed as a career peak. With extensive touring plans spoiled by an unexpected global pandemic, the Norwegians were unable to conclude their plans for Pitfalls, but the good news is that time has not been wasted during the last year’s lockdown. Pieced together in three different studios, Leprous’ seventh full-length album Aphelion is yet another monumental artistic achievement, and the most startling and dynamic record they have ever made.

“We didn’t really plan to do an album right now,” says Solberg. “Like many bands, we were planning to do an EP but then we thought, ‘What’s the point?’ and decided to a full album. The whole point with this album is that it’s relatively intuitive. All of the songs have been written in completely different ways. Some songs have been relatively improvised in the studio, other songs have been written like before, where I sit and write at home and then we meet up to work it all out. Some of the songs, we’ve even included the fans in the writing process, so it’s a very different album. It’s a song-by-song album. I wouldn’t say that Pitfalls was a concept album, for example, but it feels a lot more like one than Aphelion does.”

Although unmistakably the work of the same band that made Pitfalls, Aphelion immediately stands out as a radical statement by this endlessly inventive band. Veering from some of the heaviest and most intense material of their career to some of the most delicate and heart-breaking music in the Leprous canon, Aphelion is an album of beautifully crafted and meticulously arranged mini-masterworks. “I feel that this is the most varied album we’ve done in a long time. That’s maybe the best way to describe it,” Solberg suggests. “I feel that every song is its own thing. I’ve struggled to find one overall sound for the album because the songs have all been recorded at different times and in different studios and in completely different ways! So we were kind of excited to see how it would all work when you put it together, because it hasn’t been written as one thing. But it feels quite free compared to Pitfalls, in particular.”

An album of scintillating contrasts, Aphelion switches effortlessly from the epic and intricate likes of opener Running Low and the exquisitely succinct Silhouette, to the ingenious and freewheeling balladry of All These Moments and the squalling prog noir grandeur of closer Nighttime Disguise. As ever, Solberg’s songwriting conjures countless moments of emotional fervour, not least because Aphelion once again focuses on the frontman’s mental health struggles. This time, however, the light at the end of the tunnel burns brighter than before. “Aphelion is about mental health, and about anxiety, which is something I’ve been dealing with over the last few years in particular. Pitfalls was more the first stage of that, like ‘Oh fuck, what am I dealing with here?’ Being deep into anxiety and depression felt like a new thing. On this album, I’ve gone much further into how to deal with it and how to gradually get away from it, at least to the point where it’s not dominating your life anymore. Both Pitfalls and Aphelion are very personal albums, and maybe the only really personal albums we’ve ever done. Back in the day we wrote much more from a general position. But with this album, the majority of the lyrics are written from my perspective, so I feel it’ll be much easier for everyone to understand what we’re saying.”

Due to the organisational chaos caused by the Covid catastrophe, Aphelion was recorded in three different studios: Ghost Ward Studio in Stockholm, with long-time collaborator David Castillo at the controls, and Norwegian studios Ocean Sound Recordings and Cederberg Studios, the latter with desk-guru Christer Cederberg. And finally, just like with Pitfalls, Aphelion was mixed by Adam Noble (Placebo, Biffy Clyro, Nothing But Thieves, etc.) and then mastered by Robin Schmidt (The 1975, Placebo, The Gaslight Anthem, etc.). But despite its seemingly chaotic creation, Aphelion is arguably the most fluid and cohesive album Leprous have made to date. Rich in sonic subtleties and organic warmth, it’s thrilling proof that a lot can be achieved, even in the most challenging of circumstances.

“We worked with a lot of different people this time. We recorded it in three different studios. It’s a bit like some have been recorded in one and some in another, and some in another, and then a couple of songs have been recorded in all three! But for guests, we had again Raphael Weinroth-Browne on cello and Chris Baum on violin, and this time we had a Norwegian brass group called Blåsemafiaen, and they almost won the Norwegian Eurovision contest this year! But they’re extremely good and they play on Running Low and Nighttime Disguise. It’s the first time we’ve had a full brass group on an album.” The perfect title for this intimate and moving piece of work, Aphelion represents the point in the path of an object’s orbit when it is furthest away from the sun. It’s a sublimemetaphor for the grand challenges that are thrown at us in life, and the strength and self- belief it often requires to struggle on. For Solberg, it seemed to capture the essence of what these songs are expressing.

“First of all we thought it was a very beautiful title,” he says. “Originally we wanted to call the album Adapt, because that’s kind of the theme, but it didn’t sound right. Adapt Tour 2022 doesn’t sound very cool, does it? [Laughs] So the meaning of Aphelion is what we wanted in the first place. It’s about creating something beautiful from a difficult situation. You try to use a hard situation to your own advantage, which I think we’ve done with Leprous to a great degree. We’ve really embraced this lockdown situation as much as we can, with the livestreams. I think we’ve done eight streams and it’s going well for us, and we’ve written a new album too. So it’s not about thinking about what you had and what you miss – it’s about what you actually have and what you can do with it.” Armed with some of the most spellbinding music they’ve ever made, Leprous are keen to be at the front of the queue when live music becomes a fundamental part of our lives once again. In the meantime, Aphelion is a timely reminder that this band can touch hearts and soothe souls like no other. “I guess like every other band we’re planning to play live as soon as we can. I don’t think anyone’s going to wait very long! So we’ve announced a tour for December this year, which is a 20th anniversary run. It’ll be a chronological set from our early demos, right up to today. Luckily we started the band very young when I was 16 and Tore was 15, but I actually felt older three years ago. I’ve made peace with getting older, more than I did back then. I’m really looking forward to whatever comes next!”

LEPROUS "Aphelion (Tour Edition)" & Konzertdaten

LEPROUS haben eine spezielle 'Tour Edition' ihres siebten Studioalbums "Aphelion" angekündigt, welche am 3. Februar 2023 über InsideOutMusic veröffentlicht wird, passend zu ihrer nächsten großen Headliner-Tour durch Europa im Februar/März 2023 mit Monuments & Kalandra als Supportacts.

Die "Aphelion (Tour Edition)"-Veröffentlichung wird sowohl als limitiertes 2CD-Digipak als auch als digitales Album (2CD) erhältlich sein, das das ursprüngliche "Aphelion"-Album, seine beiden ersten Bonustracks sowie eine separate, brandneue Live-Bonus-Disc mit 6 Tracks/40 Minuten enthält, die in diesem Jahr während der ersten Etappe der "Aphelion"-Tour beim Motocultor Festival in Frankreich und in Berlin aufgenommen wurde.

Hier ist das genaue Tracklisting der kommenden 'Tour Edition' Veröffentlichung:

LEPROUS "Aphelion (Tour Edition)" / 2CD Digipak & Digitales Album (2CD):

CD1 - Album & Bonus Tracks (68:15)

1. Running Low (06:30)

2. Out Of Here (04:15)

3. Silhouette (03:44)

4. All The Moments (06:52)

5. Have You Ever? (04:41)

6. The Silent Revelation (05:45)

7. The Shadow Side (04:28)

8. On Hold (07:47)

9. Castaway Angels (04:53)

10. Nighttime Disguise (07:04)

11. A Prophecy To Trust (02:59) * Bonus Track

12. Acquired Taste (Live 2021) (09:09) * Bonus Track

CD2 - Live Tracks (40:04)

1. Out Of Here (Live At Motocultor 2022) (04:22)

2. From The Flame (Live At Motocultor 2022) (04:01)

3. Below (Live At Motocultor 2022) (06:04)

4. The Price (Live At Motocultor 2022) (05:36)

5. Nighttime Disguise (Live In Berlin 2022) (07:39)

6. The Sky Is Red (Live In Berlin 2022) (12:22)

Die 6 neuen Live-Tracks werden auch separat als limitierte transparente hellblaue LP auf einer 180g-Vinyl-Edition mit dem Titel "Live 2022" erhältlich sein, die am 5. Mai 2023 über InsideOutMusic veröffentlicht wird.

LEPROUS, Monuments & Kalandra - “Aphelion” European Tour 2023

03.02.2023 Hamburg - Grünspan

04.02.2023 Köln - Essigfabrik

26.02.2023 Lausanne (CH) - Les Docks

06.03.2023 München - Backstage

09.03.2023 Reutlingen - Franz K

10.03.2023 Berlin - Astra

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LEPROUS - Live-Studio Version, Tourdaten und Tour-Edition von "Aphelion"

• 9. Jänner 2023

Die norwegische Prog-Rockband LEPROUS hat soeben einen brandneuen „Live in Studio“-Videoclip zu ihrem Song „On Hold“ aus ihrem aktuellen Album „Aphelion“ veröffentlicht, um ihre am 1. Februar beginnende Europatournee sowie die spezielle ‚Tour Edition‘ von „Aphelion“ zu promoten, die am 3. Februar 2023 über InsideOutMusic erscheinen wird.

Der Ton zu „On Hold (Live in Studio)“ wurde von Thomas Wang in den Urban Sound Studios aufgenommen und abgemischt, und der Videoclip wurde von Troll Toftenes gedreht. Es kann hier angesehen werden:

LEPROUS kommentieren: “For the first time we chose to release a live recording/video from the studio. We decided to do this in order to capture and show a LEPROUS song in more detail and so allow the fans to get even more into our vibe. This footage was collected as a part of our latest rehearsals before our ambitious European tour taking place February 1st until March 18th. We are looking forward to seeing you all soon…”

Die „Aphelion (Tour Edition)“-Veröffentlichung wird sowohl als limitiertes 2CD-Digipak als auch als digitales Album (2CD) erhältlich sein, das das ursprüngliche „Aphelion“-Album, seine beiden ersten Bonustracks sowie eine separate, brandneue Live-Bonus-Disc mit 6 Tracks/40 Minuten enthält, die in diesem Jahr während der ersten Etappe der „Aphelion“-Tourkampagne beim Motocultor Festival in Frankreich und in Berlin, Deutschland, aufgenommen wurden. Die neuen Live-Tracks wurden von Chris Edrich aufgenommen und gemischt sowie von Pierrick Noel im Atelier Mastering gemastert.

CD1 – Album & Bonus Tracks (68:15): 1. Running Low (06:30) 2. Out Of Here (04:15) 3. Silhouette (03:44) 4. All The Moments (06:52) 5. Have You Ever? (04:41) 6. The Silent Revelation (05:45) 7. The Shadow Side (04:28) 8. On Hold (07:47) 9. Castaway Angels (04:53) 10. Nighttime Disguise (07:04) 11. A Prophecy To Trust (02:59) * Bonus Track 12. Acquired Taste (Live 2021) (09:09) * Bonus Track

CD2 – Live Tracks (40:04): 1. Out Of Here (Live At Motocultor 2022) (04:22) 2. From The Flame (Live At Motocultor 2022) (04:01) 3. Below (Live At Motocultor 2022) (06:04) 4. The Price (Live At Motocultor 2022) (05:36) 5. Nighttime Disguise (Live In Berlin 2022) (07:39) 6. The Sky Is Red (Live In Berlin 2022) (12:22)

Die 6 neuen Live-Tracks werden auch separat als limitierte transparente hellblaue LP auf einer 180g-Vinyl-Edition mit dem Titel „Live 2022“ erhältlich sein, die am 5. Mai 2023 über InsideOutMusic veröffentlicht wird.

Hier die kommenden Tourdaten:

LEPROUS, Monuments & Kalandra – “Aphelion” European Tour 2023 01.02.2023 Gothenburg, Sweden – Pustervik 02.02.2023 Copenhagen, Denmark – Pumpehuset 03.02.2023 Hamburg, Germany – Gruenspan 04.02.2023 Cologne, Germany – Essigfabrik 05.02.2023 Utrecht, The Netherlands – Tivoli Ronda 06.02.2023 Maastricht, The Netherlands – Muziekgieterij 07.02.2023 London, UK – Shepherds Bush Empire 08.02.2023 Glasgow, UK – Slay 09.02.2023 Manchester, UK – 02 Ritz 11.02.2023 Bristol, UK – SWX 12.02.2023 Paris, France – Salle de Pleyel 13.02.2023 Esch, Luxembourg – Rockhal 14.02.2023 Lille, France – Le Splendid 15.02.2023 Rouen, France – Le 106 16.02.2023 La Roche-Sur-Yon, France – Quai M 17.02.2023 Bordeaux, France – Rock School Barbey 18.02.2023 Toulouse, France – Metronum 20.02.2023 Porto, Portugal – Hard Club 21.02.2023 Lisbon, Portugal – Lisboa Ao Vivo 23.02.2023 Madrid, Spain – La Riviera 24.02.2023 Barcelona, Spain – Apolo 25.02.2023 Nimes, France – La Paloma 26.02.2023 Lausanne, Switzerland – Les Docks 27.02.2023 Milan, Italy – Fabrique 28.02.2023 Ljubljana, Slovenia – Kino Siska 02.03.2023 Athens, Greece – Gagarin 03.03.2023 Sofia, Bulgaria – Joy Station 04.03.2023 Bucharest, Romania – Arenele Romane 05.03.2023 Budapest, Hungary – Barba Negra 06.03.2023 Munich, Germany – Backstage 07.03.2023 Bratislava, Slovakia – Majestic 08.03.2023 Prague, Czech Republic – Palac Akropolis 09.03.2023 Reutlingen, Germany – Franz K 10.03.2023 Berlin, Germany – Astra 11.03.2023 Wroclaw, Poland – A2 13.03.2023 Helsinki, Finland – Vanha Ylioppilastalo 14.03.2023 Joensuu, Finland – Kerubi 15.03.2023 Tampere, Finlöand – Pakkahuone 17.03.2023 Stockholm, Sweden – Fryshuset 18.03.2023 Oslo, Norway – Sentrum Scene

LEPROUS line-up: Einar Solberg – vocals/keys Tor Oddmund Suhrke – guitars Robin Ognedal – guitars Simen Børven – bass Baard Kolstad – drums

Band-Links:

Related Posts

LEPROUS – Single inkl. Video vom kommenden Album

Ihsahn – ihsahn, ihsahn – fascination street sessions, leprous – neues album „melodies of atonement“ angekündigt, earthside – mit spannung erwartetes neues album „let the truth speak“, einar solberg – erstes solo-album des leprous fronters + single „grotto“ online.

EINAR SOLBERG – The Congregation Acoustic

Einar solberg – 16, thornhill – heroine.

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Tours most with, live reviews.

The venue by the looks of it is just another converted hall (only accessible by a flight of stairs) with a bar to the side of the stage. The venue is completely flat and even the sound/lighting stage had trouble seeing over the crowd's heads to see the stage. I was at the back of the room with a seat provided for me, but was hard to see. If not for Leprous using step risers on stage I would not have seen much atr all.

For the price of the ticket, we got to see 4 bands including Leprous (including the solo cellist Raphael Weinroth-Browne (http://www.youtube.com/user/TheNihilisticGod), that played with them on stage), a great surprise I was not expecting. The bands were a good mix but very all had the characteristic of playing odd time signatures.

Leprous had 2 songs left off their encore because of venue curfew. Queue to the venue wasn't too long, but due to organisation, the queue was only halfway in when the first act started playing.

Great performance by Leprous, glad to see them headlining as they were so good as a support act to Devin Townsend. No nonsense or endless talking, just ROCK! :)

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I saw Leprous in Detriot and let me say - it was well worth the 3 hr trip from Columbus. I feel in love with the band after Bilateral after getting great reviews on Prog Archives and rate your music, and Coal was a decent followup. Hearing it live though, Coal is an album that really benefits from being performed live. Not too much banter between songs, and the setlist was pretty much what you'd expect, probably 60-70% off Coal, with a few songs from Bilateral and I believe 1 from Poppy Seed. They came out for an encore and played 2 more songs, including Forced Entry which may have been the highlight (Chronic live was exceptional as well). I'm disappointed the turnout was so low (maybe 3-4 dozen) for such an epic band traveled all the way from Norway, but this is their first US tour and hopefully they can become more popular here in America. They have to be regarded as nothing less than rock Gods in Norway.

Einar was sick on the day and an announcer came to tell the band was on the verge of cancelling the show but didn't. After the concert started, couldn't tell the difference. Everybody played out of their minds. It's great to see Raphael more and more integrated into the songs, it's great to watch him live. Some songs from Pitfalls really grow on you live, such as the Sky is Red. Amazing concert and performance!

Saw this group supporting Devin Townsend in London and I was blown away! They had no banter between songs they just got on with rocking the Apollo. Superb singer and drummer drifting through odd time signatures like a boss!! After they had finished I felt compelled to buy one of their albums off the merch stand! I have added them to my list to go see in England when they come back.

SPERE! what a good support!

Saw Leprous 2 years ago at debaser and they always deliver AWESOMENESS

Einar's voice was not as good this year as last time (end of a heavy tour?)

but just a blast!

will go every time they come to Sweden!

Saw them at Hedon, Zwolle. They were really fucking good. I wish they'd play some songs from their old albums though, but that's more of a personal gripe. Also, Einar cracked some lame jokes and was a bit awkward in a funny, endearing way.

Leprous put on a great show. They had tons of energy and sounded great. I'd definitely see them again. Their light show was a bit overwhelming at times, but didn't take away from the experience. The opener Bent Knee was great as well.

Leprous are one of the best live acts I have ever seen. They have never disappointed and always exceed expectations. If you are into to their type of music, I highly recommend going to see them live.

They're ready to represent their country ath the Eurovision song contest. This will be the last time I went to see Leprous. How much they've gone full emo since The Congregation is appalling.

Fantastic show. All four bands were great, and the venue being so small makes for a nice, intimate atmosphere.

Highly recommended to see Leprous, as they really put on a great show! \m/

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Leprous tour dates and tickets 2024-2025 near you

Want to see Leprous in concert? Find information on all of Leprous’s upcoming concerts, tour dates and ticket information for 2024-2025.

Leprous is not due to play near your location currently - but they are scheduled to play 27 concerts across 4 countries in 2024-2025. View all concerts.

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• Lignano Sabbiadoro, Italy
• Nashville, TN, US
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Leprous Terminübersicht, Tour und Tickets 2024/2025

Hier findest du die nächsten Termine und Tourneen von Leprous und kannst deine Tickets im VVK sichern.

• Music, Rock, Progressive Rock

9 Veranstaltungen : Leprous

• Do, 11. Jul 2024
• Festivalområdet Sentrum, Brønnøysund, NO

• Mi, 11. Sep 2024
• The Opera House, Toronto, CA

• Do, 12. Sep 2024
• Théâtre Beanfield, Montreal, CA
• Sa, 21. Sep 2024
• The Lyric at Skyway Theater, Minneapolis, US
• The Loft At Skyway Theatre, Minneapolis, US
• Mo, 23. Sep 2024
• Gothic Theatre, Greenwood Village, US
• Mi, 2. Okt 2024
• White Oak Music Hall, Houston, US
• Sa, 5. Okt 2024
• Revolution Live, Davie, US

• Sa, 15. Feb 2025
• Sentrum Scene, Oslo, NO

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15 vergangene Veranstaltungen: Leprous

• Sa, 16. Mär 2024
• Festiviteten
• Do, 14. Mär 2024
• Kantakrouvi
• Fr, 8. Mär 2024
• Täubchenthal
• Do, 7. Mär 2024
• Mi, 6. Mär 2024
• Z7 Konzertfabrik
• Di, 5. Mär 2024
• So, 3. Mär 2024
• The Academy
• Sa, 2. Mär 2024
• Project House
• Fr, 1. Mär 2024
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Fr, 10.03.23 Astra Kulturhaus, Berlin

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Allgemeine Hinweise

Allgemeine Informationen zu Einlass, Altersbeschränkungen und der Mitnahme von Gegenständen.

Astra Kulturhaus Revaler Str. 99 10245 Berlin

If the light at the end of the tunnel could be converted into sound, you can bet it would sound exactly like Leprous. Over the last two decades, the Norwegian mavericks have produced some of the deepest and most rewarding music imaginable, steadily evolving from their beginnings as exuberant prog metal explorers, to their current status as one of the most unique and fascinating bands in modern heavy music. Opening their creative account with kaleidoscopic debut Tall Poppy Syndrome in 2009, Leprous have always exhibited a profound desire to make music that sounds like nothing else on Earth. Maturing via the critically acclaimed likes of The Congregation (2015) and Malina (2017), frontman

Einar Solberg’s extraordinary songwriting talents have taken his band to new heights with each successive release. Similarly revered as a jaw-dropping and heart-stopping live band, Leprous have been enthusiastically embraced by a wide variety of music lovers, from diehard metalheads to old school prog fans and, in truth, anyone that demands a little bit more passion, power and elegance from their music.

In 2019, Leprous released Pitfalls; their sixth studio album and the most personal batch of songs that Solberg had ever written. Detailing the multi-instrumentalist’s battles with depression and anxiety, it was universally hailed as a career peak. With extensive touring plans spoiled by an unexpected global pandemic, the Norwegians were unable to conclude their plans for Pitfalls, but the good news is that time has not been wasted during the last year’s lockdown. Pieced together in three different studios, Leprous’ seventh full-length album Aphelion is yet another monumental artistic achievement, and the most startling and dynamic record they have ever made.

“We didn’t really plan to do an album right now,” says Solberg. “Like many bands, we were planning to do an EP but then we thought, ‘What’s the point?’ and decided to a full album. The whole point with this album is that it’s relatively intuitive. All of the songs have been written in completely different ways. Some songs have been relatively improvised in the studio, other songs have been written like before, where I sit and write at home and then we meet up to work it all out. Some of the songs, we’ve even included the fans in the writing process, so it’s a very different album. It’s a song-by-song album. I wouldn’t say that Pitfalls was a concept album, for example, but it feels a lot more like one than Aphelion does.”

Although unmistakably the work of the same band that made Pitfalls, Aphelion immediately stands out as a radical statement by this endlessly inventive band. Veering from some of the heaviest and most intense material of their career to some of the most delicate and heart-breaking music in the Leprous canon, Aphelion is an album of beautifully crafted and meticulously arranged mini-masterworks.

“I feel that this is the most varied album we’ve done in a long time. That’s maybe the best way to describe it,” Solberg suggests. “I feel that every song is its own thing. I’ve struggled to find one overall sound for the album because the songs have all been recorded at different times and in different studios and in completely different ways! So we were kind of excited to see how it would all work when you put it together, because it hasn’t been written as one thing. But it feels quite free compared to Pitfalls, in particular.”

An album of scintillating contrasts, Aphelion switches effortlessly from the epic and intricate likes of opener Running Low and the exquisitely succinct Silhouette, to the ingenious and freewheeling balladry of All These Moments and the squalling prog noir grandeur of closer Nighttime Disguise. As ever, Solberg’s songwriting conjures countless moments of emotional fervour, not least because Aphelion once again focuses on the frontman’s mental health struggles. This time, however, the light at the end of the tunnel burns brighter than before.

“Aphelion is about mental health, and about anxiety, which is something I’ve been dealing with over the last few years in particular. Pitfalls was more the first stage of that, like ‘Oh fuck, what am I dealing with here?’ Being deep into anxiety and depression felt like a new thing. On this album, I’ve gone much further into how to deal with it and how to gradually get away from it, at least to the point where it’s not dominating your life anymore. Both Pitfalls and Aphelion are very personal albums, and maybe the only really personal albums we’ve ever done. Back in the day we wrote much more from a general position. But with this album, the majority of the lyrics are written from my perspective, so I feel it’ll be much easier for everyone to understand what we’re saying.”

Due to the organisational chaos caused by the Covid catastrophe, Aphelion was recorded in three different studios: Ghost Ward Studio in Stockholm, with long-time collaborator David Castillo at the controls, and Norwegian studios Ocean Sound Recordings and Cederberg Studios, the latter with desk-guru Christer Cederberg. And finally, just like with Pitfalls, Aphelion was mixed by Adam Noble (Placebo, Biffy Clyro, Nothing But Thieves, etc.) and then mastered by Robin Schmidt (The 1975, Placebo, The Gaslight Anthem, etc.).

But despite its seemingly chaotic creation, Aphelion is arguably the most fluid and cohesive album Leprous have made to date. Rich in sonic subtleties and organic warmth, it’s thrilling proof that a lot can be achieved, even in the most challenging of circumstances.

“We worked with a lot of different people this time. We recorded it in three different studios. It’s a bit like some have been recorded in one and some in another, and some in another, and then a couple of songs have been recorded in all three! But for guests, we had again Raphael Weinroth-Browne on cello and Chris Baum on violin, and this time we had a Norwegian brass group called Blåsemafiaen, and they almost won the Norwegian Eurovision contest this year! But they’re extremely good and they play on Running Low and Nighttime Disguise. It’s the first time we’ve had a full brass group on an album.” The perfect title for this intimate and moving piece of work, Aphelion represents the point in the path of an object’s orbit when it is furthest away from the sun. It’s a sublimemetaphor for the grand challenges that are thrown at us in life, and the strength and self- belief it often requires to struggle on. For Solberg, it seemed to capture the essence of what these songs are expressing.

“First of all we thought it was a very beautiful title,” he says. “Originally we wanted to call the album Adapt, because that’s kind of the theme, but it didn’t sound right. Adapt Tour 2022 doesn’t sound very cool, does it? [Laughs] So the meaning of Aphelion is what we wanted in the first place. It’s about creating something beautiful from a difficult situation. You try to use a hard situation to your own advantage, which I think we’ve done with Leprous to a great degree. We’ve really embraced this lockdown situation as much as we can, with the livestreams. I think we’ve done eight streams and it’s going well for us, and we’ve written a new album too. So it’s not about thinking about what you had and what you miss – it’s about what you actually have and what you can do with it.”

Armed with some of the most spellbinding music they’ve ever made, Leprous are keen to be at the front of the queue when live music becomes a fundamental part of our lives once again. In the meantime, Aphelion is a timely reminder that this band can touch hearts and soothe souls like no other.

“I guess like every other band we’re planning to play live as soon as we can. I don’t think anyone’s going to wait very long! So we’ve announced a tour for December this year, which is a 20th anniversary run. It’ll be a chronological set from our early demos, right up to today. Luckily we started the band very young when I was 16 and Tore was 15, but I actually felt older three years ago. I’ve made peace with getting older, more than I did back then. I’m really looking forward to whatever comes next!”

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Leprous release music video for new single ‘Atonement’

Leprous announce new studio album ‘melodies of atonement’, melodies of atonement.

1. Silently Walking Alone (04:05) 2. Atonement (04:49) 3. My Specter (03:55) 4. I Hear The Sirens (04:31) 5. Like A Sunken Ship (04:04) 6. Limbo (05:56) 7. Faceless (06:25) 8. Starlight (06:09) 9. Self-Satisfied Lullaby (06:21) 10. Unfree My Soul (05:21)

Melodies of Atonement Deluxe Artbook Edition

Melodies of Atonement T-Shirt

Melodies of Atonement 2LP Marbled Vinyl

Melodies of Atonement 2LP Black Vinyl

Melodies of Atonement CD

‘Walk Alone’ White T-Shirt

‘Dark Waters’ T-Shirt

‘New Life’ T-Shirt

‘Silent Colours’ T-Shirt

‘Melodies’ T-Shirt

• LIMP BIZKIT
• FEEL THE NOISE FESTIVAL
• HALF GRAMME OF SOMA
• ARCTIC FLAME
• TAUBERTAL-FESTIVAL
• END OF THE DREAM
• ETERNAL EVIL
• Tourdaten & Festivals

LEPROUS: Fortsetzung der “Pitfalls”-Tour

• progressive metal

LEPROUS kommen mit ihrem aktuellen Album “ Pitfalls ” nochmals auf Tour, bei der zweiten Runde durch Europa geben die Norweger auch jeweils ein Konzert in Deutschland, Österreich und der Schweiz.

Als Support-Band begleiten KLONE und  MARATON die “Pitfalls” Tour.

LEPROUS waren bereits im Herbst 2019 in Europa unterwegs und spielten unter anderem in München (zum Konzertbericht bei vampster)

LEPROUS – European Tour 2020 mit  Klone & Maraton

08.02 – Dortmund (Germany) – Junkyard 09.02 – Strasbourg (France) – La Laiterie 10.02 – Grenoble (France) – l’hyliade 11.02 – Fribourg (Switzerland) – Fri-Son 12.02 – Graz (Austria) – Explosiv 13.02 – Istanbul (Turkey) – Zorlu Turkcell Stage * 14.02 – Tel Aviv (Israel) – Havanna * 15.02 – Athens (Greece) – Fuzz Club 17.02 – Bucharest (Romania) – Quantic 18.02 – Cluj-Napoca (Romania) – /Form Space 19.02 – Budapest (Hungary) – Durer Kert 20.02 – Krakow (Poland) – Kwadrat 21.02 – Warsaw (Poland) – Progresja 22.02 – Gdansk (Poland) – B90 24.02 – Nijmegen (The Netherlands) – Doornroosje 25.02 – Savigny (France) – l’empreinte 26.02 – Toulouse (France) – Le Rex 28.02 – Porto (Portugal) – Hard Club 01.03 – Lisbon (Portugal) – Lisboa Ao Vivo * = Without Maraton

[envira-gallery id=”197819″]

reviews aus leidenschaft

Leprous – Aphelion (Tour Edition) – Review

Mit der “Aphelion (Tour Edition)” liefern die Progessive-Rocker von LEPROUS ihren Fans eine Extraportion. Ihr letztes, siebtes Album war zweifelsohne ihr opulentestes bisher, aber auch das inhaltlich am schwersten zu verdauende. Sänger Einar Solberg nimmt uns mit in die dunkelsten Ängste seiner Seele und zeigt uns die tiefsten Abgründe, in der ungern abstürzen möchte.

Dass die Band live noch deutlich intensiver ist, als sowieso schon auf den Platten festgehalten, dürfte sich mittlerweile herumgesprochen haben. Dementsprechend beeindruckend, aber auch emotional stärker bedrückend, wirkt “Aphelion (Tour Edition)” in den zugefügten Liveaufnahmen auf uns.

Ungefragter Nachschlag

Für alle Chronistinnen und Chronisten gibt es auf “Aphelion (Tour Edition)” also zusätzliche Liveaufnahmen aus Berlin und vom Motocultor Open Air in der Bretagne. Diese konzentrieren sich nicht ausschließlich auf den Fang von “Aphelion”, sondern auch auf Vorgängeralben. Darüber hinaus findet sich noch der Bonussong “A Prophecy to Trust”, das war’s dann aber auch erstmal mit dem Mehrwert.

LEPROUS wollen mit ihrer Musik Reaktionen erzeugen, die live auch widerhallen und sie zu einer der besten Livebands ihrer Klasse machen (“The Price”). Wer also diese Facette betont und das Vorurteil von einer vor sich hin frickelnden Art-Band widerlegt wissen will, der kann theoretisch auch auf “Live At Rockefeller Music Hall” von 2016 zurückgreifen.

Live geht die wahre Magie ab

Das Re-Release richtet sich in erster Linie an alle, die “Aphelion” einfach bisher noch nicht besitzen und sich dann jetzt konsequenterweise gleich die volle Dröhnung gönnen wollen. Von unfairer Taktik kann hier aber nicht die Rede sein, denn wer die Spitzenplatte bereits besitzt, kann auch nur den Bonus abgreifen. Und die Liveaufnahmen ergänzend zum bisherigen Œuvre zu besorgen, ist eine gute Entscheidung. “Aphelion (Tour Edition)” macht unterm Strich Lust auf eine Livekonzert von LEPROUS, da geht die wahre Magie ab.

Dauer: 108:15 Label: Inside Out/ Sony VÖ: 03.02.2023

Tracklist “Aphelion (Tour Edition)” von LEPROUS Running Low Out of Here Silhouette All the Moments Have You Ever? The Silent Revelation The Shadow Side On Hold Castaway Angels Nighttime Disguise A Prophecy to Trust Acquired Taste (Live 2011) Out of Here (Motocultor Live) From the Flame (Motocultor Live) Below (Motocultor Live) The Price (Motocultor Live) Nighttime Disguise (Berlin Live) The Sky Is Red (Berlin Live)

Alben, die Dir gefallen könnten: LEPROUS – Aphelion MOTOROWL – This House Has No Center HAKEN – Fauna HYPNO5E – Sheol HAKEN veröffentlichen “The Alphabet Of Me” aus kommendem Album “Fauna” COHEED AND CAMBRIA – Vaxis II: A Window Of The Waking Mind  Interview mit CADAVRE DE SCHNAPS zur EP “Unlearning By Doing” PLAYGROUNDED veröffentlichen Video zu “The Death Of Death” Interview mit Esa Holopainen von Silver Lake By Esa Holopainen HAKEN – Virus LEPROUS – Pitfalls TIME WORN – Leave The Soul For Now OPETH – In Cauda Venenum BORKNAGAR – True North PSOTY – Sunless HEADS. – Push SIBIIR – Ropes TARGET – Deep Water Flames GÖSTA BERLINGS SAGA – Konkret Musik PAIN OF SALVATION – Panther PUSCIFER – Existential Reckoning LEPROUS – Interactive Livestream im Cederberg Studio vom 09.10.2020 SIGUR RÓS – Odin‘s Raven Magic LIZZARD – Eroded Interview mit Esa Holopainen zum Album “Silver Lake by Esa Holopainen” ÅRABROT – Norwegian Gothic HUMANS AS ORNAMENTS – The Option To Disappear SILVER LAKE by ESA HOLOPAINEN veröffentlicht “Ray Of Light” SLEEP TOKEN veröffentlicht Video zum Song “The Love You Want” WHITE STONES – Dancing Into Oblivion

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Leprous – 20th Anniversary European Tour: Technikum, München, München

Grafinger Straße 6 , 81671 München , Deutschland

• Leprous (Headliner)

Leprous – 20th Anniversary European Tour Tourdaten

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